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Arts Campus Stories In Focus

An Invitation to Marvel

On Saturday, April 14, the Ortlip Gallery will open an annual tradition and its final show of the semester: the 2018 Senior Exhibition. At the end of every spring semester, senior art students have a chance to prepare work and hang it in the gallery as the culmination of their time in the Houghton College Art Department. The reception for the opening of the gallery will be from 6:00 p.m. to 8:00 p.m. on the 14.

Rebecca Firstbrook ‘18 is both an art and intercultural studies major. Speaking about getting her work ready for the show, she said, “This semester has been challenging to balance senior art work along with my other senior capstone. I always wish I could devote more time to the other.”

paintings and sculptures on display at Houghton's art gallery
On Saturday, April 14th, from 6:00 p.m. to 8:00 p.m., the Ortlip Gallery will open its final show of the semester: the 2018 Senior Exhibition.

Firstbrook is showing an installation with papermaking. “It was a really relaxing process and I wanted to explore it more after the class was over,” she said. “I spent several hours just beating and pulling paper, along with a lot of digging through old photos for inspiration. I got to rediscover how relaxing it is to assemble something with my hands.”

Firstbrook had no any prior experience with installations before and felt out of her comfort zone. She commented, “There are so many other factors to consider beyond craft of the actual piece—trying to get the thing to stay up, presentation, and how the view can experience the piece.” However, Firstbrook also acknowledged that being pushed out of her comfort zone seems to positively reflect her time at Houghton. Firstbrook hopes that people enjoy the show, calling it “a privileged glimpse into the hard work and thought all the senior students have gone through this year.” She feels honored to show alongside a very talented class.

Christopher Cilento ‘18 turns his struggle with PTSD into art. “My process involves delving into the darkest regions of my memories, pulling them out and examining them. Then I turn them into works of art. This way, art becomes a catharsis, a meditative experience that helps me cope with my daily struggles in a positive way,” he said.

Cilento also mentioned that being a senior is surreal. He began his journey at Houghton in 1991 as a freshman, but at the time, supressed his artistic side in favor of practicality. After coming back to finish his degree, this time as an art major, Cilento said, “I have experienced more happiness than ever before. Art is my world. It helps keep me alive.”

On the topic of the senior show, Cilento acknowledged the amount of work he put into his exhibition. “Not only in the time spent, but in the emotional trauma each piece causes,” he shared. “This is not a bad thing, and is part of the healing process, but it is incredibly taxing.” Cilento’s work in the senior show centers around his personal battle with PTSD, suicide, and journey toward healing, including a mask sculpture and drop painting. He added that seeing his pieces complete and how far he has come is why he makes art.

Alicia Taylor-Austin, professor of art, shared some details about the process that leads up to the show. “The capstone class for students in the art program at Houghton is a senior seminar course that supports and facilitates the development of a body of work focused around a thesis for exhibition,” she said. “Seniors are also required to complete a thesis paper and include formal documentation through images and artist statements. Typically, students submit proposals for their body of work at the end of the fall semester of their senior year and receive feedback on the work they create leading up to that point from the art faculty in the form of a senior review that takes place in December.” This year, 11 students received approval to display their work in the show. 

Everyone is invited to the opening reception to see all of the featured seniors in the show. Come to support the class of 2018, enjoy light refreshments, and marvel at the works of art in the gallery.

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Campus News

Valentine’s Day Dance Scheduled For Friday

Tonight at 9 p.m., the Class of 2019 will be hosting a dance called Love Struck Til Midnight. The dance will take place in the basement of the campus center. There will be fancy refreshments, including strawberries and a chocolate fountain, plus a photo booth and music from diverse cultures.

“We had a great time introducing this event to the Houghton College community last year and I know that this year will be the same,” commented cabinet member Stephanie Feliz ‘19.  “I am mostly part of the logistics and decorations of the event. I love to do events like this because, at the end of the day, it’s a lot of fun.”

