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Stories In Focus

The Giving Tree: Class of 2017 Senior Gift

When the beloved Tree of Life in Houghton’s Field of Dreams was struck down by lightning last summer, its demise was given tribute by Houghton community, alumni and students alike all over social media. In response to the loss, the class of 2017 has decided to make its class gift a tribute to the tree. According to an official letter sent by the class of 2017 cabinet to senior class members, their gift will be to plant a seedling from the original Tree of Life, and install rock benches for outdoor seating around the new tree.

Prior to the announcement, the senior class had the opportunity to vote between planting the seedling and placing a fire pit near the Kerr-Pegula Athletic Complex (KPAC).

“We came up with the idea by brainstorming things around campus that we have noticed which could be improved to be more useful to future students,” said class president Sarah Kopa ‘17, when asked how the cabinet determined these options.  “We also really wanted a gift that would have meaning to our class and the things we have experienced together. From there it was narrowed down based on what was possible both to implement on campus and was also affordable.”

Class gifts have been an on and off again tradition at Houghton. According to Daniel Noyes, Regional Director of Development, the first recorded class gift was the class of 1925’s gift of the memorial outside Fancher marking the birthplace of Willard J. Houghton. Other class gifts current students might recognize include the swing set by the Paine building, the Christmas tree outside the Campus Center, and the study abroad road sign outside of Chamberlain. For the class of 2017, the Tree of Life has seemed like a possibility for their class gift since the beginning of the academic year.

“From the very beginning of the Fall semester, the cabinet kept returning to the idea of the Tree of Life and how we could incorporate that into the senior gift,” said class cabinet secretary Teira Hawkins ‘17. “There were some ideas to use the wood from the original tree but the logistics and finances were much more intricate than a class could afford to do as a gift.” She continued, “Originally we had planned on buying a seedling to put in the area of the Tree of Life but when administration heard of our idea, they informed us that they actually had some of the original seedlings, which is fantastic because it would have so much more sentimental value, and would allow us to purchase more benches.”

According to Kopa, planting the Tree of Life seedling does connect directly to the class of 2017’s experience at Houghton.

“We were the last class to have the Tree of Life be a part of the majority of our time here,” said Kopa. “My hope was that the class would feel connected and united by our gift, and I think this gift accomplishes that.”

While the logistics for planting the seedling have yet to be confirmed, Kopa said that the rock benches have already arrived, and the cabinet hopes to place them after Easter Break. The cabinet also encouraged their class to help finance the gift through a pledged donation of $20.17. Seniors who give before May 1 will have their donation commemorated in the Commencement program.

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Opinions

What The Fake: Alternative Facts

Like many English and writing majors before me, I have considered journalism as a possible career path. Journalists write for a living, work in a community of other writers, and make a visible impact on society, all of which are extremely attractive qualities in a job to someone like me. It is a profession that relatives at Thanksgiving dinner recognize as legitimate and laudable. It has monetary value and may be associated with some prestige.

While I no longer dream of interning at NPR, I maintain a lot of respect for those who follow the path of a reporter. Journalists like Nicholas Kristof of the New York Times and Brooke Gladstone of WNYC’s On the Media podcast are among my personal heroes, and when they write, I read. From their work and work like theirs, I learn about the experiences of people I’ll never meet, gain insight into the socio-political climate in which I live, and am generally able to understand the world more complexly. Good journalism encourages empathy in its readers, which, as a fiction writer, is my goal for my own work. I have a lot to learn from great journalists.

However, the well-crafted and well-researched journalism I love has been under attack as of late. The President of the United States has publicly denounced the free press as “the enemy of the American people,” blatantly lied on national television and refused to correct himself, and sat back while the people who work for him tried to validate his lies by calling them “alternative facts.”

I have very little faith in the current president, so I was not surprised when he tweeted, “The FAKE NEWS media (failing @nytimes, @NBCNews, @ABC, @CBS, @CNN) is not my enemy, it is the enemy of the American People!” This is coming from a president who hired Steve Bannon, a founding member of Breitbart News, as an assistant and chief strategist in his administration. Breitbart is a news and opinion website that has been associated with the alt-right movement and relies on sensationalist headlines that are often murky on reality. For instance, this January, the syndicate published an article stating that President Obama had awarded himself a medal, when, according to the Associated Press (AP), the medal was presented to him by Defense Secretary, Ash Carter. They have also been known to run unproven stories, once claiming that Secretary of State, John Kerry, had funneled taxpayer money into his daughter’s charity without any basis in fact. Both articles attempted to discredit Democrats, and reinforce the idea that the “other side” is evil.

