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Stories In Focus

Potter Profile: Naomi Woolsey

On a four-pronged stool, a young woman sits, preparing a ball of clay to be thrown on the potter’s wheel before her. The quiet studio is dusty; the art residue turning afternoon sunlight into a soft, dawn fog. Nodding her approval she centers the clay on the wheel.

Naomi Woolsey RGBNaomi Woolsey, a Houghton graduate of 2010, has been practicing ceramics in Houghton College’s studio for over 5 years. She did not major in art, but has felt a love for creating ever since she was a child. “Some of my first memories are of playing in the creek here at Houghton when I’d visit my grandparents,” said Woolsey, “I’d make tiny pots out of the creek clay.” She paused, laughing softly, “Things have really come full circle.”

Woolsey is currently the Teacher’s Assistant for Professor Gary Baxter’s ceramics classes including Ceramics 1, Ceramics 2, and Figurative Clay Sculpture. Baxter became acquainted with Woolsey when she took his ceramics classes as a student.  He noticed her aptitude for acquiring necessary skills and the joy she derived from creating. Thomas Eckert ‘16, a student in Ceramics 1 this past semester said, “Naomi’s joy is evident from the way she works. That joy is imbued in the pieces she produces.”  

When asked about her craft Woolsey explains, “A lot of potters become potters because they fall in love with the material. You’ve got your hands in it. You can really immerse yourself in earth, fire, water, air.” She went on saying, “It records your movement. Even your fingerprint could stay there for tens of thousands of years.”

After graduation Woolsey helped out in the ceramics studio and continued making her pieces.  A year later when the TA position became available she was the natural choice. Her responsibilities now include helping students, doing demonstrations, firing the kilns, and constituting glazes. Baxter has been very pleased to work with her and said, “She’s very responsive, willing to help where she can, and reliable.”

While at Houghton, Woolsey studied Theology and Biblical Studies and has used that training in her artwork. In 2012, Woolsey started an online Etsy site because her basement started filling up. Since the foundation of the shop it has grown sustainably. Luminaries – rounded, decoratively porous candle holders – are among her bestselling items. She also specializes in communion sets and liturgical ware.

In addition to these objects, she also produces work on commision. Last year she was hired by a church in Rochester to make a prayer vessel. The church leaders wanted a physical object to be used in the liturgy where written congregational requests could be placed and later incorporated into the pastoral prayer. The main idea to be conveyed by the piece was that God hears our prayers and God’s people hear our prayers.
Woolsey explained, “Thinking about my field in ceramics and imagery in the Bible I created a vessel that brought together the ideas of the golden bowls placed before God in Revelation and the story in Exodus of Moses and the burning bush. Both of these images convey ideas of God hearing prayer and acting on it by enabling a human servant to hear the people’s prayer and act on it.”

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Stories In Focus

Music Industry Approved as Major

The Greatbatch School of Music’s tradition of musical excellence at Houghton has recently expanded to include a degree in music industry.  The Bachelor of Science degree was approved by New York State and the National Association for Schools of Music in December of 2015. Kevin Jackson, Director of Technical Arts and Music Industry, explained that the goal of the degree is to open opportunities for students while maintaining high standards of musical excellence, applied knowledge, technical facility, and spiritual growth. Dean of the Greatbatch School of Music Armenio Suzano, commented, “The B.S. in music industry brings Houghton College to the edge of what is being offered nationwide in terms of technical arts, commercial music, sound production, lighting, and recording.”

Music Industry RGBThe major’s coursework is built on four main cores. The first core ensures foundational knowledge in music theory as well as experience in performance. Students are required to take advanced theory classes and participate in an ensemble each semester which reflects the grounding in classical training for which Greatbatch is known. The second core focuses on involvement in music technology, business, management and the completion of an internship. One way students gain experience is by being a part of the on-campus tech team that handles events such as big concerts like TobyMac and Tenth Avenue North and weekly Chapel services. Additionally, students receive instruction in economics and business which provide a strong background in that side of the industry.

Students in the major also have the opportunity to specialize according to their skills and interests. Classes such as Introduction to Pro Tools and Pro Tools Production 1 provide hands-on experience with Avid Pro Tools, which is the most widely used recording software in the professional audio world. Such a track would be attractive to someone interested in mixing and audio engineering. Other courses such as Sound Design and Processing for Film, TV, and Video Games and Introduction to Lighting and Design are essential for those going into film scoring or stage management. This autonomy allows students to take classes that best fit their career goals.