Raheel Dhingra ’19 said, “We sat down with a bunch of people and opened Spotify, and we had them pick out a lot of different music.” She remarked that the diverse music selection, featuring many different cultural influences, was a big hit last year. Dhingra credited the music to the dance’s huge success.

“For our class cabinet, inclusion is super important, and because of that, we try to include many genres and languages in our playlist,” Feliz added.  “We want to make sure people feel comfortable as best we can, because at the end, Houghton is home for us and everyone should feel included and appreciated.”

Contrary to its name, the Love Struck Til Midnight event is not just for couples.  Anyone is welcome to attend. Feliz remarked, “I know that a dance during February may be cliche and some may think that it is only for couples, but that’s not so. At Love Struck Til Midnight, you can come alone or with people and you will have the same fun! It’s a gathering for the community.”

The Class of 2019 was excited to provide an event that is fun and festive, and which brings the campus together for a Friday night. Ellie Dang ‘19 said, “[Last year] it wasn’t awkward with just couples, it was whole friend groups dancing together…they just go and have fun.” Dhingra added, “We don’t want it to just be for couples. We want it to be for everyone.” Slow dances will be minimal and there will be music for everyone who wants to come. Regarding the choice in venue, Dhingra said, “The smaller space is better for dancing…it feels full, and you can make the area look really good.”

When speaking about the challenges of planning the dance, Dhingra commented, “The time before the event is crazy, getting the food and decorations together…one of the biggest things was getting the lighting right.”

The organizers looked forward to a fun, relaxed night to welcome the weekend.  “I love the fact that people can come dressed however they want and just end their Friday night with friends, food, and dancing to great music,” said Feliz.

Students are welcome to stop by the campus center tonight from 9 p.m. until midnight and enjoy the music, food, and dancing. The Class of 2019 is ready to welcome all who choose to attend and hope that the night will be a success for everyone.

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Campus Stories In Focus

Houghton’s Finest: Faculty Show

On Monday, January 8th, the Ortlip Gallery was opened for the Art and Visual Communication Faculty Exhibition. The gallery features work by current and former Houghton art faculty members: Ryann Cooley, associate professor of digital media and photography; Gary Baxter, Ted Murphy, and John Rhett, professors of art; Aaron Harrison, adjunct professor of art; and Peter Mollenkof, the art collection manager for the college. There was a reception for the opening of the exhibition on Saturday, January 13th at 6pm.

Ryann Cooley is showing work called “The Glass Project.” According to his artist statement, his work in the show features arranged glass that “creates a physical experience of a photograph that is not readily achieved via a digital platform.” Cooley also has a current show installed in the Wesley Chapel Art Gallery, located in the basement level of the chapel.

Gary Baxter is exhibiting various clay pieces, consisting of black and white fish sculptures. His artist statement says, “as the condition of our planet worsens, and its message of beauty fades, likewise the human effort to save it also fades, because the greatest incentive for preserving the realm of nature, IS ITS beauty.” Baxter has been working with fish on and off for about thirty years. This is his last semester at Houghton before officially retiring.

Ted Murphy’s work in the show consists of ten pieces made with both soft and hard pastel on paper and linen. Art student Katelyn Heins ‘20 went to the opening and talked with Professor Murphy about his work. She said, “it was nice seeing that Murphy is working on some of the same stuff we are working on in pastels. It was a really cool learning opportunity.”

John Rhett is showing a few pieces made with India ink. Heins commented, “[He] had these really cool snowy landscape ink paintings. They were really simple silhouettes but insanely beautiful and at the same time very complex.”

Aaron Harrison is exhibiting various pieces in stoneware. He is currently the professor of the three dimensional design and sculpture classes at Houghton, taking over some of Gary Baxter’s previous courses.

Peter Mollenkof’s pieces are made with colored pencil on paper, graphite on paper, and acrylic on wood panel. Mollenkof was a part of the Houghton art faculty in the 1980’s.

