Categories
Opinions

Pros and Cons of Cultural Identity: Part 2 of 3

Courtesy of oregonstate.edu
Courtesy of oregonstate.edu

Last week marked the beginning of mine and Andre Nelson’s series on cultural identity, and Andre’s installment made the argument that cultural diversity may not necessarily be a positive thing, as he linked it to incidences of mass violence throughout history.

I find it easy to follow the connections Andre draws between clashes of culture and clashes of sword.  He said himself in a previous editorial on the roots of contention, “Hatred stems from a perceived fear of others’ differences and the dehumanization of that people group.”  We fear what we do not know, and most often what we do not know lies in the behaviors of those outside our culture.  As Andre points out, fear causes hatred, and hatred causes violence.  But, there are also very clear faults in Andre’s argument.  His descriptions of glorified secular societies “where cultural heritage is but a vague memory” and faith is completely disconnected bring to mind nothing but Orwellian novels with tragic endings.  In his article on hatred, Andre emphasized the need to “discover people as individuals… for then it becomes much more difficult to harbor hate.”  But, where is there room for the individual in his idealistic, semi-communist utopia?

I feel that I am stating the obvious here.  Those of you who read Andre’s article most likely drew the same conclusions I did, or at least felt some kind of discomfort at the thought of oppressing something as beautiful as cultural diversity, especially as it is particularly valued and celebrated here at Houghton College.  So rather than continuing to pick apart Andre’s stance, my goal is to simply present an alternative view of and, perhaps, solution for, the value of culture and its effect on violence.

Cultural identity has long been associated with geographical location.  Where we live affects how we live.  So for the purposes of this editorial, let references to environment stand in for references to culture, as I’ll be discussing the connections between land (which shapes culture) and violence.

In the article “Reverence for the Sacred Land: A Response to Endemic Violence in Central America,” relief worker Tobias Roberts provides a glimpse of what human relations would look like if more heed was given to environment.  He spent different parts of his life in two areas of South America: El Salvador and Guatemala.  In El Salvador, Roberts remembers that walking down a street was a dangerous act.  Violence was rampant, and seeing yet another body lying by the road was a common occurrence.  Then Roberts goes on to talk of life in Guatemala.  He recalls safety, freedom, and community, and he asserts that the defining characteristic was found in the people’s relationship to the land itself.  A year or so before, a company had attempted to force, using violence, the construction of a hydroelectric project on the land of a Guatemalan village.  The community formed a human wall and refused passage to the company.  This “connectedness to their land and their determination to defend that land,” Roberts insists, is “the single most effective barrier to the propagation of violence.”

This is a powerful example of how environment can inspire peace within a single culture.  But, as Andre points out, violence is between separate cultures.  Roberts provides a solution for this, too.  Back in El Salvador, where people refuse to leave their houses at night for fear of violence, Roberts’ mother-in-law organized a block party to celebrate the New Year.  The lights, the music, and the smell of food eventually drew people out of their houses, and what resulted was a peaceful mixing of two ordinarily warring cultures—that of the gang members and drug dealers, and the families of the community.  “It was a moment when the community became sacred again, when the fear associated with violence melted away and when the community collectively affirmed that this place is us,” describes Roberts.

What I find myself left with is the conviction that connection to the environment—and its by-product, culture—is far too beneficial to society to be so easily discredited and dismissed.  Perhaps culture, or differences in culture, does have some part in the world’s history of violence.  But, it is not the only cause, and certainly not a significant enough cause to warrant its complete elimination from society.  And, if you willl allow me to indulge in some idealism, I would say that the propagation of communal reverence for land as a whole could create exactly the kind of large-scale peace that Andre envisions in his article.

Satish Kumar, editor of Resurgence magazine, discusses the meaning behind the designation of sacred geography such as the Ganges River and Mount Kailash in India.  He makes the point that, although the people treat them as such, these are not specifically holy in and of themselves; the Ganges is not the only holy river, Kailash not the only holy mountain.  Rather they are representations, local reminders of the belief by the Hindu people that all water is sacred, that all mountains are sacred, that the face of the earth in its entirety is to be treated with care.  I value my culture and where I come from, and in doing so I recognize that all cultures, in their importance to other people, are valuable.  Environment fosters community, and community encourages the absence of violence and the mutual respect and understanding that culture, and consequently people, is to be treated with care.

