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Armageddon (1998)

By Caleb Tiedemann

Armageddon is a movie that I randomly remember renting from the library because I was looking for something to watch that night, little did I know I was just briefly glancing at what would be my favorite movie of all time. It’s very weird, explaining that your favorite movie of all time is a movie that very few people have seen or even remember seeing. Directed by Michael Bay, it’s a movie that many might glance over. Michael Bay is not necessarily known for anything great, other than the Transformers movies and a love of seamless explosions and action. You can guess how quickly interest is lost when someone hears that Bay is the director. Now, is this movie a masterpiece? No, it very clearly is not. However, in my humble opinion, it is.

Michael Bay’s 1998 film: Armageddon, centers around an asteroid the size of Texas hurtling towards Earth that will surely wipe out the entire planet. Eager to destroy the asteroid before it hits, the world governments want to send a team into space to deposit a nuke on the asteroid and blow it up. The only problem: the nuke has to be planted within the asteroid for it to properly explode, which would shatter it into enough pieces that if any chunks did hit the Earth it would not be detrimental. With that in mind, NASA and head Dan Truman (Billy Bob Thornton) request the help of Harry Stamper (Bruce Willis) and his team of misfits (Liv Tyler, Ben Affleck, Michael Clarke Duncan, Steve Buscemi, etc.) all who work for Stamper Oil, a drilling company. These men are humanity’s final hope of survival. 

The first and possibly best thing about this movie is the characters. Within its 150 minute runtime, you are introduced to a multitude of characters, all of which have differing and quirky personalities setting each aside from another. Another amazing thing was that they were all absolutely hilarious, each character had at least one memorable line or scene that made me laugh aloud. It is through these personalities and brief lines that you can really glimpse each character for what they really are, which I absolutely adore. However, this makes the movie more nerve-wracking to watch as not all of these characters are going to make it back alive. With this knowledge, I was incredibly saddened, but also incredibly surprised with how quickly I fell in love with these characters. 

This is also one of the few movies that makes me cry and not just a couple of tears either, literal bawling like a baby, the using up tissues, and sobbing kind of cry. A testament to my love of this movie and firm belief that it is amazing. There’s just such a good combination of intensity and emotion, all of which is way too much for me to handle. The main characters have to watch their friends and family die, brotherly love, romantic love, parental love, all forms are on display in these amazing characters. There’s fear in not knowing if Harry will return to see his daughter, fear in not knowing if AJ will return to be married to his fiance. It’s the combination of all these things that put intense emotional stress upon the viewer. Somehow Michael Bay makes it all work.

Along with those primary elements, the CGI is quite amazing, especially for a low-budget 90’s movie, with the explosions and space CG being surprisingly realistic. Secondly, the score and soundtrack work very well. It helps to build the intensity of each situation as your group of characters are put through trial after trial. The single song, I Don’t Want To Miss A Thing by Aerosmith is an immaculate song that was instantly added to my favorite playlist. In conclusion, I personally think that Armageddon is the best movie, as of now, that I have ever seen. A unique plot and cast of characters further prove my point. The combination of score, cinematography and acting combine into a beautiful creation and an experience that I will never forget and want to share with as many people as humanly possible. I urge you to see this movie, I doubt many people will have the same reactions as I did but I still think the movie is worth your time to enjoy. ★

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Valentine’s Day Chocolate Sampling

By Anna Zimmerman

The Center for Sustainability hosted a chocolate sampling event in the campus center on Valentine’s Day. There were eight different types of chocolates to sample from six different sustainable and fair trade companies. Around 50 students stopped by to grab some chocolate, of which Unreal’s Dark Chocolate Crispy Quinoa Gems seemed to be one of the big hits. Erika Nash (‘22) grabbed an extra piece of her favorite, Theo’s Dark Chocolate Sea Salt, which was “some of the best chocolate” she has had. The other brands consisted of Alter Eco, Beyond Good, Tony’s, Dr. Bronner’s, and Candid. 