In fact, a degree in music industry can prepare a student for a plethora of jobs. Some possible specializations are music technology and production, music business, worship arts, music industry, recording and broadcast engineering, label marketing, artist booking, songwriting, music publishing, tour management, live sound engineering, tour support, concert promotion, film and video game composition, and performance law. The versatility of the music industry is echoed in the components of the major which provide in-depth understanding of the industry as a whole.

Houghton students preparing for such careers have access to some of the top instructors and equipment currently available. The college has invested about $80,000 in a new music technology lab. This lab is equipped with twenty student stations and a teacher station equipped with the latest Mac computers, M-Audio controller keyboards, PreSonus recording interfaces as well as the latest recording and composing software — Pro Tools 12, Sibelius 7.5 and Ableton Live 9. Professor Jackson said of the Houghton music studio, “If you visited a top-notch studio in Nashville, Los Angeles, or New York City, you would find that same equipment here at Houghton. This allows the students to practice their craft on the same gear that professionals are using every single day in professional recording and post-production studios worldwide.” Music industry student, Chelsea Lee ‘16, is studying to become an audio engineer with a specialization in editing, a skill she practices here at Houghton in the music technology lab.

The combination of education and access to top of the line educators and technology is what makes this degree so special. Armenio Suzano concluded saying, “Under the leadership of Professor Kevin Jackson and with the support of the Houghton College administration, the newly approved music industry major will train and empower the next generation of music producers, sound and recording engineers, and music managers that will impact this world with the Gospel of Jesus Christ and for the Kingdom of God.”

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Stories In Focus

Houghton Hosts A Conversation with Joyce Carol Oates

Today in the Recital Hall, award-winning novelist and Buffalo-native, Joyce Carol Oates, will be hosting a question and answer forum at 2 p.m. The well-known, seventy-seven year old novelist has published over 100 books in just about every genre including novels, memoirs, plays, poetry, and short stories and in styles such as horror, gothic, mystery, and family saga. Dean Linda Mills Woolsey said, “Her work is vast and various.”

JCOThe event was made possible by a partnership with the David A. Library of Wellsville. Houghton alumni, Nic Gunning, currently works at the library. He reached out to Oates, explaining that someone of her stature coming in and talking to the library’s patrons and community would be a rare and warmly welcomed experience. When Oates’ lecture in Wellsville was confirmed (which commences tonight at 7 p.m.) Gunning approached Mills Woolsey about the possibility of having Oates speak at Houghton as well, resulting in today’s forum.

Mills Woolsey, a longtime reader and lover of Oates’ work, hopes students will catch a glimpse of Oates’ passion for the craft of writing and come to understand her work in ways that enables them to be good readers of contemporary writers. She went on, saying, “I also hope this will deepen students’ appreciation for creative work that takes on challenging subjects.”

It is one of the aims of the Houghton English and Writing programs to balance the refining of the craft with opportunities to interact with those currently succeeding in the field. For many years the English and Writing department has invited writers to come to the college for students to learn from and speak with.

Senior English major, Hope McKeever, feels the department is excelling in this objective. In the past year especially, she and many others in the program have been inspired and encouraged by the guidance and readings of visiting authors.

Speaking to an artist about their work offers students a fullness of experience that one does not encounter through a work alone.  The authors typically studied by students often tend be deceased, it all feels rather secondhand. Professor of English, Stephen Woolsey compares it to the difference of being told about music and actually hearing a musician play. Luckily, there are still many great writers who are alive and willing to come visit Houghton.

McKeever notes out of all the short stories she read in high school the one that sticks out the most is “Where Are You Going, Where Have You Been?” by Oates, a retelling of the pied piper which examines ideals of beauty and innocence. “She can draw you into a story unlike anyone I’ve ever read,” said Mckeever, “That is something I would love to emulate in my own work.”

Along with excellence, Oates exemplifies hard work and determination. The sheer volume of Oates’ literary contributions is overwhelming. She has published two or three books every year for the past forty years. She was once seen in an airport sitting on top of a bag-stacked luggage cart writing as her husband pushed the cart along. Her tenacity and productivity is an inspiration to Houghton students.

Mills Woolsey, who finds Oates’ novels disturbing and deeply moving, spoke to the unifying factor of her body of work., “The thread that runs through…is a willingness to look at dark, violent and painful experience with an honest eye, while at the same time often managing to convey a sort of tough-minded hope through the strength of her characters.”
Oates’ stories are cerebral and copious. Her characters, honest and compelling. Her work, captivating, creepy, charming, and hauntingly beautiful all at the same time.