Breitbart and organizations like it are not new, they existed long before the digital age. People like to consume media that affirms their own beliefs. We know this. We experience it. But I think there is a crucial difference between someone with extreme conservative leanings reading Breitbart versus a liberal like myself reading the New York Times: facts. In her book The Influencing Machine, Brooke Gladstone reminds her reader that all journalists have opinions, and it is impossible to take oneself completely out of one’s work. It is possible, however, to write articles based on reliable sources and facts. As an editor for our little school newspaper, I have seen how printing something false, even by accident, is treated seriously. We have recalled stories, published letters to the editor that correct stories we approved, and apologized publicly to the parties that were misrepresented. This has only happened a handful of times in my time at the Star, but I have seen firsthand that it is a big deal to publish something false. People get upset, and they should.

The media has the power to plant seeds in our minds, and even if the incorrect information is recalled or denounced, not everyone will get the message. This is not as scandalous when the Star publishes the wrong date for a soccer game, but what about when the president falsely claims he was elected with “the biggest electoral college win since Reagan” and then cites he read it somewhere? If that is true, whatever he read was not good journalism. If it is not true, he needs to find a different excuse.

Either way, the American people need to recognize that the mainstream media, otherwise known as the “failing” publications the president listed, are their friends, not their enemies. They exist to help the public make good, informed decisions, and to understand their country’s decisions more complexly. And while the people who write and produce for these news outlets will certainly have their own opinions, they will also print the truth, or else face severe repercussions. Mr. Trump is not the first president to attempt to discredit the press, and he will likely not be the last. But the press is necessary to hold those in power accountable.

Before he became president, Thomas Jefferson wrote, “Were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter.” The United States has a rich history of the relationship between the media and the government, and we are fortunate to have a system in which the press is free. But as consumers, we cannot let fake news outlets like Breitbart (or whatever that one person from our home church is posting) ruin real journalism for us. Continue to read with a critical eye as your education has taught you, but remember that the enemy of the American people is not journalism. It is blather.

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Reviews Stories In Focus

TV Review // Gilmore Girls: A Year in the Life

When the television series Gilmore Girls appeared in its entirety on Netflix in October 2014, fans new and old were prompted to binge watch the WB classic. For seven seasons, the show followed former teen mom Lorelai Gilmore (Lauren Graham) and her teenage daughter and best friend Rory (Alexis Bledel) as they built a relationship with Lorelai’s parents Emily (Kelly Bishop) and Richard (Edward Herrmann), supported Rory’s journey from prep school Chilton to Yale University, managed their extremely flawed romantic relationships, and made their home in the small, quirky town of Stars Hollow, Connecticut. In the late 90’s and early 2000’s, the series was known for its Sorkin-esque fast-talking characters, numerous pop culture references, and entitled, yet endearing leading ladies. When the show found a new home on the popular online streaming website, it also found a renewed place in pop culture, turning up in Buzzfeed lists and quizzes, Tumblr posts, and even the podcast “Gilmore Guys” in which two twenty-something men recap every episode.

The cultural revival of the show hit its apex when an actual revival was announced earlier this year by Netflix. Finally, fans could revisit all of their favourite Stars Hollow characters, learn where Rory’s journalism career had taken her, and, most importantly, hear the final four words of the show that creator and executive producer Amy Sherman-Palladino had promised them a decade ago. The full main cast was slated to return, aside from the late Herrmann, and Melissa McCarthy who played Lorelai’s best friend Sookie St. James. Sherman-Palladino and her husband, executive producer Daniel Palladino, who were absent for last season of the show, were both on board. Expectations, unsurprisingly, were high.

Rather than filming a full new season of the show, Netflix announced that the revival would be a mini-series of hour and a half long episodes featuring four seasons in the lives of the Gilmores, appropriately titled Gilmore Girls: A Year in the Life. All four episodes were released on November 25, coaxing fans away from the mall on Black Friday to sit in front of their computers and finally see what became of their beloved Gilmores.

A Year in the Life opens with iconic quotes from the original show’s seven seasons, immediately identifying itself as a show intended for fans of the original series. Some scenes that long-time fans will find exciting, like Kirk’s second short film, or the Life and Death Brigade’s homage to Across the Universe, will be just plain confusing to new viewers. That’s not to say that there isn’t plenty in this series for non-fans and Gilmore Girls fans (or, as I prefer to call us, “Gillies”) alike to be enjoy. From Paris Geller’s (Liza Weil) freak out in a Chilton bathroom, to Lorelai’s decision to do Wild (the book, not the movie), the series is as clever in its humor as the original. Even McCarthy makes a brief comic appearance in the fourth episode.

The show generally maintains a balance of witty comedy and emotional drama, including the kind of mother-daughter (namely Lorelai versus Emily and Lorelai versus Rory) shouting matches that are never overdone, but hit just the right note. All of the familial arguments are earned, as are their resolutions, after a thoughtful set-up and resolution by Sherman-Palladino. Most impressive is how Sherman-Palladino handles Herrmann’s death. He isn’t forgotten, in fact the Gilmore patriarch has an immense presence in the new show, mostly in the form of wall-sized portrait hanging in Emily’s house. We are shown scenes from his funeral in the first episode, but he isn’t seen until the final episode, in which Rory walks through her grandparents’ house and imagines him still with her. While the scene could have been trite, it fits the show’s ending well, giving viewers closure with Richard’s character.

