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Arts

Things to Do: Eat Ice Cream!

It’s finally warmed up in western New York, and that means it’s ice cream season again! There are plenty of places to go out for ice cream in the area, but I have a couple recommendations.

Courtesy of hotspoint.com
Courtesy of hotspoint.com

If you don’t want to drive very far, make your way south on Route 19 to Oramel and turn into Coffee Plus Cafe. They feature over 125 flavors of soft serve ice cream and have a nice patio where you and your friends can enjoy your cones in the sunshine.

If you are up for a longer drive, head to Arcade and stop at Delightfull’s. There you can find hard ice cream and soft serve in addition to sundaes, floats, and blizzards. The shop is quaint and the atmosphere pleasant.

For ice cream and a little entertainment, consider the Charcoal Corral. Their ice cream parlour offers soft and hard ice cream, and you can enjoy it while playing a round of mini golf for $5.

You could also see two featured films at the Silver Lake drive-in theater for $7. The films begin at dusk this weekend, and on the first screen The Croods and Oz: The Great and Powerful are playing. On the second screen you can see Oblivion and Identity Thief.

Wherever you choose to go, make sure you de-stress and enjoy a cone during the nice weather sometime before the end of the semester.

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Arts

Things to Eat: Guacamole

Guacamole.  For those of you who read my last article, forgive me for writing one more time about my love of Mexican food. I just could not pass up the opportunity to highlight one of the best culinary treasures on earth.

Courtesy of Gabe Jacobsen
Courtesy of Gabe Jacobsen

Guacamole can be simple, made with avocados, salt, and a little bit of lime, or it can be highly complex filled with various spices, fruits, nuts, herbs and even bacon (there are lots of variations to be found on the internet)!  It is equally diverse when served at home as an appetizer with chips or vegetables for dipping or as a condiment on an endless supply of different main dishes.

This week I am offering up an approximation of my typical recipe (I usually don’t measure) and will even provide some suggestions for ways to spruce it up if you want.  Samples will be available in the Office of Student Life on Monday until it runs out!

Ingredients:

  • 2 medium sized avocados (the best way to tell if they are ripe is if you push on them and there is a slight give – you want them to be a little bit soft, but not mushy or brown)

  • 1 clove garlic (fresh is best)

  • 1/2 jalapeño, finely diced (you can vary the heat level by using more, less or removing the veins and seeds inside the chile)

  • 1/2 cup chopped cilantro

  • 1/3 cup finely chopped onion

  • 1/2 teaspoon salt (plus more to taste)

  • 1/4 teaspoon fresh ground pepper

  • juice from 1/2 small lime

Directions:

Take 1 teaspoon onion, the clove of garlic, jalapeño, salt, pepper, lime juice and a good pinch of cilantro and put it in a blender (you can do this in a mortar and pestle or chop all the ingredients finely and try to mash them with a fork if you don’t have a blender.)  Blend until smooth.  Open the avocados by cutting lengthwise around the pit and pulling the two halves apart.  You can remove the pit by gently hitting the pit with the knife and then pulling the pit out.  With your knife, carefully cut a crosshatch pattern in each of the halves of the avocado and scoop the cubes out into a bowl with a spoon.  Pour the blended mixture over the avocado and gently toss to coat all the pieces evenly.  Add remaining cilantro and onion to the bowl and mash the avocado to your preferred consistency (I like mine to have some texture to it).  Add more salt to taste if you think it needs it.

If you want to try something different, you can add mango, papaya, peaches, or strawberries for a more tropical feel. Or, as I mentioned above, you can add bacon (think B.L.T. with avocado here and it doesn’t sound so weird).  Enjoy!

 

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Arts

Philharmonia Performance

On Wednesday April 24 at 8 p.m., the Houghton Philharmonia will be performing their final concert of the semester entitled, “Everything Old is New Again.” The performance will include three pieces: “Concerto for Horn” by Reinhold Gliere (conducted by graduate student Ethan Hall), “Ancient Airs and Dances, Suite No. 3 for Strings” by Ottorino Respighi, and Beethoven’s Symphony No. 5.

