Houghton Pops Orchestra Ushers in Third Year

The Houghton Pops Orchestra (HPO), birthed in 2011, was the dream of organist Robert Martin (class of ’13). The model of a popular-music orchestra was new at Houghton and finding the right spot for such an ensemble required unflappable determination on the part of the founders and was a matter of some discussion in the CFA and the SGA, who regulate student clubs. The first concert, “Heart of the Highlands,” was a kind of a trial run which the orchestra managed to pull off with little time and almost no money. Most of the funding for sheet music, venue and recording fees, not to mention the signature bagpipes, was paid out of pocket by orchestra members, Robert Martin himself, and a few generous supporters. Fortunately for the future of HPO the concert was a smashing success.

“I am obsessed with Celtic music,” said Martin, “I thought it would be a great place to start with a new orchestra, seeing as it is music that is generally liked by and accessible to a wide variety of people.”  That motto, “likable and accessible” are the watchwords of HPO. Current HPO conductor Nathaniel Efthimiou (Music, ‘14), commenting on his plans for the ensemble says, “…[I] hope that HPO can be a place where anybody can come and have a good time making music together. Music is one of those things that can bridge the walls we set up with each other and I think HPO can help in building up our Houghton community, in the breaking down of those barriers.”

Music majors make up a large portion of the performers in HPO, but their ranks are swelled by students from numerous other departments: Communication, Computer Science, Education, English, Philosophy, Physics, Theology, just to name a few. Attendance at the concerts has also been diverse drawing large numbers of community members and faculty and staff in addition to students.  Music brings Houghton students from all over campus to strive for excellence together in a way not otherwise experienced.

Part of this goal is accomplished by the music itself. Repertoire is chosen by the conductor based on a theme he has in mind, such as Celtic music for Robert Martin or John Williams film music for Kevin Dibble (BMus ’11 and MMus ’13), and what sheet music can be purchased with the club’s funds. Within this framework, however, is the willingness to take on pieces or cut out pieces based on the makeup of the orchestra and the ability of the members. Enjoyable, recognizable and catchy music for both the listener and the performer goes a long way toward an enjoyable rehearsal and concert.

With the first concert of the year several months away on November 22nd, the orchestra members and their conductor have a long road ahead of them. If the past is any indication however, it promises to be one filled with insanity and laughter, friendship, struggles and triumph, Purple and Gold and bagpipes.