Providing closure to character arcs is one element that Sherman-Palladino has a difficult time with in this iteration of the series. She has stayed true to the original characters in the revival, and provides rich arcs for both Emily and Lorelai. But Rory does not seem to have grown up between the ages of 22 and 32. While her morals were always somewhat loose (Rory loses her virginity to her married ex-boyfriend and there’s that one time she steals a yacht), it surprised me to find her in an ongoing affair with an engaged ex-boyfriend while she also cheats on her “forgettable” boyfriend.

Instead of the hard-working Rory who once made articles on boring subjects for her high school newspaper shine with creativity, we are introduced to a Rory with only a few published articles under her belt, who spends her free time jetting between London and Connecticut to carry on her affair. The formerly tenacious character thinks it’s beneath her to write for online media and gives up an opportunity writing a piece for Condé Nast after one day. The privilege that has followed her from Chilton to Yale to her first reporting job has obviously come to an end. Even in the last episode when she decides to write a book, she does not appear to have grown at all. And then there’s the final four words.

I won’t spoil them for you, but I will say that they make it clear that Rory has a lot more growing to do. Does this mean more episodes? Opinions differ, after all, these were the intended final four words of the show. Personally, I think a return would not only be the best way to flesh out Rory’s character arc, but it would be great for television in general. Despite Rory’s lack of redemption at the finale, she, Lorelai and Emily remain three of the most complex and nuanced female characters written for television in the 2000s, and I would welcome a return. Where they lead, I will follow.

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Stories In Focus

Feeling the #BuffaLove

Recent Alumni Make Buffalo, NY Home

As one of two major cities that are driving distance from Houghton College, Buffalo, New York is a favorite spot for students to go on weekends, whether they are shopping, jumping the stress away at SkyZone, or volunteering with Journey’s End Tutoring (JET). But the second largest city in New York State is not only home to the Walden Galleria mall and the eclectic shops of Elmwood village, it is also the home of many former Houghton students. Sarah Hutchinson ’14, Alexandra Hood ’15, Liana Wool ’16, and Morgan Loghry ’16 all moved to Buffalo shortly after graduating from Houghton, and have since settled in the city.

A political science major with minors in history, Hutchinson, who had also worked for The Star throughout her time at Houghton, did not know what she wanted to do with her degree upon graduation. She ultimately decided to pursue an AmeriCorps term in Buffalo at a nonprofit community health center that serves refugees and people trapped by poverty, Jericho Road Community Health Center, which was founded by a Houghton graduate. After her year-long term of service, Hutchinson was hired full-time by her organization.

“Initially I was attracted to Buffalo because of the high population of refugees,” said Hutchinson. “Since about the early 2000s, thousands of refugees from Burma, Bhutan, Somalia, Iraq, and other countries have been resettled here. They have been instrumental for the renaissance going on in the city right now, lots of vacant houses in the city are now occupied, new businesses are opening.”

Hood, meanwhile, chose Buffalo because she was looking for an artistic community to engage with. While at Houghton, she majored in art and worked for both the Campus Activities Board and Caffeinated Creative Studio. She also directed Printed Matter Press (PMP), a small group of art and design students who printed and sold their work to attend the annual Southern Graphics Conference. She credits PMP with revealing her passion.

“I was constantly surrounded by artists who were creating,” she said. “It was easy to for me to feel encouraged in what I was making when there was always someone to share ideas with. I wanted this when looking for a new place to live.” So far, she has found this creative community in Buffalo, where along with working as a barista, she is interning at the Western New York Book Arts Center and selling her own work, which includes stationary and handmade books. She added, “Art is meant to be experienced and I believe it is an incredible outlet for all types of people. Buffalo is certainly a place where that is possible.”

Wool graduated from Houghton in December 2015 with a major in Intercultural Studies and a minor in Human Ecology. In college, she participated in several off-campus programs, including the East Meets West honors program, a semester in London, a semester in Tanzania, and the Buffalo City Semester. In her sophomore year, she interned at a refugee-based nonprofit in Buffalo that inspired her to dedicate her life to working on behalf of individuals with less of a voice in their new culture. After some searching following her graduation, she now works as a case manager at Journey’s End Refugee Services in the city.

When asked what she likes best about Buffalo, Wool replied, “I would say the ability to live in a place that pushes you to look challenges in the face that in other environments you might be able to ignore is incredible.” She continued, “ Living and working in a city with your eyes wide open challenges to you live and have your being in a way that truly reflects the Gospel.”

Also a 2016 graduate, Loghry moved to Buffalo with the intention of working in a creative field.  At Houghton, she majored in fine arts with a minor in graphic design, and worked in several creative jobs on campus, including as a graphic designer in the marketing and communication department, and as a campus photographer for events and portraits. She helped to co-found Caffeinated Creative Studio, now Gild Studio, and was a gallery assistant in the Ortlip Gallery her senior year. The summer after her junior year, she moved to Buffalo, and decided to stay there and look for work after graduating.