In choosing the music selections for this concert, conductor Dr. Mark Hijleh tried to look for something that would challenge the orchestra as well as be manageable in relation to the group’s skill level. All the pieces exhibit an ongoing and established repertoire of strong and dynamic music making. Each piece was important to its time, which led to the concert title.

Courtesy of Facebook.com
Courtesy of Facebook.com

The members of Philharmonia and their conductor have been hard at work practicing these pieces throughout the semester. Hijleh took over the orchestra this spring. Hijleh said that he has attempted “to create a space where each person could make their best contribution in creating an overall sound.”

In preparation for this concert, Philharmonia faced some challenges, such as performing each piece with a unique sound. The sound is dictated by the time period in which each piece was produced and those stylistic additions that would epitomize the distinctiveness of the work.

The length of each piece also demands a certain rigor of each of the musicians, with the longest piece spanning about 30 minutes. This puts even more emphasis on working together to create a unified sound. A certain mental and physical endurance is necessary to perform these pieces.

Sophomore Brandon Bennet, music education major, is the principal second violin. He has been participating in Philharmonia since the fall semester of his freshman year when he was the officer for the freshman class. Now as section leader, Bennet carries the greater responsibility of helping to motivate and push his section.

In preparing for the upcoming concert, he said that the piece by Beethoven “presented many challenges for the entire orchestra.”  As a result, Bennet said that Dr. Hijleh has been committed to “moving forward and not becoming stagnant” as an orchestra.

Bennet had recently seen Beethoven’s Symphony No. 5 performed by Rochester’s Philharmonic orchestra.  Bennet said he is very “honored to be playing the same piece as an orchestra that is held in such high respect”.

Senior Isabel Sanders will be given the privilege this concert of being a student soloist in the piece “Concerto for Horn.”  She was provided this opportunity through a competition that was held last semester by the music department.

In her solo, Sanders said that a specific difficulty has been the memorization of her piece.   Although she is familiar with the music since she played it for her junior recital last year, this will be the first time in which she will play the piece from memory. With this in mind, Sanders said that she is excited for the chance to play a piece that she knows well and loves. Sanders also said that she hopes that those who come to listen to the concert feel moved by the music that the members of Philharmonia have dedicated so much of their time to this semester.

Sanders said that the most rewarding part of the performance will be “hearing the orchestra behind me, supporting me, [giving] me encouragement and inspiration to play better.”

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Arts

“The Magic Flute” Opera

Beginning on Friday April 19 Houghton College’s lyric theatre program will be putting on a performance of Mozart’s whimsical opera, “The Magic Flute.” According to the director’s note written by Dr. Conor Angell, the production is a fairy-tale narrative that mixes “slapstick humor with serious moral messages.” It mixes humor with powerful themes such as “light overcoming darkness”, making the production an enjoyable show for children, students, and even parents alike.

Courtesy of houghton.edu
Courtesy of houghton.edu

This “outlandish, fairytale kind of plot” will be brought to life by a chamber orchestra and a full cast and chorus, all led by director Angell and conductor Andrew Dibble. This opera features characters such as the Bird Catcher; an energetic, simple, and bumbling man by the name of Papageno played by graduate student Chris Olsen; and the sinister, cruel, and vengeful Queen of the Night played by sophomore Rachel Anacker.

In the director’s note, Angell said that Mozart “wrote some of the most beloved music of all time for his last opera, ‘The Magic Flute.’” This opera, a result of the collaboration between Mozart and his librettist, Schikaneder, was written primarily for the middle-class suburban theatre crowd, said Angell. Angell also said that it is unique that this production will feature more spoken dialogue than is typical, making it “similar to modern musicals.” Alongside slapstick humor and some strikingly serious and cruel instances, this beloved show also features a love plot full of twists that is sure to “pull the audience’s heartstrings,” as Angell said.

Though perhaps an unexpected choice as an opera, Angell said that those involved wanted to “balance the feasible with the ambitious.” Additionally, this opera will be performed in English, helping it to resonate with an audience that may not frequent the opera. Angell hopes that by using the chapel as a venue, the full opera experience will come through, aided by spectacular sets, powerful vocalists, and a superb chamber orchestra.