All of the chocolate was bought from Hive, an online store that focuses on ethical sourcing of products, recycled/compostable packaging, and carbon offsets to work towards a “more sustainable and equitable world.” All of the chocolate brands have practices that support both more environmentally conscientious, as well as ethical practices for the people who are involved in the industry. Unfortunately, much of the chocolate industry is entwined with high rates of deforestation, unsustainable use of resources, underpaying farmers, and child labor. Clayton Hardiman (‘22) reflected on this by saying, “knowing that there is ethical and responsible chocolate out there is comforting. It really makes you think about the decisions you make when buying something as simple as chocolate.” ★

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Night at the Movies

by Rachel Huchthausen

Dr. Sharon Johnson, Prof. Roy Smith, and Mrs. Julie Smith shared a magnificent program of film music arranged for flute, trumpet, and piano last Tuesday (January 18), featuring the music of John Williams (Star Wars, Catch Me if You Can, Far and Away, and Harry Potter), Thomas Newman (Little Women, 1994), and Michael Giacchino (Ratatouille and Up!).  The making of these particular arrangements were yet another creative outlet during the last year of the Pandemic.  Noting the lack of duets for flute and trumpet, the Smiths found themselves given enough time to finally amend this lack through the quarantine period of this past year.  

Arranging for these two instruments is particularly challenging because of the imbalance of sound between the Smith’s respective instruments—it is easy for the trumpet to overpower the flute.  However, the Smith’s arrangements of these scores were up to the challenge.  

The concert last Tuesday featured many virtuosic passages for flute and the warm iconic sound of the trumpet so essential for scores such as Ratatouille, Catch Me if You Can, and “Married Life” from Up!. Particularly notable were the balance and tight collaboration especially in “Joy Ride” from John Williams’ Escapades Suite, the haunting Irish melodies and accompaniment from Far and Away, and the moment at the end of “Married Life” when both flautist and trumpeter lowered their instruments to watch Dr. Johnson call from the keys the final heartbreaking statement of the theme.  

Their recital left the audience members wanting to hear more live performances of film music, flautists, trumpeters, and pianists hoping to try their hands at collaboration together, and musicians with the euphoric feeling of having listened to great music.  Thank you, Dr. Johnson, Prof., and Mrs. Smith, for a marvelous Night at the Movies.★  

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Spider Man: No Way Home (2021)

By Caleb Tiedemann

MAJOR SPOILER WARNING!

Spider-Man: No Way Home was one of the most hyped-up and anticipated Marvel movies to come out this year. All of this was primarily thanks to the rumors and the advertisements that Marvel practically forced down your throat until you could not go anywhere without hearing or seeing it. After a year of average Marvel, I was starting to feel burnt out and hoping the future would be b6etter. Little did I know that Jon Watts was going to drop one of the best Marvel films of all time right into my lap, to cap off 2021. I arrived home for Christmas break and caught church and breakfast with my friends. Then we went to the mall and mentally prepared ourselves for better or worse. Two and a half hours later, we all came to the same conclusion, “WOW!” I do not think it is too far to claim that Spider-Man: No Way Home is nothing short of a masterpiece.

No Way Home picks up right where Far From Home left off: Mysterio revealing Spider-Man’s identity to the world. With Spider-Man/Peter Parker’s (Tom Holland) friends and family at risk, he seeks help from Doctor Strange (Benedict Cumberbatch). When Strange tries to cast a spell that makes the world forget Peter Parker is Spider-Man things go horribly wrong and dangerous foes from alternate dimensions appear to put him to the test. In the end, Peter learns the true cost of what it means to be Spider-Man. 

Similar to the other movies I review, there are many amazing details to go over. Let’s start with the elephant, or elephants in the room, the names that everyone wants to hear. The appearances that made the people in my theater scream, clap, cry and shout: Tobey Maguire and Andrew Garfield. The appearance of these characters sent me into an insane frenzy of love and joy. Being one of those 2000s kids, I grew up with Maguire and Garfield, and seeing them back in their titular roles was jaw-dropping and nostalgic. Their intro was not superb but I loved it way too much to be annoyed. Tears and shouts of joy filled the theater on that day. A moment and feeling that cannot be matched. I felt young again, I felt nothing but joy to see them back in action.

You could tell that Maguire and Garfield were both thrilled to return to their roles as they both acted with all their heart, making it seem as if they never left. Tom Holland gives his ultimate performance in this film as Peter is driven to the edge of his sanity, broken and beaten, by trying so hard to be the friendly neighborhood Spider-Man. Alfred Molina’s return as Doc Ock is another smile-inducing moment. When he is turned good, he is so wholesome and happy, being able to truly be Alfred Molina instead of Ock. Then there’s the other villains: Rhys Ifans’ Lizard, and Thomas Haden Church’s Sandman. Both get further personality development and fun moments as classic villains. Jamie Foxx’s Electro also stood out as an awesome performance. Despite not being blue or balding, Foxx was given a great opportunity to make amends for the previous butchering of Electro. 