“Living in Buffalo has articulated what I discovered about myself when I was in Houghton,” said Loghry. “I have had a variety of jobs in my time here so far. No one ever told me that finding a job I loved would be this hard.” She began working in a design position for a high-class fashion company, but soon realized that she did not share the same values as her bosses. “My background at Houghton taught me where to draw the line when it comes to commercial advertising and how to use tasteful tactics to appeal to your desired audience.”

For now, Loghry is working part-time as a photographer for the food delivery service GrubHub, and full-time at a photography studio. She added, “I am open to trying anything in this beautiful city. My time here has taught me that is matters less what I am doing, but that I am actively living creatively around people who challenge me.”

All of these alumni agree that there are many reasons to love Buffalo. And while they miss certain aspects of Houghton, like the natural scenery and the security, they also agree that Buffalo is an excellent place for graduates to take their first steps into post-graduate life.

“I would encourage Houghton students looking to work in Buffalo to really get involved with the city, to study and love its particulars, to volunteer, and to really consider it as a unique place and your place in it,” said Hutchinson. When asked what she would say to students looking to move to Buffalo, Loghry echoed Hutchinson with one pithy statement:

“Come join the party!”

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Stories In Focus

Internationally Bestselling Author Visits Houghton

The Center for the Arts (CFA) Recital Hall was silent for a moment after James Zoller, professor of writing and literature, asked the audience if they had any questions for visiting author Alexander McCall Smith. The pause continued for a few seconds before McCall Smith chimed in, “Well, if people are concerned with asking the first question, we could always start with the second.” The audience laughed, and several questions for the internationally-known author followed.

Photo courtesy of: Jonathan West
Photo courtesy of: Johnathan West

On Thursday, October 22, Houghton College hosted McCall Smith for an hour-long Question and Answer session in the CFA, followed by a luncheon with seven English and writing students in the Lennox Dining Hall. McCall Smith is best known for his book series The No. 1 Ladies’ Detective Agency, which follows the adventures of the fictional Precious Ramotswe, Botswana’s only female detective. Though he is of Scottish descent and lives in the United Kingdom country now, McCall Smith was born in the country that is now Zimbabwe, and often writes about Africa. According to his official website, he has written and contributed to over 100 books, and many of his series have become worldwide bestsellers.

This visit was made possible through the same means as last year’s Q & A session with Joyce Carol Oates. Like with Oates’ visit, Nicolas Gunning ‘05, the library director for David A. Howe Public Library Director in Wellsville, New York, approached the English and writing department at Houghton to see if they would be willing to help pay for the author’s visit. With this arrangement, McCall Smith would speak at Houghton in addition to the Wellsville library on the same day. Last year, Linda Mills Woolsey, professor of English and former academic dean of the college, agreed to these terms, and used funds from the Dean’s office to sponsor the event. This year, those funds were not available, but the department was able to use funds from the Van Gordon Endowment, a grant that supplies money for projects in the English, writing, and communication departments. Aside from finances, many Houghton faculty and staff worked together to make the event possible, including Jane Miner, the academic departments coordinator for English, education, writing and communication, who set up a gift basket for McCall Smith and worked with Gunning to arrange the details of the visit. Mills Woolsey arranged transportation for McCall Smith, Zoller volunteered to moderate the Q & A session, and Susan Bruxvoort Lipscomb, associate professor of English and chair for the department, hosted the student luncheon.

In the Q & A session, Zoller asked the Scottish author several questions about McCall Smith’s transition from a professor of medical law to fiction writer, how he approaches the writing process, and his experiences with the publishing industry. Jordan Trautwein ‘19, who attended both the Q & A and the luncheon, said she thought McCall Smith was especially engaged in the conversation with Zoller, and even though it occasionally felt unfocused, she liked that he mostly answered the questions through stories.

“It was very appropriate for a storyteller,” she said. “It seemed like his life is just a series of stories. He got so excited about telling us stories from his life, other people’s lives, and what he’s observed.”

The stories McCall Smith told in the Q & A included the story of his first lunch with his New York publishers (“I thought lunch was illegal in New York since everyone is so busy”), his African upbringing (“Africa has a spiritual feel to it that has remained with me despite spending the rest of my life in Scotland”), and his driver from Philadelphia to Houghton the previous day (“He told me that he and his brother go to tattoo conventions, what an interesting thing to do”). He also discussed his influences, including poet W. H. Auden, who is the subject of McCall Smith’s 2013 nonfiction book What W. H. Auden Can Do For You.

“I heard him recite his work once,” McCall Smith said. “He was a shambolic figure, came in wearing carpet slippers and a grey suit. We could all see that his zip was undone, but the great man rose above that.”