In regards to the opening reception, Ortlip Gallery director and assistant professor of art and printmaking, Alicia Taylor-Austin said, “There was no formal gallery talk, leaving more time to have conversations one-on-one with the artists and I really enjoyed talking with many of the students who attended,” she continued, “it’s really encouraging to see students at the art receptions and I always appreciate the chance to get to know students better outside of the classroom and hear their response to the work on display.”

Heins said, “It was cool. All the professors were there so you could talk to them about their process and their ideas.” Bethany Kuiken ‘18 was also at the opening, and remarked, “The professors didn’t share formally at the exhibition, it was just browsing. But there was a lot of students and faculty that came out even though it was freezing!” There were about sixty people in attendance at the opening.

The Art and Visual Communication faculty exhibition will be in the Ortlip Gallery until February 16th, 2018. The gallery hours are Monday-Friday 9am to 6pm.

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Campus News

Mercy Seat Hosts 24 Hour Event: The Cry

Starting at 7 p.m. on Saturday, Nov. 11, Mercy Seat will host a 24-hour prayer, worship, and art event in the Campus Center called The Cry. The annual event, which will run until 7 p.m. on Sunday night, is a time for students to spend time with the Lord amidst a busy semester.

The Cry is held in the Campus Center because of its central location and high traffic, so that students can be involved even if they are just passing through. Students can join in the worship by sitting with the group, listening while doing homework, or making art at the tables set up by Mercy Seat. It is also possible to be involved by signing up for one of the hour-long slots to lead fellow students in worship, such as through song or prayer.

Event coordinator for Mercy Seat, Ellenore Tarr ‘18, is looking forward to the 24 hours of prayer and worship. She said, “During one of the busiest times in the semester, it’s so powerful to take some time to worship and rest in the presence of God and others.” As to why it is held in the Campus Center, she said, “We want to worship as we head up to the dining hall and while going to check mail and when studying with friends.” She added that bringing worship to such a high-traffic place on campus is a reminder to let one’s soul rest in God’s presence, no matter what you are doing.

“I’ve participated in The Cry since my first semester of college,” said Mandy Satre ‘19. “Each time has been different; God has shown himself in new ways.”  Satre has been on the  Mercy Seat cabinet since her first year at Houghton. According to Satre, The Cry is important because it helps students to separate themselves from the busyness of the semester and have time set apart for the Lord. In regards to the 24-hours of worship and prayer, she said, “It has been so refreshing to just spend that time in worship, even after I go to bed and come back in the morning to know that there are people lifting up His name in the campus center.”

Gabrielle Sheeley ‘19 explained The Cry as a reminder that “Every day that we live and everything that we do is an offering of worship to God, and it’s important to remember that even during the busiest time of the semester, we must do our best to make it a suitable offering.” She also commented that she loved The Cry, and said that it was the perfect way to recenter herself and her day when it is going on in the Campus Center.

To get involved with The Cry this year, students are encouraged to sign up for an hour time slot. Tarr said, “We encourage you to get together with your dorm floor, your sports team, your worship team, your roommates, etc. Sign up for an hour and lead us all.”

To join in, simply email Tarr. Students who aren’t inclined to lead an hour are always welcome to join in worship anytime from 7 p.m. Saturday to 7 p.m. Sunday in the Campus Center.

 

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Arts News

Exhibit Highlights Cultural Exchange

From October 21st to December 15th, if a person finds oneself in the Ortlip Gallery in the CFA, he or she will be standing in the midst of works by the internationally acclaimed painter, calligrapher, photographer, new media artist, and designer Lampo Leong.

To kick off the gallery opening, there is a reception being held on Saturday, October 21st from 6 pm to 8 pm in the gallery. The event is free to the public and all, including students, are welcome to attend.

Alicia Taylor-Austin, assistant professor of art and the director of the Ortlip Gallery, first met Leong at a conference held at Alfred University last year, to foster an exchange of ideas between leaders in visual art from the United States and China. Taylor-Austin said, “At the event, I gave a presentation about the Ortlip Gallery program and Leong gave a presentation about his work. The idea for an exhibit of his work at Houghton took a natural progression from there.” About his work, she stated, “Focused on movement and materiality, this exhibition celebrates the radiance of cosmic energy, revealed through the synthesis of Lampo Leong’s artistic endeavors.”