Angell went on to praise the work on the set design, led by junior art major Amy Coon. This production has been made possible by the initiative taken by many students to “stand up and volunteer.” “Go big or go home” seems to be the overarching idea, said Angell, with “bigger lighting, bigger sets, more costumes, and better lighting” all being a part of the show. Freshman Luke Duttweiler said, “The audience will enjoy the incredible costuming and the set.”

Everyone involved in the production has been preparing for this weekend since December, said Angell. Duttweiler said that the opera has been a “ton of work…but [that] it has a huge potential reward.” A show cannot go on without its crew behind the scenes, however, and sophomore Lara Larsson said, “we forget that a production is not simply performers on a stage. It truly is a team effort!”

“There’s this buzz amongst the cast and also around campus and the school of music,” said Angell. Larsson said that all who are planning on attending should “be prepared to smile, laugh, and be awed.” Houghton’s “The Magic Flute” promises to be a night filled with incredible sets, bright lights, and a stellar performance.

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Arts

“Annie” Performance a Hit

Last weekend, The Houghton Musical Theatre Players, also known as HMTP, performed “Annie”, a Broadway musical that tells the story of an optimistic orphan girl and her journey of finding a family and a home.

Set in New York City during the Great Depression, the musical also includes the economic and social tensions of the time through a musical number performed by homeless people and a particularly interesting scene which involves Annie, President Franklin Roosevelt, his advisors, and Mr. Warbucks.

Annie, played by Liana Wool, functions in this scene as the ultimate force of good feelings and bright expectations. The President, played by Mike Heyd, and his advisors join her in a reprise of “Tomorrow” after which they come up with the idea for The New Deal: the plan that changed the fortunes of America during the Great Depression.

While these scenes dealt with the very real and devastating poverty of the time, HMTP found moments appropriate for comic relief, blending both heavy and light concepts into an enjoyable presentation.

Crowd favorites were Miss Hannigan, played by Janelle Conklin, and Rooster, played by Aaron Young. Despite having only five weeks to memorize lines and put together the majority of the performance, the actors seemed beautifully rehearsed and very comfortable performing together. The orphans, as an ensemble, displayed a particular comfort and chemistry with each other. Director Wynn Horton said, “The orphans were the easiest to teach; they just had to be loud and have lots of energy.”

Josh Mertzlufft, who played Oliver “Daddy” Warbucks, commented on the diversity of the cast and crew and that diversity’s implications for the performance. He said, “There were people from everywhere [on campus] involved. There was no stereotype. We were really a cross-section of the campus, and the group was definitely not dominated by music majors.”

Horton and the cast felt that they could fulfill a greater calling while enjoying their talents in music, acting and dancing; 25 percent of the profits from the ticket sales went toward the Hillside Family of Agencies. Hillside, based out of Rochester, provides a wide variety of services, one of which happens to be adoption.

Because Houghton regularly deals with social justice issues both locally and globally, supporting an agency that provides help with adoptions is in line with the college’s overarching goals.

Mertzlufft said, “There is a campus drive for social action, and a lot of groups on campus are concerned with raising awareness. Not as many are actively pursuing those convictions. Sometimes, Houghton is being more of a mouth than hands and feet. ‘Annie’ was a way to be active.”

Elisabeth Nelson, a sophomore who played one of the orphans, said, “My greatest memories come from creating new relationships and meeting many different people. I would not have gotten to know some of the people I did without ‘Annie’, and that is what I will take away from my experience.”

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News

Pope to Continue Efforts to Reform LCWR

Pope Francis I declared on Monday, the 15th of April, his solidarity with the controversial report by the Congregation for the Doctrine of the Faith (CDF) which was released last year, and his desire to advance Pope Benedict XVI’s goal of restructuring the Leadership Conference of Women Religious (LCWR) in the USA. This is his most controversial action since he entered office last month, as it has been widely misunderstood.

Courtesy of LCWR.org
Courtesy of LCWR.org

Benedict’s crackdown on the progressive nuns of the LCWR roused a significant amount of public ire last year, and Francis’ support of the reform comes as no surprise. While he is intent on building popular opinion of the Catholic Church, he is also conservative. Thus, although many had hoped that Francis would break with tradition on this issue as he has with many others in his short time in the Papal office, it was in full accordance with expectations that Archbishop Gerhard Ludwig Müller informed the LCWR of the pope’s decision on Monday.