After answering a few questions from students, McCall Smith joined Lipscomb, Gunning, and seven English and writing majors, including Trautwein and Emma Carpenter ‘18, for lunch in the Lennox Dining Hall.

“He seemed very warm,” said Carpenter of McCall Smith. “I really enjoyed talking with him, and even just listening to him. [The conversation] felt very natural, and his sense of humor really impressed me. I want to read his books now, because that absurdist sense of humor is something I’d like to see in my own writing.”

“It’s such a cool opportunity,” said Trautwein, when asked why she attended both sessions. “This is why I came to Houghton, because I could do things like this.”

Lipscomb, who attended the lunch with the students, affirmed the benefit for students, especially in the English and writing department, to attend events like this.

“Specifically for English and writing students, it’s a good chance to ask questions about the world of publishing, how they do their writerly craft, how to make time for that, and how they got started in writing,” said Lipscomb. “Our students are just starting out, and it’s good for them to be able to see what the end point looks like and what the steps are to getting there. In terms of the campus community, people who are fans get to see the person who created this thing that they love.”

Adding Allegany County to McCall Smith’s North American tour was no easy feat, but the collaboration between Houghton College and the Wellsville Library allowed for a once in a lifetime experience for many Houghton residents and students. In the future, the college and the Wellsville library would like to offer another such experience.

In the meantime, students and professors will have plenty to discuss after McCall Smith’s visit as they continue to follow in this particular great man’s footsteps and tell stories of their own.

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Opinions

Houghton in Angelica: College Students and Community Frequent Angelica Café

Allegany County is home to several small, well-established restaurants that attract Houghton students and community members, including 3 Bums Pizza, Ace’s Country Cupboard and the Black-Eyed Susan Acoustic Café. One of the most popular restaurants within the Houghton community, however, is only one year old: the Canteen in Angelica, New York.

thecanteen1The Canteen, located about twenty minutes south of Houghton, opened on June 23, 2015, and has since attracted a large customer base from Houghton. The family style restaurant and coffee shop serves breakfast and lunch, as well as several specialty drinks and ice cream. Several Houghton students can be found there on Saturdays and Sundays, and many say they enjoy the restaurant’s atmosphere for studying, as well as for spending time with friends.

“It’s a really good environment,” said Kim Logee ’17. “It’s everything you want in a coffee shop. The people who own it are really nice and welcoming.”

Tom and Lynn Murray, the owners and operators of the Canteen, never expected to run a restaurant. Mr. Murray worked for Kodak for 30 years, and following his departure in 2014, he and Mrs. Murray decided to buy the building that houses Heritage Antiques, the restaurant, and the apartment above the restaurant. At the time, the tenants in the building that is now the Canteen ran a café called Heritage House. When business didn’t work out for those tenants, the Murrays decided to renovate the full building. Once they finished renovations, they planned to rent out the space to tenants.

“We knew we didn’t want to run a restaurant,” said Mr. Murray. “We knew it was hard. Everybody told us it was hard.”

In the midst of renovations, however, the Murrays learned that much of the building was not up to the New York state fire code. During the nine months they worked to meet those safety regulations, the couple also found that Angelica locals would come off the street and give them suggestions for how to arrange the space. Eventually, the Murrays realized that if they did not have a buyer by the time the renovations were finished, they would have to run the business themselves to recoup their initial investment.

“It was really just to get it off the ground, establish some kind of presence, and see if it worked,” said Mr. Murray. “Then, we hoped to find someone who was really passionate about food and restaurants to take it over. That was our plan. We’re still here.”

The Canteen opened in the early summer of 2015 with the Murrays as both the owners of the building and the business. They are still in charge, but have put the whole building, as well as the equipment from the Canteen, on the market for someone who wants to run a café full-time. Despite their reluctance to run the Canteen for longer than a year, the Murrays have still enjoyed their experience as owners of a restaurant.

“We like farming and animals and that type of thing,” said Mr. Murray. “But we also enjoy meeting people like the locals and the students from Houghton. On the weekends, half of our clientele is from Houghton.” He added that the restaurant also often welcomes state troopers from Allegany County and travellers off the highway who find the restaurant through Google.

Houghton students go back to the Canteen for several reasons. Ian DeHaas ’17, a frequent Canteen customer, noted the coffee as a reason to visit.

“The Canteen’s coffee is mellow,” said DeHaas. “Their beans have a nice range from dark roast to light roast and the flavor is good, but overall their coffee is brewed to be mellow and relaxing. It has a very tea-like quality to it and it’s very non-acidic. It’s the casual coffee enthusiast’s dream.”

Rachel Zimmerman ’18 said the overall atmosphere, which feels like home, draws her back.

“I love the Canteen for all of its thoughtful details,” she added. “ The tables overlaid with newspaper clippings, the mason jar light fixtures, and the clear glass mugs that make every drink feel elegant.”