The show will feature large scale ink paintings and a multimedia display that combines contemporary dance and video. According to the post card of the event, Leong’s “contemporary ink painting and multimedia work incorporate Western geometric structure with the brushwork of Eastern ink tradition to attain a sensibility of postmodern art, celebrating the dynamic energies and the grandeur spirit of the universe.”

Leong received a PhD in Art Theory and Practice from the Central Academy of Fine Arts in Beijing, his MFA in painting with High Distinction from the California College of the Arts, and his BFA in ink painting from Guangzhou Academy of Fine Arts. He is currently a professor of art at the University of Missouri-Columbia, and a visiting professor at the Guangzhou Academy of Fine Arts and Central China Normal University. According to his biographical summary, “Leong’s work has been featured in international contemporary art auctions such as Christie’s, Ravenel, Poly, etc., and in art expos and museums/galleries worldwide through 70 solo and over 300 national/international juried/curated group exhibitions.” His work can also be found in more than 10 museums, including the Cantor Center for Visual Arts at Stanford University, the Asian Art Museum of San Francisco, the Minneapolis Institute of Arts, and Macao Art Museum, and the Guangdong Museum of Art.

Furthermore, Leong “has presented over 200 lectures across the United States and Asia at international conferences and institutions and has served as curator and judge for more than 20 art exhibits, grants, and public art competitions,” according to the press release put out by Houghton to promote this exhibition. He has also received over 70 awards and extensive recognitions, as stated in his biographical summary.

The internationally acclaimed artist will be at the reception event to present his work Saturday and his work will be on display throughout the rest of the fall semester in the Ortlip Gallery.

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Stories In Focus

Serving Locally, Loving Globally

Global Christian Fellowship (GCF) has big plans for this year, and they want everyone to be involved.

A fixture on Houghton’s campus for over fifty years, Global Christian Fellowship is committed to increasing global awareness, action, and prayer at Houghton. “GCF coordinates weekly prayer topics that focus on one campus issue and one global issue and that are prayed for by the campus community daily,” according to the description on Houghton’s website. They meet weekly to pray and fellowship together, while taking a look at global issues and events. Anne McConnell ‘19, President of GCF, said, “The role of GCF on campus is to connect our daily lives here to the global church and God’s global mission for the world.” Global Christian Fellowship is one of the longest lasting clubs at Houghton, being formerly called Foreign Mission Fellowship.

Julia Chamberlain ‘18, a leader for GCF, said, “We want to help students use their passions and discover where the Lord is calling them to go. When we meet it is really a time to reflect on how we can serve the Lord today and in the future.”

Other than their weekly meetings, GCF has invested in fundraisers for missionaries and relief organizations. Last year they hosted a pancake breakfast to raise money for One Day’s Wages, which fights to end extreme poverty. They also had a staff and faculty talent show that raised funds for scholarships to support Houghton students going on missions trips this past summer, and plan to have that show again in the later months of the spring semester.

For this fall, GCF has exciting events planned. On Saturday, October 22nd, they are putting on a Frisbee tournament to raise support for a global church planting organization, Alpha Ministries. Chamberlain also mentioned their plans for New Vision Week, which is from October 23rd to the 25th. She said, “We will be having a GCF Koin the Sunday before New Visions Week begins and will be selling artifacts that Papa Shea [Paul Shea] has received from Africa at a booth in the CC.” Chamberlain also added her excitement about New Vision Week, “There are so many awesome missions groups coming, and it will be encouraging to hear how the Lord is working through them in their impact through their ministry.”

About GCF, McConnell said, “It has been very important in my personal journey as a follower of Christ, as it reminds me of the many Christians around the world who are my family.” She added that GCF helps to remind her that many people in the world have never heard the name of Christ, and that she is encouraged to share the love of Christ wherever she is placed.