In the US media, the conflict between the Vatican and the LCWR has been portrayed as one of “Pope versus Progressive Nuns” and as yet another instance of archaic Catholic dogma oppressing human progress. The matter is more complicated than that, however; although the nuns of the LCWR have indeed been reprimanded for spending “too much time” on social justice issues, and for deviating from traditional Catholic doctrine regarding contraceptives and homosexuality, the Vatican objection arises from the group’s divergence from traditional Catholic teachings regarding some key elements of Catholic doctrine.

The role of the CDF is to ensure that no heretical doctrines are taught by Catholic clergy—they were formerly known as the Office of the Holy Inquisition. Consequently, great weight has been lent to their assessment that LCWR has strayed far from Catholic doctrine. The nuns of the order have allegedly expressed the sentiment of “moving beyond Jesus,” as well as blatantly calling into question his divinity under the guise of progressive feminism. The CDF determined that they were espousing “significant doctrinal or moral content which often contradict or ignore magisterial teaching.” The members of the LCWR have contested the allegations by saying that they never officially supported such views, but the CDF, and now two Popes, have determined that their defense was inadequate to avoid hierarchical reform.

The LCWR is a religious order and therefore distinct from the regular clergy: its nuns do not fall under the jurisdiction of parish priests, bishops, or anyone besides their own intra-order superiors and the Pope. The Pope himself is the sole connecting point between the hierarchies of religious orders and regular clergy. That is why first Benedict and now Francis have had to intervene to correct the alleged doctrinal deviances of the wayward sisters.

There is room to question the fairness of the Papal action on this matter, however. Francis has been accused of repressing movements for social justice during the Argentine “Dirty War.” Also, by reforming the LCWR and bringing it back in line with Catholic doctrine, the Pope stands to gain favor with more conservative Catholics who have been offended by his recent deviations from tradition.

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News

SGA Transfer of Powers

With another year over and the 69th Houghton Senate at its close, the College Cabinet looks forward to new changes as senators move in, move up, and move out of their elected positions and on to greater things.

Courtesy of houghton.edu
Courtesy of houghton.edu

The 70th Senate will welcome President Benjamin Hardy, Vice President Andiana Sidell, Chaplain David Bruno, and Treasurer Josiah Evans. Other positions have yet to be filled. When asked what he looks forward to most in this coming year, President Benjamin Hardy said, “I’d like to streamline policies, operations, and procedures to make it easier for future student leaders to do their job. One way we hope to do this is through committees and councils in the SGA by prioritizing them more that we have in the past.”

Hardy is no stranger to the student government, he served as the Vice President for the 69th Senate, a college senator for the 68th, and class president in the 67th.

President of the 69th Senate, Joel Ernst, says incoming president Hardy will bring a new set of strengths to the College Cabinet; he said, “Ben has the potential to have a great year as SGA President. He has a lot of expertise as an SGA member.” Ernst believes that Ben has a good understanding of the College’s needs and will provide a good link between the students and administration. His strong opinions and boldness will enable him to be an effective leader.

Each member looks eagerly towards the opportunities their positions allow them. Dave Bruno, the incoming Chaplain, said, “My biggest hope for this position is that through serving as SGA Chaplain I will be able to help facilitate greater unity among the many spiritually focused groups on campus as well as a greater awareness of all the opportunities for spiritual growth that Houghton offers. Imagine if we were all able to be unified and work together for the spiritual growth of our campus. What could we see happen?”

Josiah Evans, incoming SGA Treasurer, hopes to be able to work for students who are involved in planning activities. He would like to help them figure out the best way to fund their events.

As new members, filled with both anticipation and excitement, prepare for this upcoming year, the previous year’s Cabinet looks back on a year of hard, yet rewarding, work.

Speaker of the 69th Senate, Joshua Mertzlufft, reflected on a Cabinet that he found to be pleasantly close-knit. He enjoyed the healthy debate that the Cabinet fostered as opposed to the argument and disquiet that previous years have harbored.