The Canteen is located at 40 West Main Street in Angelica, New York, and is open Friday through Sunday from 7 a.m. to 3 p.m.

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Stories In Focus

Learning to Love Our Neighbors

Every year, the Faith and Justice Symposium challenges Houghton College students and the wider Houghton community to consider a social justice issue through the lens of the Christian faith they share. From Wednesday, September 21 to Friday, September 23, this year’s Symposium, entitled “Loving our Neighbors,” will explore immigration and refugee issues with two keynote speakers, a coffeehouse, four workshops, and the screening of a documentary.

fjs-quoteThe selection of a topic for the Faith and Justice Symposium is based both on student feedback from the past year and on what subjects are timely in wider society. This year’s topic was chosen by the Symposium Advisory Team, which includes Brian Webb, Sustainability Coordinator, and Kristina LaCelle-Peterson, Professor of Religion. According to LaCelle-Peterson, they agreed that the issue of immigrants and refugees was relevant due to the current political climate and refugee crisis.

According to the UN there are over 65 million displaced people in the world, over 21 million of whom are refugees,” said La-Celle Peterson. “Christians around the world are reflecting on what they can do and what churches can do to help displaced people rebuild their lives. We want to be part of that effort.” She continued, “Even aside from a discussion of refugees, the issue of immigration is on people’s minds, especially because of the election cycle we’re in. We wanted the Symposium to be a place where we can move beyond the sound-bites which are often misleading or simply playing on fears, and reframe the discussion on Jesus’ call to love our neighbor.”

Webb and LaCelle-Peterson also invited the two keynote for this year’s Symposium: Jenny Yang, the Vice President of Advocacy and Policy at World Relief, and Danny Carroll, the Blanchard Professor of Old Testament at Wheaton College.

“We always try to get a diversity of keynote speakers,” said Webb. “We wanted people who could approach it from different angles. Jenny Yang is a well-known advocate on immigration justice issues. She’s highly regarded in Christian justice related circles on this issue. Danny Carroll comes more from an academic perspective, and has more of a theological background. He is a highly regarded scholar on biblical approaches to immigration.”

Yang will speak in chapel on Wednesday, while Carroll will both speak in chapel on Friday morning and will lead one of four workshops on Friday afternoon. The other three workshops will be led by speakers with a variety of perspectives on immigration and refugee issues. A representative from the Wesleyan Church will discuss the denomination’s approach, while an individual from the Christian Reform Church’s “Blessing Not Burden” campaign will discuss their organization’s attempt to reframe the immigration debate in terms of immigrants as a blessing to society. Another speaker who works in economic development in Buffalo will talk about how immigrants contribute to positive economic benefits of the country to which they immigrate.

“The workshops bring the opportunity to interact more closely with the speakers,” said Emily Barry ’17, who is part of this year’s Symposium Student Planning Committee. “It’s you in a classroom, so it’s more personal. They open it up for questions, and you can pick their brains how you want.”

On Thursday, the Symposium will present an “Engaging the Arts” coffeehouse organized by the student planning committee. It will feature live music and stories from Felix Madji, a second-year student at the Houghton in Buffalo campus and a refugee from the Central African Republic, as well as an art auction, participatory art project and free coffee. The Houghton College Gospel Choir will also make an appearance. This event is intended to help convey the human aspect of immigration and refugee issues, which is an overwhelming goal for this year’s Symposium.

“My hope is that students would see that these are real people with real stories,” said Webb. “Their stories matter, and we as Christians can value their stories and experiences in a way that uplifts the individual. Instead of arguing the ideology of an issue, I’d rather that people experience the real-life stories of ordinary people, and then frame their perspectives on the issue around what they learn.”

The wish to showcase the stories of real people is also why the Symposium will screen the film “Documented” on Friday. The documentary features Jose Antonio Vargas, a Pulitzer-Prize winning journalist who came out as an undocumented immigrant in a New York Times Magazine cover story in 2011. Webb believes Vargas’s story is an especially powerful one.

“His story is actually what changed me 180 degrees on the immigration issue,” said Webb. “Just hearing his experiences as an undocumented individual helped me see this a really different light than I had grown up with.”

The Symposium, “Immigration and Refugees: Loving our Neighbors,” will begin on Wednesday in chapel with Jenny Yang, and continue through Friday. The full schedule is available on the Houghton College website.

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Stories In Focus

Physics Senior Present at RSPS

While it may appear to many undergraduate students that research conferences are reserved for professors and graduate students only, one benefit of a Houghton College education is participating in these conferences as an undergraduate. On April 2, 2016, five Houghton physics majors presented their research at the Rochester Symposium for Physics Students (RSPS). The annual symposium, which took place at the University of Rochester this year, is specifically designed so that undergraduate physics students can present their research orally. Students from all over New York state attend and participate in the type of conference setting that they might not otherwise encounter until graduate school.