Madeline Chesbrough ‘18, who attends GCF, said that what she likes most about GCF is the atmosphere. “I actually have just recently started attending this semester and I instantly felt right at home,” she said. Chesbrough also added, “GCF opens your eyes to the world outside of our little Houghton campus.  It inspires people who are looking into missions, or who have a heart for the world.”

GCF meets on Wednesday nights from 8 to 9 pm in the Alumni Dining Room.

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Stories In Focus

Ben Frank Moss Art Collection Donated to Houghton

Houghton College has recently been gifted the renowned art collection of Ben Frank Moss III, an alumnus of the class of 1958.

According to the Houghton online press release, the 140 paintings by the artist over a span of 40 years “will join the college’s permanent art collection to become its largest survey by a single artist”. As a part of the permanent collection, the pieces will be displayed regularly around Houghton.

Moss also gifted the college an endowment program that will support the Ortlip Gallery here at Houghton, called the Ben Frank and Jean Moss Gallery program. The program, according to the press release, will be “used to create a catalog of the pieces included in the annual invitational exhibition, which will then be added to the college’s permanent art collection.”

Ted Murphy, professor of art, spoke about Moss in an introduction from last year’s gallery event. He said, “His prestigious career of gallery representation and numerous regional, national and international exhibitions has placed Ben among the most admired and

successful painters of his generation”. Moss’ prestigious work all began at Houghton in the 50’s, and was first displayed at Houghton in 1996 in the Wesley Chapel Gallery.

Alicia Taylor-Austin, director of the Ortlip Gallery and assistant professor of art and printmaking, has spent time this past summer framing and matting his work for display. She commented on her admiration of Moss’ work. She said, “Matting and framing much of the work in the current exhibition over the summer was a captivating experience, sitting with the work, alone in the gallery and getting to know it, really moved me in ways I find difficult to put into words. I feel as though I entered the captivating world embodied by the work and I got lost in the beautiful mystery of it all”. Taylor-Austin continued, “Ben is an artist whose work will be important for many generations and his energy, enthusiasm and commitment to his studio practice inspires me to invest deeply in my own.”

The endowment fund, which will support the invitational exhibition each year, is to be named the Annual Ben Frank and Jean Moss Invitational Exhibition. Taylor-Austin, as director of the Ortlip Gallery, commented, “the Moss’s most recent contribution to the department has come to us by bequest of the Artist (the collection of works by Ben Moss) along with completing their contributions to a $100,000 endowment fund.”

Moss and his wife, Jean, have always been very generous to the art department at Houghton. In 1996, they began to give annually to the art department faculty to support their professional development.

Ted Murphy finished his introduction about Ben Frank Moss with a quote from the artist himself. Moss said, “It has been a great career in teaching and painting. I have been very successful in my endeavors. I am grateful to what art has given me, and it was here- here at Houghton College where it all began.” This generous donation is a symbol of the kind of beginnings that all students will cultivate here at Houghton, and an example of what can come from an education that starts at this college.

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Stories In Focus

1883 Steinway Piano Gifted to the College

The Greatbatch School of Music was recently gifted with a new piano. New to the college, at least. A beautiful 1883 Steinway Piano was donated to the college by Florence Bush, an idea suggested to Bush by a friend, mentee, and Houghton graduate, Linda Palmer ’81. According to a recent Houghton press release, Florence, known as “Flossy” to friends and family, was “searching for a new residence for her beloved ‘baby.’” She had one condition when searching for a new home for her piano though, “that her square Steinway box piano be aptly cared for yet ‘stay alive’ and not be relegated to a storeroom or back corner.” Palmer suggested she donate the piano to Houghton’s Greatbatch School of Music, a top-notch program. What makes the piano even more special to Houghton is the sharing of birth years: both the college and the piano were founded in 1883.