Now, we get to talk about the MVP- Green Goblin. Willem Dafoe returns as the titular Spider-Man villain, the one who started it all. Dafoe’s performance was nothing short of legendary. He truly brought his crazy back without a second thought. I personally loved him so much more through this movie as he adopts a very similar personality to that of Heath Ledger’s Joker. The way Goblin tanks punches all while smiling and laughing is one of the most bone-chilling scenes. It gives off the Batman/Joker interrogation scene vibes from the Dark Knight. Instead of having an ulterior motive, the Goblin just wants to break Spider-Man in any way he can, and he almost does. He kills one of the people closest to Peter, driving him nearly mad with grief and instilling vengeance within him. Similar to how Maguire and Garfield had to learn to deal with the grief of losing Uncle Ben and Gwen, so must Holland. Due to the Goblin, Peter is brought to the edge of his sanity, almost losing who he truly is along the way. This was one of the most heartbreaking, surprising, and emotionally well-done things in this movie.

Visually, this movie is stunning. The CG is believable and works well. The Doctor Strange fight is beautiful. Getting tossed back into the mirror dimension is always a visual treat. The cinematography is jaw-dropping. The humor was also fantastic. The interactions between the villains are funny, and the interactions between the three Spider-Men are hilarious. The movie does an excellent job of balancing humor with heart. The humor never feels out of place and never overstays its welcome. Small little details can be revealed in the shortest of sentences. They even got Willem Dafoe to say, “I’m something of a scientist myself,” again. I mean, come on, how could you not like this movie?
Now, for the plot. Previously, the Spider-Man movies have been nothing but fun and adventure, with no real stakes and no real character.  . This does not mean they are bad by any means, but it makes them lesser than, especially if Peter is the exact same after six movies. In this movie, there are stakes and so much development, and not just development for Peter, development for a whole cast of characters from the last twenty years! For once, Spider-Man can’t just get out of trouble by swinging away and making a quip. He is stuck, trying to help everyone and balancing the weight of the world on his shoulders. In the end, he has to make the ultimate sacrifice and let everyone forget he is Spider-Man to save the universe. The ultimate sacrifice that really cemented his reign as a legendary hero. 

Grade: A+

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Movie Review: The Suicide Squad (2021)

The Suicide Squad is a movie that I fell deeply in love with. Similar to Free Guy, this was a movie that I watched multiple times before coming to college. Because of its timely release, it became a comfort movie to me. Within the first month of release, I had watched the movie, in its entirety, five times. In 2018, Guardians of the Galaxy director, James Gunn, was fired from Marvel for some decade-old raunchy and offensive tweets. Due to the failing efforts from DC Comics and Warner Bros. in kickstarting their own superhero universe, they were eager to employ the talents of someone who had experience and knowledge on the subject. They hired Gunn to direct the film, and I gained one of my favorite DCEU films in recent memory and possibly my favorite movie of this year.

The 2021 film was a pleasant surprise for me. The plot centers around the multiple supervillains of the DCEU universe that make up the Suicide Squad. Despite there being a lot of contenders, only a couple of villains get fleshed out enough to be considered main characters. Those being, Harley Quinn (Margot Robbie), Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Rick Flag (Joel Kinnaman), Polka-Dot Man (David Dastmalchian), and King Shark (Sylvester Stallone). This group is tasked by Amanda Waller (Viola Davis) to infiltrate the enemy-ridden island of Corto Maltese and find The Thinker (Peter Capaldi), the evil scientist in charge of the mysterious “Project Starfish.”

There are a lot of amazing details to go over in this movie. Namely, the characters. The ones that survive get backstory and development that gets tied up into a nice character arc. It does not matter if this is their first on-screen adaptation/appearance or if they have been witnessed by an audience before. Each of these characters gets time to shine and be amazing. Gunn goes as far as to humanize each and every villain, too. He does not let you see these characters for their bad deeds but how the bad deeds of others or loved ones caused them to become what they are today. Some have never known anything different than this criminal life. I believe a movie is only as good as its characters and because I love these characters, I believe that should testify to the skill of Gunn’s writing. 

One of the staples of director James Gunn is his soundtrack musical choices, and the wild humor implemented into his superhero films. With that said, the jokes in this movie are genuinely hilarious. Gunn’s sass and unique charm shine through each and every character and situation. It’s because of this humor that the movie does not take itself seriously. It fully acknowledges its comic-book origins and takes it to heart, going wild with deaths, violence, gore, characters, and situations. As mentioned, the soundtrack is remarkable! Each song fits so perfectly in the scene where they are used. From Grandson’s Rain to K.Flay’s Can’t Sleep, this movie can boast an amazing soundtrack. 