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Stories In Focus

Spotlight: International Athletes

Houghton College has a rich heritage of placing emphasis on diversity. The athletic program is no exception, celebrating and encouraging the participation of international students on sports teams. Head Coach of the men’s soccer team, Matthew Webb, has seen over 16 different countries represented throughout his years of coaching including Scotland, Japan, Cameroon, Nigeria, Trinidad, and Chile.

Andrew BusseyRGBWebb said, “The international guys bring a different cultural heritage with them.  It is always enjoyable to learn from them and see how their backgrounds shape who they are and influence the rest of the team.  They often bring a different style of play and add diversity to how we play the game.” American athletes have the opportunity to learn from and play with students from different cultures, while at the same time these international students have the chance to travel to New York, play a sport they love competitively, and make lifelong friends.

Houghton soccer player, Jose Flores of Chile, said that, although the U.S. is culturally different from his home, he has been able to adapt quickly. Along with giving thanks to God, he credits this smooth transition to the warm reception of his teammates. Sydney Pow, a sophomore Canadian student participating in women’s lacrosse and volleyball, also emphasized the importance of her teammates’ acceptance and encouragement in her positive experience of sports at Houghton. Basketball and tennis player, Jordan Scott, also Canadian, appreciates the reinforcement of hard work and teamwork, stating, “Houghton College athletes have been crucial in shaping me into the man I am today and the man I hope to become tomorrow.”

Being an international athlete has some challenges as well. One such challenge is a mountain of paperwork. Jason Mucher, Associate Athletic Director for Compliance and Communications, heads up the technical side of the program. Mucher works with students one on one to get to know their playing history, as well as to make sure they are a good fit for Houghton, and Houghton them.

For Jacob Dunnett, a Canadian soccer player, the main challenge of playing for Houghton is that he is far from his family. Before college, his family came to all his games, but the distance has lessened their involvement. Other athletes’ families have overcome this by watching live stream of games online, but that technology is not available for every sport.

Grace LeeRGBGrace Lee, a sophomore field hockey player from South Korea, expressed her feeling that “as an international student, people don’t fully understand who and where I really come from. People here have similar experiences so they understand and relate, but coming from a different place makes it hard to expect them to understand everything.”
International students’ stories vary, but are similar in certain aspects. Some students attended Houghton’s summer sport camps before college, while others weren’t even planning on going to college until they were approached by a Houghton coach. One thing is true for all of these athletes: they love what they do, and constantly strive for excellence

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Get a C.L.E.W.

Dr. Richard J. Mouw Speaks on Christian Convicted Civility

This year’s Christian Life Emphasis Week (CLEW) was graced with the teachings of key speaker and public intellectual, Doctor Richard J. Mouw. In settings such as chapel, lunch discussions, night sessions, and a coffeehouse Q and A, the theologian and philosopher exhibited the wisdom, grace, and humility he taught. Engaging and bright, Mouw spoke to the heart of Christian engagement with culture, pushing students to more deeply consider how their faith interacts with the world around them and how they can express love to those they disagree with.

richard-j-muowThe celebration of CLEW during the first week of classes is a long standing tradition at Houghton College. It originated as a two week revival which invigorated the campus at the beginning of the new semester.

In recent years CLEW has served as a half week focused on realignment of priorities. Michael Jordan, Dean of the Chapel, said of CLEW, “It’s a way to set our minds on the things most important and to say as a community that our walk with Christ is important to us.”

During the week Mouw focused on awareness and thoughtful reaction to current events. This attention complimented Dean Jordan’s “Beyond the Bubble” semester-long, worship theme that aims to cultivate an internal, Christ-like foundation from which to react from.

Mouw’s sermons flowed cohesively with the undercurrent of “Convicted Civility” which is the idea that Christians should be people of great convictions who hold to those convictions while exhibiting all kindness and civility. In short, the way with which we interact with the world is as important as the ideas we bring to it.

During the coffeehouse chat Mouw shared about a time he spoke on NPR to a gay right’s activist.  He treated the activist with respect and love asking, “Why are you hurt by and scared of people like me and how can we change that?” Later in the show someone called in on air and accused Mouw of bigotry. The activist responded to the caller defending Mouw. It is possible to disagree with someone and show them palpable love despite that difference.