Senior and junior physics majors attended the Rochester Symposium for Physics Students with professors Dr. Mark Yuly, Dr. Tanner Hoffman, and Dr. Kurt Aikens.
Senior and junior physics majors attended the Rochester Symposium for Physics Students with professors Dr. Mark Yuly, Dr. Tanner Hoffman, and Dr. Kurt Aikens.

Research is a key element of Houghton’s physics program. Every student majoring in physics or applied physics takes on a research project, often starting the work in the second semester of their sophomore year and continuing until graduation. This research is typically done in tandem with physics professors and takes up approximately forty-five hours every semester, which is essentially the equivalent of a one-credit class. The end result of their work is a thesis between forty and sixty pages, as well as presenting orally at RSPS.

For the past sixteen years, Houghton students have given twelve to fifteen-minute talks on their project lab research at RSPS as a graduation requirement. According to Mark Yuly, professor of physics and associate dean for natural sciences and mathematics, the experience is one that will prove invaluable for these students as they prepare for their careers.

“It gives the students a real-world experience doing something they will be doing all the time as professional physicists or engineers – speaking in public,” he said. “They get lots of practice presenting their work here on campus in their classes, but this is a chance to present for the outside world.”

Kurt Aikens, assistant professor of physics, added that the benefits of this program are self-evident. “It provides them with the opportunity to deliver a quality talk on their individual research project,” he said. “We help them to do the research, prepare their talks, we give them feedback, and generally ensure that they are prepared to do well. All of this is important because the ability to communicate one’s work is essential—you can be the best scientist in the world but no one will understand your results or how you obtained them if you cannot speak and write.

This year, five graduating physics majors including Kyle Craft, Thomas Eckert, August Gula, Margaret Kirkland and Jonathon Yuly presented their research orally. Craft, along with Andrew Redman ‘17, also presented a poster.

Eckert, who will begin a Ph.D. program in nuclear physics at the University of Rochester this fall, agrees that conferences like RSPS are a unique opportunity for Houghton students to gain experience. In addition to RSPS, Eckert has attended two international conferences as an undergraduate hosted by the American Physical Society (APS) Division of Plasma Physics.

By going to conferences, you see first hand how important it is to talk about your work in an effective manner,” said Eckert. “If you can’t explain it simply enough for those outside of our field to understand it, you don’t really understand your work. And if you can’t do that, funding is harder to come by since the people you interact with most likely won’t have physics degrees.”

In a job market that places an emphasis on practical experience, symposiums and conferences like RSPS are more and more attractive on a resume. Participating in these events as undergraduates allows students not only to represent Houghton and to add to their personal resumes, but to begin building skills that will prove useful in the years to come.

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Laura Johnson: “The Sorrow Estate”

After seven years of writing and composing her own songs, Laura Johnson ’17 will release an album of original music entitled “The Sorrow Estate” on May 1st. The project was set in motion with help from her Houghton professors and peers, and will be financed in part from funding she hopes to receive from an Indiegogo campaign. Johnson, a writing major with minors in communication and music, wrote each of the ten tracks on the record, and will both sing and play guitar on the album.

Her project has been in the making for a while,” said music industry professor Kevin Jackson, who has advised Johnson since she first came to him with the idea last semester. “Laura has been consistently writing. It hasn’t just transpired overnight. She has poured herself and her soul into her songs and music.” 

Music has always played a major role in Johnson’s life. Her parents met in a Christian singing group that toured the US and Europe, and have since acted as worship leaders in their church. Johnson grew up being active in the music elements of church as well, and started writing her own songs at age fourteen. This past October, she made the decision to take the next step and professionally record them with musicians. Instead of making a demo to send to record labels, Johnson decided to pursue her goal without the security or funds that a label provides.

“I decided to do this on my own because I want to do the work,” said Johnson. “I want to feel every struggle and every joy of pursuing music as an independent artist. I want the freedom to make choices and to collaborate with my friends and family and Houghton professors and alumni.”

This collaboration began with Johnson assembling studio musicians to record and perform the album with her. The group includes her brother James Johnson ‘18, bass; Marc LeGrand ‘17, lead guitar; Chelsea Lee ‘15, vocals and piano; and Shehan Rodrigo ‘19, drums.

“Laura has a brilliant writing style,” said Rodrigo. “Her lyrics speak to anyone whether you can sympathize with the situation or not. You feel something when you hear those lyrics.”

The ensemble and the upcoming album are both called “The Sorrow Estate.” When asked why she did not use her own name for the project, Johnson explained that she did not want the music to be about her as an individual.

“I do write a lot of autobiographical music, because I listen to a lot of it,” said Johnson. “But I also love story, and about a third of the album is just me imagining how someone might feel in some situation.”

The name itself originates from a song by one of Johnson’s favorite bands and influences: Bright Eyes. In the song “Laura Laurent,” the lead singer Conor Oberst sings, “Laura, are you still living there on your estate of sorrows?” Johnson believes that this line acts as a metaphor for the character’s state of being, and the structure from which she sees the rest of the world and tries to interact with it. This image resonated with Johnson, and stuck with her when it came time to title her project.