The piano was purchased by Bush’s great-grandparents, and had been in her family for 130 years. Bush has used the piano all her life, from practicing singing and playing when she was a girl, to sharing with her own family, for 88 years. Bush was always interested in music, and her piano was a huge part of her life. She also has a connection to Houghton through William Newbrough, professor of piano and Distinguished Steinway Artist, who helped to donation become a reality.

According to Armenio Suzano, dean and director of the Greatbatch School of Music, the piano “serves as both a reminder and a signal to all of us. A reminder that we live in a continuum and that history is made everyday, though our actions, our choices, and the contributions we make to the community around us.” He continued, “It is also a signal to alert all of us of the important role Houghton College and the Greatbatch School of Music play in the future of music education in western New York and around the country.”

Emma Donmoyer ’19, a music major, is very excited about the addition of the Steinway piano at Houghton. “The piano is in good condition for its age,” she said. “While it’s past the point of being in perfect tune, it’s still very playable and has a nice touch.” Donmoyer also expressed her love of old pianos, and said, “Every piano has a story, and playing on older instruments reminds me of the wonderful and rich musical history I am blessed to be a part of. I’m very glad we’re able to have this beautiful old piano alongside new ones.”

The addition of this historical piano maintains the importance of classical music and tradition at Houghton. The Houghton press release also stated, “As the college embraces music industry and worship arts while maintaining its existing classical approach, a new type of student emerges: one well-versed in both traditional and modern methods and who is innovative, passionate and unafraid to adapt to whatever life brings.”

Bush was “delighted to find such a fitting home,” and she will be happy to know that the piano is in good care and will be well played for many years to come.

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Stories In Focus

Annual Senior Art Show Opens

On Tuesday, April 18, the Ortlip Gallery opened the annual Senior Show, an art exhibition dedicated to showcasing the work of students graduating with art degrees. This year, there are 12 seniors being recognized for their work, including Hannah Banks ‘17, Michael Carpenter ‘17, Thomas Rhett ‘16, Andrew Foster ‘16, Emily Friesen ‘17, Marta Gowett ‘17, Meredith Guffey ‘17, Kimberly Logee ‘17, Jill Magara ‘17, Sarah Ritson ‘17, Jennifer Zacchigna ‘17, and Rachel Rava ‘17.

According to the director of the Ortlip Gallery and assistant professor of art and printmaking, Alicia Taylor-Austin, these 12 seniors have spent this year preparing works for the show, along with writing a thesis paper to address the ideas that went into their pieces. She said, “This thesis is a part of the grade for their senior studio class, but the exhibition itself is not, since showing in the gallery is a privilege that they can attain, but not a requirement for completing the program.” Taylor-Austin has met with the seniors a few times to go over their exhibition proposals. “I’ve also viewed their work in progress over the spring semester and given feedback,” she said.

Carpenter is showing over a dozen digital photographs and a deck of cards he designed. “The work is all related, and about one subject, which I’ll leave you to see at the show,” he said. “I will say, though, that you can play cards in the gallery with the deck I designed.” He expressed excitement for the campus to experience the hard work done by him and his fellow classmates. He added, “I hope our work sparks conversations and new ideas within those who see it.”

Zacchigna is showing a collection of 12 pieces in watercolor and ink. She said, “They mostly depict abstracted natural objects, such as flowers, nature scenes, and human figures.” In regard to the planning that went into the show, she discussed the process of choosing work and getting it approved by the art faculty. “We had to create a layout plan for how our work would hang in the gallery,” she continued. “We learned how to frame, prepare, and hang our pieces properly.” Zacchigna is most looking forward to the opening reception of the show.

Gowett is showing a single installation piece made of found objects, fabric crafts, and ink. She said, “This semester has been very different for me, as I usually work in 2D materials such as pencil or charcoal drawings. As such, a lot of the planning that went into the show started back at the start of the spring semester, when I began gathering material for the installation.” Gowett is looking forward to seeing everyone’s reactions to all of the different artwork that the seniors have made.