Daniel Bellerose, a Junior International Development major, was struck by Mouw’s stance. He said of Mouw, “He is conservative and I am liberal, but I get along great with him. He doesn’t attack with his beliefs. Instead he strives for common understanding on both sides. He is teaching and exemplifying the key to bipartisan action and inter-party peace.”

Mouw’s idea of convicted civility is reminiscent of a book and movie that was popular several years ago. Donald Miller’s Blue Like Jazz tells the story of nonreligious thoughts of Christian spirituality. The pivot point of the memoir occurs when the college, which is passionately anti-Christian, is recovering from a reckless weekend of campus-wide chaos including heavy drug and alcohol use. Don and his Christian friends build a confession booth in the middle of their campus with a sign that says, “CONFESS YOUR SINS.” However, there is a twist. When the students come into the booth the Christian inside is the one confessing. Miller writes,

“We are going to confess to them.  We are going to confess that, as followers of Jesus, we have not been very loving; we have been bitter, and for that we are sorry.  We will apologize for the Crusades, we will apologize for those televangelists who steal people’s money, we will apologize for neglecting the poor and the lonely, we will ask them to forgive us, and we will tell them that in our selfishness we have misrepresented Jesus on this campus.  We will tell people who come into the booth that Jesus loves them.”

The novel and Mouw’s sermons bring light to a deep need in the world for mutual respect, love, and humility. Being Christ-like in hard conversations means remembering that we are all human beings with thoughts, feelings, and experiences that have shaped us for better or worse. It means loving one another even through disagreements and debates. It means holding strongly to our convictions, but sharing them with tenderness.

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News

New Music Industry Major

On November 4, 2014, Houghton College and the Greatbatch School of Music received approval from the New York State Department of Education to offer a Music Industry degree. This degree, launching in the fall of 2015, will prepare students to enter the field of music. Kevin Jackson, the director of technical arts and music industry instructor at Houghton said, “The goal of the new Music Industry major is to open more doors of opportunity for students after graduation while still maintaining high standards of musical excellence and technical facility, creativity, applied knowledge and spiritual growth as part of a student’s experience at Houghton.”

Music IndustryCMYKInstruction will be given in almost every aspect of the industry starting with a solid understanding of music, for which the Greatbatch School of Music is already widely known. From there, students will take courses in music business, music technology, live sound production, studio recording and music production preparing them for jobs such as music technology, production, business, publishing, recording and broadcast engineering, artist booking and tour management, film and video game composition, and performance law.

Students pursuing the new bachelor’s degree will have access to some of the top instructors and equipment currently in the industry. Matt Odmark, acoustic guitar player and founding member of the well known Christian rock band, Jars of Clay, will be joining as an adjunct instructor for an upcoming Music Production Analysis class. It’s scheduled to be offered sometime next year. “We are fortunate to have a person like Matt interested in Houghton, especially with the wealth of experience and connections he brings to the college,” said Jackson, “When Jars of Clay played here a couple of years ago, Matt expressed great interest in partnering with us and caught the vision of what we were attempting to accomplish. He followed up by guest lecturing one of the Pro Tools classes that year.”

The college has also invested about $80,000 in a new music technology lab. This lab is equipped with twenty student stations and a teacher station equipped with the latest Mac computers, M-Audio controller keyboards, PreSonus recording interfaces as well as the latest recording and composing software — Pro Tools 11, Sibelius 7.5 and Ableton Live 9.

“We now have one of the best studios in upstate New York — and one of the most extensive microphone lockers and outboard gear collections. If you visited a top-notch studio in Nashville, Los Angeles or New York City, you would find that we own the same equipment here at Houghton,” said Jackson. “This benefits the students in that it allows the students the ability to practice their craft on the same gear that professionals are using every single day in professional recording and post-production studios worldwide.”

The department is currently waiting for degree approval from the National Association of Schools of Music, an organization Greatbatch has been a part of since 1947.  Nate Floyd, a junior and music major, plans on switching to the new major as soon as possible. “It’s dealing with the industry in a real way. Professor Jackson has real world experience and uses it in the classroom,” he said.  “In that way we are leaning what’s actually happening in the field, not some idealistic version of it.”