“That’s the message I want to convey with my art, and with this album especially,” said Johnson. “We’re battered and broken and used, but we keep connecting.”

Once the studio musicians were organized, Johnson approached Jackson and his fellow Music Industry professor Alan Dusel for guidance. At the end of the fall semester, she arranged to record part of the album at Starfields Productions, a production studio in Buffalo, NY. The band recorded three tracks at Starfields over a weekend shortly before Christmas break. They plan to record the rest of the album at Houghton’s recording studio, EMA Studios.

Today, Johnson is launching an Indiegogo fundraiser for the album where people can pre-order the album and help to finance its production. Money raised in the campaign will help her to pay for the rest of the recording, physical copies of the album, and professional mixing and mastering. Johnson has connected with Houghton alum in the industry through Jackson with whom she is in talks for producing the album. With Houghton students as musicians, Houghton professors as mentors, and even a Houghton student set to design her cover art, Johnson’s project is truly a collaborative one for the college’s community.

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Houghton College Presents A Doll House

After four years of Houghton College’s only official college theatrical productions being musical theater and lyric theater, the college is putting on a dramatic play directed by a professional director. Over three performances from February 5th to 7th, Houghton students will present Henrik Ibsen’s play A Doll House in the Rosemary Tysinger Auditorium at Houghton Academy.

The idea to organize an official college play originated in a discussion between faculty in the English, Writing, and Communications departments last year. Together, the faculty members wrote a proposal to use revenue from the Van Gordon Chair–the endowed chair shared by their departments–to hire a professional director and provide resources needed for a play. Once the proposal was approved, they advertised for a professional director, and ultimately hired Kevin Leary.

Ava Bergen_Dollhouse RGBLeary is a professional actor and director who has performed in four national musical theater tours, and has directed several shows at the Lancaster Opera House. He is currently employed by the University of Buffalo as the assistant to the director in their arts management program, but saw Houghton as an outside opportunity.

“I knew that they were looking for something in a Christian context,” said Leary of applying for the position. “I don’t think that only means Jesus plays. It’s more about the social dynamic of plays, which could be a foray into a wider discussion about themes in a Christian context that the play has already dealt with. Theater exists for social justice and for the concerns of larger society in general.”

Leary and Houghton faculty members worked to choose a play that reflected these values, and would also challenge students. The play they chose, Ibsen’s A Doll House, was originally published and performed in 1879 in Norway. It follows the character of Nora Helmer – a woman who grew up depending entirely on her father, and now depends upon her husband, Torvald. The action centers on the fallout after another character discovers that Nora once engaged in fraud without Torvald’s knowledge in order to save his life. The play’s exploration of gender roles was considered revolutionary at the time, and remains a staple in the study of modern and contemporary drama.

“It’s a classic play, and one of my personal favorites,” said Douglas Gaerte, professor and chair of the Communications department, who was involved in the decision. “The ending is ambiguous enough that I think it can inspire some interesting discussion.”

Leary held auditions following Thanksgiving break, and assembled a cast that features four female and three male students. He also held interviews for a creative team of students, which includes a production assistant and marketing director, a dramaturge, an assistant director, and a stage manager. Once all of these roles were filled, he held three rehearsals the week before finals, and then officially began rehearsals at the start of the spring semester. While the majority of the cast has had little theater experience, Leary has worked diligently with them to develop their characters in an honest way.

“Kevin hasn’t been pandering to us because we’re inexperienced,” said junior Jakin Rintelman, who plays the character of Krogstad. “He’s been making sure that we’re on the ball and that we’re doing our best. He tells us to really live as the characters rather than simply pretend to be them.”

Assistant director Colleen Shannon, a junior with past theater experience, also praised Leary’s directing style as collaborative and challenging.

“He brings a professional, yet completely open and welcoming atmosphere,” she said. “He’s all about discovering those golden moments that are compelling. He really brings the best out of people.”

Students involved with the play have also expressed that this experience has been a valuable learning experience for them, whether or not they plan to go into theater as a profession.

“I’m learning how to utilize criticism to further my role as an actor, and how to listen to people around me effectively,” said junior Ava Bergen, who plays Mrs. Linde in the show.

With only four weeks of rehearsals, the cast and creative team of A Doll House have devoted a significant amount of time to creating a production not only for Houghton community members, but also for an audience that extends farther away. According to Leary, the team hopes to reach people as far as Geneseo and Olean. He believes it is an important play for this community to see, not just because it is a source of entertainment – which it is – but also because of its message.

“It’s such a pertinent story,” said Leary. “A hundred years later we’re still dealing with women’s rights and minority rights in a male-dominated white society.”

A Doll House runs at Houghton Academy February 5th and 6th at 7:30 p.m., and February 7th at 2:00 p.m. Tickets cost $10 for adults and $5 for children, students, and seniors.