In tracing back through the year, Mertzlufft reflected that the Cabinet may have spent too much time on political matters and not enough on action. He would like to see this upcoming year’s Cabinet stretch out of its comfort zone more and act rather than deliberate. He said he would also enjoy seeing more collaboration between the senators outside of meetings.

One of the changes already set in motion for this coming year is the recent restructuring of Senate. The restructuring has added new positions for both academic and athletic senators.

While some of the new cabinet members are looking forward to this change, others are

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Students Publications Plan for Rest of Semester and Next Year

The Lanthorn and the Drawing Board will be finishing up the year with some new events.  The Lanthorn will be releasing a staff edition of the Lanthorn and will host a storytelling night.  The Drawing Board will be ending this semester with a color issue for the first time in at least four years.

Both the editors of the Lanthorn, Megan Specksgoor and Hannah Hanover, as well as Patricia Powles, the editor of the Drawing Board, will be graduating at the end of this semester, and so new editors will be coming to take their place.  Leah Doty, junior, will be replacing Powles as editor of the Drawing Board and the next editor of the Lanthorn has not be chosen yet. Applications for this position are available online through Survey Monkey, and they are due no later than Monday, April 15.

20_4.12.2013_News_StudentPublicationsOne“She [Leah Doty] is going to be great,” said Powles.

The Drawing Board hopes that the color issue will be much different than the regular issues not only because it is in color, but also because it will hopefully be a larger in size.

The Lanthorn’s last publication this year will be an issue with all staff material; usually, The Lanthorn takes submissions from the student body and then as a staff chooses which pieces to publish. By publishing an all-staff issue, The Lanthorn hopes to show a different side of their publication.

“People doesn’t always realize that we have very creative and talented staff,” said Specksgoor.

As part of their year-end activities, The Lanthorn will also be hosting a storytelling night.

“We want to go back to the oral tradition,” said Specksgoor.

In looking ahead to the coming years, the current Lanthorn editors plan to encourage the new editors next year to start a website, which would offer the opportunity for creative writers at Houghton to get their work published to a larger audience.

A website could also open up Houghton to prospective students. Hanover said, “That way when prospective writing students and art students look at [the website] they see a venue for publishing.”

Hanover and Specksgoor hope for editors who share a similar vision for the Lanthorn next year: one of branching out and reaching all of Houghton’s community.

“We really want it to be less of a ‘here are twenty English majors on a pedestal’ kind of thing . . . we really want it to be more open so that everyone can feel included,” said Specksgoor.

 

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Meilaender’s Research During Sabbatical Breaks New Ground

Professor Meilaender, political science, is on sabbatical this semester. While the words for “sabbatical” in Latin, Greek, and Hebrew connote a “ceasing,” Meilaender has kept himself very busy as he translates and researches the works of early 19th century Swiss-German author Jeremias Gotthelf.

In the United States the works of Gotthelf are few. Meilaender said that, “almost nothing he wrote has been translated into English” further explaining that he probably has, “the best Gotthelf library in the States.”

Courtesy of houghton.edu
Courtesy of houghton.edu

Meilaender first heard about Gotthelf while reading a work by Dietrich Bonhoeffer, in which Bonhoeffer mentions Gotthelf and explains that his readings were very enjoyable and interesting. Meilaender followed up on this reference while visiting Switzerland. In particular, Meilaender soon developed a keen interest in Gotthelf’s writings of fiction in which characters would dialogue about the major political issues of the time including topics such as socialism, communism and industrialization, to name only a few.

Gotthelf, who was a pastor in a small fairly conservative Swiss village, wrote while living through several French revolutions and the Napoleonic Wars. He called himself a republican (lower case), and warned that Europe was coasting towards far-left political philosophy which, in his opinion, went against Christian doctrines. His contemporaries Alexis de Tocqueville of France and earlier statesman Edmund Burke of England were all, at the time, discussing similar issues focusing around the same centennial period.