The coursework of the major is built to give students an in-depth understanding of the industry as a whole which makes them prime candidate for jobs in the field. Classes such as Introduction to Pro Tools and Pro Tools Production 1 will give the students hands-on experience with Avid Pro Tools, the most widely used recording software in the professional audio world. After completion of the course, students then have the opportunity to become Pro Tools certified. This certification allows future employers to see a student is a skilled Pro Tools user. Other courses like Sound Design and Processing for Film, TV and Video Games, and Introduction to Film Music will focus on broader topics like compiling and creating sound effects and composition for film, TV, and video games. Music industry majors will also complete courses such as Recording and Studio Technique, Music Production Analysis, Advanced Music Production, and Critical Listening and the Art of Mixing.

First year student, Aaron Campbell, first came to Houghton hoping to pursue degrees in both business and vocal performance, but found the classically grounded music program was not exactly what he was looking for. “Ideally I want to compose and produce music and so music industry is a better fit for me. The music industry major offers in-depth training in almost every aspect of musical recording and production as well as many others,” he said. “Also it compliments my business major to create a stronger degree. The training in the music industry program opens up new opportunities and provides viable skill sets for jobs with a realistic chance of employment.”

Jackson has personally been working on the degree for about eight years. He said, “It started with dreaming, praying, asking questions and then vision casting.” The first step was to offer a practicum in sound and recording class, which trains Houghton’s student tech team who run sound and provide other tech support at many of the events around the campus. Around three years later Houghton started offering Pro Tools classes, these classes were the foundation of what would eventually become the music industry degree.

“I believe we have one of the best music industry programs in the country. There are many reasons for that, including our internships with industry professionals in Nashville, New York, and Los Angeles. The recording studio and brand new music technology lab here at the college and our faculty who are world class,” Jackson concluded. “Not just in all things music technology, but in their respective musical fields. When you combine all of the above together, you have a program that is based on musical and technological excellence.”

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Kings and Kingdoms

Kings and Kingdoms, a local, post-hardcore/metalcore band, will perform at The Waiting Room in Buffalo next month on December 2nd. The band is relatively new, having been formed in 2012 with Bobby Burke on hard vocals, Joey Galligan on melodic vocals and rhythm guitar, and Mike Adkins playing lead guitar.  Nate Floyd, a Houghton junior studying Music Industry, became the drummer of Kings and Kingdoms in the fall of 2013. Since then, bass player, Dave Thomas, has also joined the band making the final member count five. Kings and Kingdoms has been compared to bands such as Secrets and Crown The Empire.

k&kFloyd said of being a part of the Buffalo music scene, “Many new bands come up then go away, they don’t understand that it’s a long haul.” He continued, “We’re dedicated. This is what we want to do so we’ve committed to it.” About three times a week Floyd makes the one and a half hour drive to Buffalo for band practice. For about a year now the band has been practicing and performing: writing music and playing at various venues around the city. Their hard work has proved fruitful. About a month ago they played at a music festival in Reading, Pennsylvania, making the five hour drive in order to fulfill a special invitation to perform. Kings and Kingdoms has gained a small following and is currently in the midst of signing a record deal.

The band only performs original music. Floyd explained, “In our genre it is really challenging to cover songs because in metal each band has a very specific sound that is difficult to capture.” The band places a large emphasis on songwriting. About half of their practices are dedicated to brainstorming new material and writing songs. Compositions are generally driven by Galligan and Floyd whose strengths are developing the skeleton of a piece, but each member is involved in the songwriting process. All five of them write their own instrument parts and give input on the subject and direction of the song.

Kings and Kingdoms write music about life. Hardships, the band’s single, is about exactly what it says: the hardships and sufferings of life. It grapples with the struggles that each individual of the band was going through at the time it was written. For them, writing is an outlet as well as a means to building bridges to help them get over the situations they write about. Kings and Kingdoms’ music centers on expression and connection. And through music they have certainly achieved both of those goals.

In 2013, a close friend of the band members took his own life. This heartbreaking event affected the Buffalo music scene deeply. The band’s response has been to write a song titled Shadows, to express remembrance and grief. The song deeply resonates with those who were touched by the tragedy. One man even had the lyrics of the chorus tattooed across his chest.  Floyd commented, “That song is about a man fighting demons that no one took the time to look at or see.”

k&klogoThe direction of the band was also influenced by that terrible event. Floyd said, “Some bands just hate people, but that’s not what we’re about–if someone comes up to us and wants to talk we sincerely want to talk to them and show them that we care. We try our best to listen and interact with our fans because you don’t know how much your words mean to somebody until something like that happens. We just want people to feel genuinely understood and overall that’s why we write. We want to connect with people.”