Magara has one installation piece titled “Let Myself Feel” and one sculptural piece titled “Beauty From Dust.” Both pieces include ceramics, and the installation includes photographs. She will also have an assortment of functional ceramics in the atrium. “I had to plan a ton to make sure things were gallery ready,” she said. “I’ve also been doing tests all summer to get my ceramic pieces to look the way I wanted them to.” Magara is excited about having her friends and family be able to see her pieces, and the culmination of four years of work.

Foster will show a few drawings, as well as several stoneware bowls. He talked about the work that went into getting the show ready. “We have to select what we think is both our best work, and what works best as a whole group” he said. “Then we have to submit a proposal to the gallery director, who divides up the gallery into sections for each of us to display our work.” Foster looks forward to showing artwork which is a result of a full year of creating his own art, as opposed to assigned work.

The opening reception for the exhibition is on Friday, April 21 from 5-7 p.m., and will remain open for visitors until May 13, the day of Commencement.

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Stories In Focus

Students to Present at Research Conference in Memphis

From April 6 to 8, five English students and their professor, Laurie Dashnau, will take part in the National Conference on Undergraduate Research (NCUR) in Memphis, Tennessee.

Established in 1987, NCUR “is dedicated to promoting undergraduate research, scholarship, and creative activity in all fields of study by sponsoring an annual conference for students,” according to their official website. They welcome undergraduate students “from all institutions of higher learning and from all corners of the academic curriculum.” The conference was founded at the University of North Carolina Asheville, but it is hosted by different institutions every year. This year it is taking place at the University of Memphis. Their official statement says, “We look forward to showcasing the best in undergraduate research and the creative and performing arts during the conference.”

In 2011, the NCUR was hosted by nearby Ithaca College, and several Houghton students learned about the event and attended. Last year, five Houghton students majoring in English and writing attended the conference when it was hosted by the University of North Carolina Asheville.

This year, five Houghton students, including Bethany Kuiken ‘18, Emma Carpenter ‘18, Emily Friesen ‘17, Alyssa Rogan ‘18, and Grace MacKay ‘17, will join over 4,000 students from across the country to share their work in the form of 15 to 20 minute presentations. Dashnau, who has overseen their research projects all semester, will accompany them.

“Their presentations are culminations of proposals they submitted last fall and independent studies done with me this spring,” she said.

Kuiken, who is presenting an analysis of  the work of two modern American poets, said that she wanted to participate in order to challenge herself and learn from other students around the country. “I wanted to step outside of my comfort zone and engage in this conference that I knew would stretch me in many ways,” said Kuiken. At the conference, she and the other students will have the opportunity to learn about research from several different disciplines. When asked about what she is most looking forward to, she said, “I am most looking forward to supporting my peers from Houghton who will be presenting and interacting with other students who share the same passions.”

Carpenter, another English student going on the trip to Memphis, also decided to attend to stretch herself. In response to why she wanted to attend the conference, she said, “I thought it would be a great opportunity to gain experience presenting my work in a formal academic context.” Carpenter is presenting on the elegy and eulogy poems of W.H. Auden, a twentieth-century writer, and will also share some poems she wrote herself in Auden’s style. Carpenter is most looking forward to learning and absorbing knowledge from other presenters. She added, “It will be a great opportunity to represent Houghton College, and to take what I’ve learned here and share it with other conference attendees.”

Friesen  is also going to the National Conference on Undergraduate Research. She was invited by the English department, and plans to share her paper, “Joseph Beuys and the Performance of Jacques Derrida’s Writing Difference.” The paper compares the writings of Derrida, a seminal literary critic, with Beuys, a late twentieth-century German performance artist. Friesen is most looking forward to hearing from other undergraduates, and going to Memphis for the first time.

While it is her third time attending the conference, Dashnau remains excited at the prospect of attending. She thoroughly enjoys the opportunity to see her students share their work with others at the conference, and have the opportunity to present research as students in the humanities. “They now have the privilege and joy of sharing these papers with students invested in undergraduate research,” she said. “Students who are especially interested in cultivating the life of the mind beyond the traditional classroom setting.”