Gotthelf novellas are well-known in Switzerland and Germany (where the novella is more commonly accepted in literary circles than it is in the United States). However, most of his fiction tends to average at the 500 page mark. By the time Gotthelf turned 20 years old, he had written 42 volumes, 60% of which was fiction. He is regarded as one of the top three 19th century Swiss authors and actively pursued reforming Swiss poverty law and education. The Willard J. Houghton library possesses one book written by Gotthelf “on order,” another book by him in the stacks, and a brief biography of him also in the stacks. All of these books are written in either Hoch Deutsch or Swiss-German, languages that very few students speak. Thus, the work that Mailaender is undertaking this semester will be of great academic benefit to Houghton College and others.

Specifically, Meilaender is presently in the midst of a long and difficult process in translating several of Gotthelf’s works and compiling a comparative political philosophy book in which Gotthelf’s theories will be compared to other political philosophers of his time.

The struggle throughout this process has been translating Swiss-German as a non-speaker. Dr. Meilaender, who is quite able to translate from German to English, is reading in Swiss-German which, though similar to German, is still a unique and complex language. Presently, Meilaender is translating a Gotthelf novella The Son of Tell, which is a Swiss version of the famous Wilhelm Tell story. During his interview for the Star, Dr. Meilaender explained that though translation is easier when he can take his time and read the language, he is stretching his translation skills with Gotthelf. He expressed that Swiss radio podcasts have been helping him develop better skillful translation of the language, but the translations are still coming slowly.

This sabbatical for Meilaender has been a time of intense, and enjoyable, academic research into the works of a lesser known political philosopher and Christian.

Through his work, Meilaender shows us that while the pursuit of knowledge may be lengthy and difficult, it ultimately provides satisfaction and new opportunities for more than oneself.

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Take Back the Night Event at Houghton: A Stand Against Sexual Violence

The term “date rape,” as it is used today, is familiar to many adults and adolescents living in the twenty-first century. Studies have shown that more women have been raped on dates by their boyfriends than by strangers.

In 2001, to address this issue, one date rape victim committed to speak out against rape culture. Katie Koestner lead the initiative and, along with other victims, established Take Back the Night (TBTN), the first nationally recognized charitable 501(c) 3 foundation.

Courtesy of cnn.com
Courtesy of time.com

On Thursday, April 18, Houghton will host its own TBTN event. Students have the opportunity to march around the campus and “speak out” against sexual violence. Survivors or friends and family of survivors will be invited to share their stories with the campus. As one of the organizers, Lydia Strand, senior, said, “I think having Take Back the Night here at Houghton is so important because we are often afraid of honestly talking about sexual abuse in our own communities and in our own families.”

The TBTN events will begin with a kick-off party on Monday April 15 at 6 p.m. in the campus center. Printed Matter Press will be printing the TBTN logo on shirts or other items that students bring. At 7 p.m. that evening, there will be a panel discussion of rape culture in America in the third floor library room 323.

On Wednesday April 17, religion professor Kristina LaCelle-Peterson will be leading chapel. She will also be available for lunch afterwards. The final event of the week is a march around the quad starting at 8 p.m. on Thursday April 18 at the chapel steps. There will be a station during the march focusing on statistics and headlines about rape, followed by a station incorporating a poetry reading, and finishing with a station involving a communal art project. The march will be followed by a speakout in the chapel and a prayer service in the chapel basement.

Naomi Woosley, an alumna of Houghton, is also one of the TBTN organizers. Woolsey said, “We seek to empower and promote healing for survivors of sexualized violence who are in our campus community.  One goal for this year’s TBTN is to open our eyes to rape culture and beginning to realize the subtle (and not-so-subtle) ways in which our culture–sometimes even our church culture–contributes to it.”

The TBTN foundation’s mission is to eliminate all forms of sexual violence, domestic violence, dating violence, sexual assault and sexual abuse. Woosley emphasized that, “A person’s gender–a person’s physical existence–should not be cause for that person to fear for her or his safety.”

Sharing stories and experiences reminds individuals that sexualized violence is not okay, despite what rape culture suggests. Speaking out can help break the cycle of violence. For more information on the Take Back the Night Foundation, visit their website at http://takebackthenight.org/ or contact Sydnie Cunningham to learn more about Houghton’s Take Back The Night events.