The band’s description page reads, “We hope to achieve something greater than any single member could alone and to pass on inspiration with music. To help others find a way in this world with our music”.

Kings and Kingdoms will be performing live at The Waiting Room on December 2nd. The show starts at 6 pm, costs $18 at the door, and is welcome to ages 16+ (with I.D). A lyric video and music video for Hardships can be found on their YouTube channel, Kings&Kingdoms, and a free download of Hardships can be found on their Facebook page, Facebook.com/KaKband.

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Tenth Avenue North Performing at KPAC

Tomorrow Saturday, October 4th at 8 o’ clock p.m. the newly opened Kerr-Pegula Athletic Complex will house multi-award winning Christian rock group, Tenth Avenue North. With ticket pre-sales approaching 2,000 this concert is the largest, on-campus music event in Houghton College history. Tenth Avenue North with featured opening act, Matt Maher, are currently on the road with the From Islands to Cathedrals tour promoting their newly released EP, Islands, and full length album, Cathedrals, which is scheduled to be released November 10th.

Lead singer, Mike Donehey, explained that the show is unlike anything they have ever done before. Houghton College is the second stop in the tour making our campus among the first audiences to see this new, live show which Professor Kevin Jackson, director of creative arts: sound and recording, described as “a gem” and “the biggest show that has ever been brought in.”

YouTube.com_TenthAveThe concept of the From Islands to Cathedrals tour is to walk the audience through the entire story of Tenth Avenue North and their music. “Starting real stripped down we will add band members and instruments building bigger and bigger as the story is told,” explained Donehey. Tenth Ave.’s four albums are linear and inform each other in meaningful, philosophical ways. The first album is a call to the Gospel. The next two albums encourage Christians to engage their struggles honestly and courageously and to help each other through life. In Islands, which is a companion of the upcoming full length album, Cathedrals, Tenth Avenue North discusses the ways Christians isolate themselves from community; the last track of the EP, “Just Getting By” speaks about living in an increasingly digitally influenced world. The focus of the music then shifts from isolation to the goodness and importance of being in community with one another. Donehey explained, “Once we become a community we become a place of sanctuary. We no longer have to wait for a sacred space or vocation. We make our vocations sacred. We make every place we walk into sacred because the Spirit of God walks with us wherever we go.” Tenth Avenue North has a distinctly Christ-centered, authentic, uplifting approach to music that a lot of people really enjoy.

The band’s main hope for the spiritual effect of their show is that the audience would get a better understanding of who Jesus is. They hold to the belief that change doesn’t come by trying harder or doing better, but that it comes from getting a clearer picture of Jesus. Their music is conversational, personal, and honest. Donehey shared about songwriting saying, “Our context is to try to put what is eternal and timeless into words people can understand. And mostly I’m trying to put things into words that I can understand.” He then quoted Psalm 49 saying, “I listen to wisdom so through the music of the lyre I will solve my riddles.” He then explained, “In other words David said- ‘I write songs to unriddle my heart.’ And that’s kinda why I write songs as well.”

10thWhile the campus has waited expectantly for this great performance there has been a flood of activity behind the scenes among Houghton College students and faculty working to make the concert possible. Months of planning and detailing involving many offices has lead up to this Saturday’s performance. However, tomorrow the band itself will mainly be supported by Houghton College’s student audio tech team. Professor Jackson who oversees the team said, “Our job as a college and as a tech team is to make the band’s job as easy as possible- that is, to able to minister that night. We are able to do the work of Christ by helping bands like Tenth Avenue North be better musicianaries. I can’t be successful in my job unless the team comes through and the team always comes through.” Concerts like this Saturday’s are not only a chance for the campus to experience meaningful worship, but also an opportunity for many in the student body to serve alongside a successful worship band to achieve a high goal.

Houghton has got a lot of very exciting homecoming events planned this weekend.  Make sure you don’t miss out on this one even if you don’t recognize the band name; with their constant stream of Christian radio hits Tenth Avenue North is that band you didn’t know you knew. Many who saw them at Kingdom Bound this summer were familiar with only a few of their songs and had a great time due to the energizing jive of the music and the spiritual uplift.

Tickets are available at the welcome desk to students for $12 or through the Houghton website for $15 general admission seats. They will also be available at the door for $20. Doors open at 7p.m. and the show starts at 8 p.m.