 

Categories
Arts

Intricate Ceramics Exhibit

An exhibition by Jason Green entitled “Past and Present” is currently on display in the Ortlip Art Gallery.  The exhibit is open until March 7, and there is an opening reception on February 23.
Entering the exhibit evokes a sense of quiet.  All but two of the pieces on display are mid-sized and evenly spaced along the walls, leaving the center of the gallery open and empty.  This bare space is oddly inviting.  It draws the eye to the individual pieces and necessitates movement to examine each work up close.
“Jason’s work is pretty exciting for our gallery, we haven’t had an exhibit like it in a while– a full ceramics show,” said Hannah Jennings.  According to Green’s artist statement, his current work grew out of his “experience as a builder, renovator and maker of temporary architectural installations.”

Ceramics piece by Jason Green
Ceramics piece by Jason Green

Green’s work in this show is comprised mostly of tiles, “thick, gorgeous, and oversized,” described Jennings, and the pieces do seem to hearken to a tradition of building and construction.  They are raised slabs on the wall, coated in designs that call to mind Eastern temples.

Indeed, Green cited travel as one of his main influences, listing off China, Mexico, France, and Italy as major sources of inspiration.  He works to incorporate “themes, ideas, and motifs that are shared between different cultures and different time periods.”

The two pieces on display that most notably reflect this concept are the two free-standing pieces.  Green has created stacks of interestingly shaped, repetitive tiles that are coated with ornate texture.  They look as if they had once been part of an ancient greater structure, now worn away.

Green himself reinforced this impression by sharing his intent behind the patterns, stating, “Decorative patterns lifted from history recall how layers build up over time, each having given a contribution to the memory and story of the space.”  The two free-standing pieces are by far the most conservative in color choice, as the rest of the wall-mounted tiles integrate bright blues and greens.

In addition to the color, close examination reveals that these tiles are also covered in intricate, overlapping patterns and textures.  In some cases, the clay itself will create a 3D texture that contrasts with glazed designs, and in others, multiple layers of glaze create depth and crisscrossing patterns. Some of these forms are geometric, repeating, and solid, while others are more organic and flowing, and the two styles work together within the clay.

Green said, “The geometry of my arrangements is tempered by the fluid characteristics of glazed surfaces that evolve during multiple applications and firings.  Some works use fields of modular units that suggest the vastness of landscape and the results of weather and erosion.”  The pieces are both beautiful and also intriguing, making it a mystery as to how they are created.

“His work would be interesting to a lot of people, I think, because of the process, which is something he’ll be talking about during the opening reception,” said Jennings.

The reception will be from 7 to 9 p.m. in the Ortlip Gallery on February 23.  Green’s artist talk will start at 7:30 p.m. and there will also be live music and refreshments, so be sure to check it out and find out how Green makes such stunning and intricate artwork.

Categories
Opinions

Victim Blaming: A Cultural Dismissal of Rape

On Saturday I posted a Facebook status containing a mini-essay I’d found online comparing the victim-blaming attitude toward rape with getting your Rolex stolen and having the police ask, “Is it possible you wanted to be mugged?”  Moments after, a friend of mine shared the status.  A friend of hers posted a comment.  His first line? “I get tired of women and this rape issue.”

To the gentleman who posted that comment, I will make a valiant effort to ignore the inappropriate and offensive nature of your statement, and operate under the assumption that you are simply confused and ignorant.  I address the following to you, in an effort to help you and others like you understand the injustices that fuel those women who make you “tired.”

In Canada in 2011, a policeman suggested that to prevent rape, women should “avoid dressing like sluts.”  What resulted was the first ever SlutWalk.  Women (and men) congregated in the streets of Toronto in various states of undress to protest rape and victim-blaming.