In terms of personal favorites, Ratcatcher 2 was amazing. Also, Rick Flag, whose character was made so much better throughout this film. Having Starro as the main villain was a plot point that I thought was extremely stupid, but just silly enough for Gunn to pull off. Fortunately, he did it magnificently. I absolutely loved the opening and final battle scenes. Once I got over the shock of the opening, it helped me mentally prepare for this cinematic rollercoaster.

David Ayer’s 2016 Suicide Squad was quite the flop since the movie was hastily written, causing it to be disjointed, and had terrible special effects and one-dimensional characters. Luckily, this new movie pushes that degradation far from our minds by giving us a soft reboot and introducing better characters and stories to the DCEU. I highly recommend this movie, despite its odd appearance. It has a heart and should provide everyone with a good time.

Final Grade: A

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Lanthorn Lite: “The Journey of a Leaf” and “Valentine House”

Published in collaboration with The Lanthorn.

“The journey of a leaf”

By Essie Fenstermacher, from The Lanthorn Fall 2013 Edition

I was born and grown on high

now is the time for my descent

and death

wheeling soaring flipping tumbling screaming laughing swirling

I shall nourish the earth

and make room for those coming

after me 


Lanthorn Editor’s Note: Ally Stevick

“The journey of a leaf” isn’t long, but it packs a punch. It effectively fulfills its title by giving the leaf’s journey in just seven lines, and very effectively crafts that journey into a story arc that is ripe with imagery. By personifying the leaf, and speaking from its perspective, the poem suggests that the sentiments expressed here can be shared by people as well as leaves–we too are born and grow, we too go through life tumbling and screaming and laughing, and we too will nourish the earth when we die. 

One of the things I especially admire about this poem is its fearless approach to death. The speaker accepts that “now is the time” for death, and seems unafraid and at peace with that, after a life of “growing on high.” In fact, the speaker seems almost happy at the prospect of a fruitful death that nourishes those who are still living. This is truly a vision of a life free from the fear of death, and while it’s not explicitly tied to the Christian view of death in the poem, I find that those resonances, intended or not, make the poem especially beautiful to me. 

Another aspect of “Journey of a leaf” that I find particularly delightful is its structure. Each stanza connects to a part of the leaf’s life cycle, and so as we read we can see the progression from growth, to falling, to death on the ground. Since the poem is arranged vertically, we can almost see the leaf located in space: growing at the top of the tree in the first stanza, falling through the air in the middle, and landing on the ground in the last. That middle stanza, which is just one line, catches the reader up in the action and movement of the leaf with its list of gerunds. This line is dynamic both in the very nature of each word used, and in the fact that it moves the reader, with the leaf, from one state of being to another. I think the dynamism of that line is part of what makes the ending so effective. After its growth and active journey through the air, when the leaf comes to rest on the ground both it and the reader can be satisfied.


“Valentine House”

By Amanda Irwin, from The Candle October 2013 Edition

My mother grew up

in the basement of a retirement home.

Tired, the residents shuffled to dinner.

One man

stood every night

at the head of the table without clothes

years of gravity

evident in his sagging,

translucent skin.

The yard of fruit trees bled sweet

in the summer, tender and dripping

on the melting asphalt.

Each plum had a worm

and my grandmother

with the succulent heart

in the curve of her palm

would cut

out the tainted square 

of dark flesh. 


Editor’s Note: Ally Stevick

“Valentine House” gives me chills. I first encountered it when it came out in October 2013, in one of the mini packets The Lanthorn has occasionally released with the name The Candle. I was thirteen then, reading poetry in the periodical section of the library one afternoon and I was struck then, as now, by the vivid and evocative imagery that this poem uses. 

The language of the poem is simple, giving straightforward narration and descriptions, but the content itself is aesthetically striking and deeply intriguing. I’m particularly struck by the conclusions of the both of the two stanzas, the image of the man with “his sagging, translucent skin” and of the plum with “the tainted square of dark flesh.” Part of what makes this poem so effective is that it builds to these two highly visual ideas. As readers, we are drawn in, even as we feel we are maybe seeing a little more than we ought to. There is something poignantly personal about the image of this old, naked man, who is exposed to the reader as to the other people at the table. We feel we should look away, especially, perhaps, because the speaker ties his years to his skin, so we feel we are seeing more than just his body, but his life as well.