 

 

Works Cited

Jackson, Kevin. Personal interview. 24 Sept. 2014.

Donehey, Mike. “Cathedrals Available Nov. 6th.” <i>RSS</i>. N.p., n.d. Web. 30 Sept. 2014. &lt;http://www.tenthavenuenorth.com/&gt;.

Donehey, Mike. Phone interview. 26 Sept. 2014.

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Stories In Focus

Birds of the Northeast: A Musically Constructed Work of Art

Last winter, nineteen-year-old Patrick Grace of Saratoga, New York began recording a collection of songs he started writing at the age of fifteen in his father’s basement studio. Originally, the alternative indie project, titled Birds of the Northeast, was a personal endeavor of therapeutic self-expression. Grace found solace in his music as a documentation of negative emotions and a non-confrontational confessional to whom the songs are written. However, his quietly created project quickly became more than he initially intended.
Birds of the Northeast toured this summer in the Upstate area and released a twelve track, self-titled album on September 1st. The entire work, which Grace describes as the musical personification of a mind, was written and recorded solely by him; every intimate vocal track, honest lyric, meandering guitar line, rolling snare part, and whimsical bell jingle can be traced to Grace’s superb musical ability and ingenuity — save two harmony tracks in which his sister, Gigi, lent her vocal talents and a piano line added by engineer, Gary Tash of Pinewood Studios who mastered the album.

Birds of the NortheastGrace described the purpose of Birds of the Northeast, saying, “This project stands for truth and the understanding of who I am – even the darkest and most true parts of me. I wanted it to sound like how I feel, what my head sounds like. I took what was going on emotionally in my head and translated it instrumentally.”

Although Birds of the Northeast is a solo project, Grace performs gigs as a duo, utilizing the guitar and vocal abilities of Houghton freshman, James Johnson. Johnson, a lifelong friend of Grace’s, commented on the new album: “You can tell the amount of time and dedication that was put into this album through the musicianship, multiple harmonies, and immense overlays. In Birds, Patrick conveys an accurate expression of an intricate and striking extension of himself.” He went on to describe Grace as a multitalented person who quickly and easily develops new skills. Grace started playing drums at the age of twelve and three years later picked up guitar. His love and mastery of instruments quickly grew to include bass, mandolin, hand-bells, piano, and xylophone — all of which were used on the album. He cites Arcade Fire, Jack White, Andrew Bird, and Badly Drawn Boy as bands that have heavily influenced his music.

Grace is also involved in two additional, locally known bands. He writes, plays guitar and drums for The Penny Stocks while leading vocally for the band Good Fiction. Johnson concluded, “He’s a monster, he just doesn’t stop. I really admire his adaptability and versatility.”

Patrick GraceDue to Grace’s varied musical skills and knowledge, Birds of the Northeast contains creative instrumentation that experiments with traditional musical boundaries and lyrical conceptions. “One Plus One” and “Best (Parts 1 & 2)” stand out as particularly exceptional on both plains. Lines such as, “Stutter through my sentences / please don’t love me any less” and “I can’t become what I am not / don’t just put me on the spot” represent Grace’s straightforward approach to lyric writing. Musically, the serious tone of guitar and snare in “One Plus One” contrasted with quirky xylophone lines meaningfully inform the theme. Throughout the entire album is an ongoing conversation between routine rock instruments and their folksy counterparts. Grace’s concept of “Best (Parts 1 & 2)” was to describe an interaction and then express thoughts concerning it through building instrumentation and layered harmonies. He explained Part 1 as what happened and Part 2 as the introspection of a now churning mind.

Near the end of the album plays “Yana,” a sweet, but refreshingly honest love ballad written about a particularly dear, long distance relationship. The song is full of rich, melodic guitar riffs until the beginning of the bridge when the music is stripped to confused, sweeping chord changes on mandolin and the muffled audio of an actual phone conversation between Grace and his girlfriend, representing the distance between them.

Grace is by no means the first to write meaningful music, but he is the first to write meaningful, beautiful music out of his specific mindset and personal experience with the human condition. His album is not only an honest representation of the interworking of an emotional mind, but also a musically constructed work of art.

Birds of the Northeast offers a salient, emotionally saturated, vulnerable monologue regarding confusion, ambivalence, anxiety, self-hatred, love, and betrayal to the age-old conversation of human experience that is music.

Birds of the Northeast can be purchased on iTunes or listened to for free on Spotify or Sound Cloud.