In the Christian community, modesty is an issue of respect and accountability.  Purity is an important aspect of our faith.  We don’t want to make it difficult for one another.  However, if a man or woman is not dressing modestly, must they then expect to be raped?  Personal preference should not dictate how one human being treats another, and, in fact, it doesn’t.  Rape is more often a crime inspired by power than lust.  Any kind of person can be and has been raped: senior citizens, prostitutes, handicapped, men, children, women wearing old, baggy sweaters.  There are no exceptions and therefore no excuses for committing the act.  Blaming a woman for her choice of wardrobe is both discriminatory and irrelevant.

This attitude of blaming the victim is present in more ways than one when it comes to rape.  A few weeks ago, two high school footballers in Ohio were charged with the rape of a 16 year old girl.  The evidence included a full video of the event that had been posted to YouTube, and photographs circulated on Instagram of the two boys carrying the nude and unconscious girl.  Despite this, the defense lawyer insisted that the girl be referred to as the “accuser” rather than the victim.  This label calls to attention issues of communication, and in this area as well, victims of rape are often discredited.

My step-mother was asleep in her own home when she was attacked.  A knife was held to her neck and she was told that if she woke her children, they would be harmed.  And yet these were the questions she dealt with from the police: Why did you leave the door unlocked? Did you tell him you didn’t want him?  To me, these questions reveal a dangerous attitude toward the concepts of resistance and consent.  This man broke into her home and threatened the lives of her children.  How necessary was it, really, for her to inform him that, no, she would not like to have sex with him?

Rape outdoors is extremely rare; in fact, most rapes take place in the home of the victim or perpetrator.  In 75% of all rapes, the perpetrator is known to the victim.  So in almost every rape, the victim is in a safe place, with a person they feel comfortable around, or both.  They are not expecting an assault, and when it happens they are shocked, confused, and scared.  Admittedly it is important for the perpetrator to know whether his or her advances are welcome, but in extreme cases, the emphasis placed on resistance in order to obtain a conviction is unacceptable.

Courtesy of http://www.globalpost.com/
Courtesy of http://www.globalpost.com/

On top of these injustices, there is a general cultural dismissiveness toward rape.  Prevention responsibility is put entirely on potential victims.  Don’t wear this, don’t do that.  Where is the advice, Do not rape?  How is any victim supposed to muster the courage to report rape if they feel responsible?  Three of my close friends have been raped, and not one of them has reported it.  Two of them were under similar circumstances; they were unconscious, in their own rooms and of their own accord from either medicine or alcohol.  They woke after the act had been completed by an acquaintance that had snuck in.  United States Federal law defines rape as engaging in a sexual act by using force, causing harm, threatening, rendering unconscious or drugging.  Which of these categories do these girls fit into?  What skepticism would they encounter if they dared bring their stories to the police?

The gentleman on Facebook also expressed frustration with female-centered rape protest, pointing out that men also experience rape, and complaining that women seem to view all men as potential rapists.  On the first count he is entirely right.  According to the Rape, Abuse, and Incest National Network (RAINN), 2.78 million American men have experienced rape, and their situations are also an example of the need for improvement in the way we handle rape.  Rape of men is classified as “sexual assault” rather than rape.  This, perhaps even more than discriminating legislation against women, reveals the chauvinistic nature of the judicial system.  Men are told, “You’re a man. You weren’t raped, you were assaulted.” This refusal to acknowledge what happened belittles the event and stunts healing.  Men should not feel marginalized or frustrated by the female campaign against rape.  They should join in wholeheartedly.

About 207,754 rapes occur annually.  RAINN states that 59% of rapes are never reported.  This means that the men and women in SlutWalk and in courtrooms are but a tiny percentage of those affected by rape.  It means that whether or not you have experienced rape, one or more people you know likely have.  Victims live their lives 6 times more prone to PTSD and 4 times more likely to contemplate suicide.  And out of every 100 rapes that occur, only 3 perpetrators will spend even a day in prison.

This is not an issue to grow tired of.  This is an ongoing abomination, a disgrace, and a call to arms.