The second dominant image of the poem contrasts beautifully with the first. While the first is an image of pale, “translucent” flesh, the second is an image of the “dark flesh” of the worm-eaten plums. Visually they are opposites, but they also seem to be moral opposites as well. While the old man in the first stanza comes across as innocent in his nakedness, the flesh described here is “tainted,” almost guilty of its worms. And like the years of the man’s life were tied to his skin before, here the plums seem tied to the idea of hearts. The poem suggests that not only is the speaker’s grandmother cutting the bad spots out of fruit, she’s cutting the bad spots out of hearts as well. I find that image a fascinating one, particularly because the poem doesn’t tell us whether we should interpret this paring to be wholly positive or not. “Valentine House” leaves us with that intriguing and unsettling image, to do with it what we will. 

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Artist of the Week

Artist of the Week: Tess Shilke

Artist of the Week: Tess Schilke
About the Artist: Tess is a destination wedding and elopement photographer/ entrepreneur based out of New York. She is finishing up her final year at Houghton College and plans to launch full-time into her photography career, as well as open another business when she completes her degree. She is most inspired by experiences, summer nights, and all the places she's been able to travel to.
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Artist of the Week: Sophie Tierney

Artist of the Week: Sophie Tierney, About the Artist: Sophie is a Senior working to receive her degree in Applied Design and Visual Communica:ons. Her concentra:on is in photography. She plans to use this to work as a documentary and freelance photographer. She loves to travel, spend :me with her friends and family, and go on spontaneous adventures. She found a passion for photography on the art and Italy may term her Freshman year. She plans on working with Wycliffe Bible translators doing photography and marke:ng with missionary groups for a three-month internship aGer she graduates. She also has a love of studio and portrait photography. You can usually find Sophie in the studio or in her room bingeing her latest NeKlix obsession. Sophie’s website is sophielynnphotography.com and her art instagram is @sophielynn_photography.Check out more of Sophie’s work on her website or on Instagram at @sophielynn_photography!
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Artist of the Week Arts

Artist of the Week: Emily Mulindwa

Emmy Mulindwa is a senior majoring in fine arts. She loves painting, working with pastel, paint and clay. Two of her favorite things include spending time with friends and eating frozen concentrated orange juice.
Check out more of Emmy’s work on Instagram at @emmymulindwa.art!

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Lanthorn Lite: “Coffee Mug Conversations”

Published in collaboration with The Lanthorn, from their February 2019 volume, “Imprints”. Poem by Tyger Doell with commentary from Lanthorn editor Ally Stevick.

“I have measured out my life with coffee spoons.”

– T.S. Eliot, “The Love Song of J. Alfred Prufrock”

You have filled my mug up

With all you have to offer me;

The hospitality wraps around my nose,

Smiles at me through my reflection

In the liquid.

We both lift the cups to our lips,

A warm and friendly Eucharist

It is like you whisper to me

(and truthfully, I to you)

“When you go from this place,

Do this in remembrance of me.”

In this moment,

I see myself in a thousand mornings and evenings,

Some of them spent at your table.

In this moment, and infinite others

I will.


Lanthorn Editor’s Note: Ally Stevick

“Coffee Mug Conversations” first stood out to me because of the epigraph–I love T.S. Eliot’s “The Lovesong of J. Alfred Prufrock” and I love the way that this poem pays homage to it. “Coffee Mug Conversations” makes the drinking of coffee not only a physical action, but also a stage for emotional and relational action. I’ve always interpreted the quote about measuring out life with coffee spoons to mean that each coffee spoon represents a day in the speaker’s life, but “Coffee Mug Conversations” suggests to me a new possible interpretation: that coffee in a social context like this becomes more than just the coffee, and that to measure it out is to measure out life as well. 

I also enjoy the allusion to the Eucharist–the imagery of cups and drinking resonates well with that of taking the Eucharist. But more than the physical imagery, I appreciate how this poem reminds me that Eucharist or Communion is just that–a kind of communing, a fellowship. The Latin root which the word “communion” comes from means “sharing in common.” This sharing is present both in the Eucharist and in this poem–as the two characters share coffee and friendship. I think that “Coffee Mug Conversations” can serve well to remind the reader of those special people with whom the reader has communed over coffee. This is a reminder that I really value. 

Feel free to share your thoughts on this piece in the comments below, and check out more from The Lanthorn on their website!