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Get a C.L.E.W.

Dr. Richard J. Mouw Speaks on Christian Convicted Civility

This year’s Christian Life Emphasis Week (CLEW) was graced with the teachings of key speaker and public intellectual, Doctor Richard J. Mouw. In settings such as chapel, lunch discussions, night sessions, and a coffeehouse Q and A, the theologian and philosopher exhibited the wisdom, grace, and humility he taught. Engaging and bright, Mouw spoke to the heart of Christian engagement with culture, pushing students to more deeply consider how their faith interacts with the world around them and how they can express love to those they disagree with.

richard-j-muowThe celebration of CLEW during the first week of classes is a long standing tradition at Houghton College. It originated as a two week revival which invigorated the campus at the beginning of the new semester.

In recent years CLEW has served as a half week focused on realignment of priorities. Michael Jordan, Dean of the Chapel, said of CLEW, “It’s a way to set our minds on the things most important and to say as a community that our walk with Christ is important to us.”

During the week Mouw focused on awareness and thoughtful reaction to current events. This attention complimented Dean Jordan’s “Beyond the Bubble” semester-long, worship theme that aims to cultivate an internal, Christ-like foundation from which to react from.

Mouw’s sermons flowed cohesively with the undercurrent of “Convicted Civility” which is the idea that Christians should be people of great convictions who hold to those convictions while exhibiting all kindness and civility. In short, the way with which we interact with the world is as important as the ideas we bring to it.

During the coffeehouse chat Mouw shared about a time he spoke on NPR to a gay right’s activist.  He treated the activist with respect and love asking, “Why are you hurt by and scared of people like me and how can we change that?” Later in the show someone called in on air and accused Mouw of bigotry. The activist responded to the caller defending Mouw. It is possible to disagree with someone and show them palpable love despite that difference.

Daniel Bellerose, a Junior International Development major, was struck by Mouw’s stance. He said of Mouw, “He is conservative and I am liberal, but I get along great with him. He doesn’t attack with his beliefs. Instead he strives for common understanding on both sides. He is teaching and exemplifying the key to bipartisan action and inter-party peace.”

Mouw’s idea of convicted civility is reminiscent of a book and movie that was popular several years ago. Donald Miller’s Blue Like Jazz tells the story of nonreligious thoughts of Christian spirituality. The pivot point of the memoir occurs when the college, which is passionately anti-Christian, is recovering from a reckless weekend of campus-wide chaos including heavy drug and alcohol use. Don and his Christian friends build a confession booth in the middle of their campus with a sign that says, “CONFESS YOUR SINS.” However, there is a twist. When the students come into the booth the Christian inside is the one confessing. Miller writes,

“We are going to confess to them.  We are going to confess that, as followers of Jesus, we have not been very loving; we have been bitter, and for that we are sorry.  We will apologize for the Crusades, we will apologize for those televangelists who steal people’s money, we will apologize for neglecting the poor and the lonely, we will ask them to forgive us, and we will tell them that in our selfishness we have misrepresented Jesus on this campus.  We will tell people who come into the booth that Jesus loves them.”

The novel and Mouw’s sermons bring light to a deep need in the world for mutual respect, love, and humility. Being Christ-like in hard conversations means remembering that we are all human beings with thoughts, feelings, and experiences that have shaped us for better or worse. It means loving one another even through disagreements and debates. It means holding strongly to our convictions, but sharing them with tenderness.

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Dean Jordan’s Campus Revival

As a Christ-centered college, part of the Houghton community is engaging in spiritual life together. This year Dean of the Chapel Michael Jordan is hoping to revitalize spiritual practice on campus by providing new channels to come together in worship.

When asked about these changes, Jordan replied, “Well, some of it’s new, some of it’s just tweaking what we did before. This semester I moved morning prayer earlier (7:30am) so it doesn’t conflict with classes at all.” What was known as evening prayer last year is now communion at 3:45 pm in the 3rd Floor Library. Jordan discusses his reasoning for the time and building adjustments: “I moved evening prayer out of the basement prayer chapel, I wanted it to be a little more integrated with the academic stuff that we do. It’s before people have left, before faculty have gone home so they can still participate.” The decision to shift from an evening prayer service to a daily communion service is one motivated by Jordan’s passion for Christian practice. “Changing evening prayer to communion was a desire to integrate ritual more into our life together…practicing it every day says communion is really important here, without making it something where everyone is forced to come.”

Dean Jordan CMYKStudent Government Chaplain Melissa Maclean (’17) and Chapel Deacon David Gordon (’16) are both students working alongside Jordan to engage students in spiritual life on campus. As chaplain, Maclean acts as a liaison between students and faculty in spiritual life, as well as plans events that serve to bring them together. She’s currently working on United, a night of worship with our sister college Roberts Wesleyan. “I’m hoping to have a night of prayer, worship, and communion with Roberts. We’ve never done anything like this, which is crazy. I think putting everything aside and coming together with other parts of the body of Christ is critical…Half the worship team will be from Roberts, and the other half will be made up of Houghton students.” United will be held in the recital hall October 23.

As a chapel deacon, Gordon is part of a small group of students who meet every two weeks with Jordan. Though Houghton has had a chapel deacon program in the past, its role was adapted as Jordan “decided to re-envision [the program] as a sort of personal mentoring, with an eye towards vocation.” Each chapel deacon is in charge of one substantial project/event for the year that ties into spiritual life on campus, as well as having additional responsibilities, such as leading prayer or reading scripture in chapel. Gordon tributes the chapel deacon program as a way for him to engage with spiritual life more directly, “Becoming involved in liturgical life on campus is definitely something I have a passion for. I’ve seen the effects it can have to really bring peace to those who need it.”

Jordan is adamant in his belief that shared practices, in spiritual life as well as liturgical life, contribute to a community on a foundational level. “I think there are limitations in saying that our shared belief holds us together; shared practices can form a more coherent base for life together.”
As a collegiate community of faith, we are offered the chance for spiritual cultivation; to be rooted in spiritual practice. Jordan urges us to thoughtfully engage with the unique environment Houghton provides:  “If you are serious about wanting to become the kind of person who is appropriately opinionated and convicted, and at the same time open to the views of others, not made anxious by people who disagree with you, corporate worship is a strategy you can use to become that kind of person. So, neglect chapel at your peril.”

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Jason Bintz: Southern Math Teacher Turned Seminarian Turned Houghton Math Professor

The first time Doctor Jason Bintz, Houghton College’s new assistant professor of applied mathematics, attempted to visit the Houghton campus, he found himself snowbound. Fresh from a mild Tennessee winter, he arrived in Buffalo to learn that his ride from the college could not drive into the city. Bintz was ultimately forced to find a hotel room, and conducted the first part of his job interview over Skype. Happily, he made it to campus the next day, and was officially offered the position a few weeks later.

Despite the snowy introduction to Houghton, Bintz was thrilled accepted the offer.

“I was just leaving my house when I got the call,” said Bintz. “I went back inside, and celebrated with my family.”

JasonBintzCMYKBintz began his career in higher education as an undergraduate student at Covenant College in Lookout Mountain, Georgia. Like Houghton, Covenant is both a liberal arts college and a member of the Council for Christian Colleges & Universities. Bintz graduated from the institution with a degree in mathematics in 2003, and immediately found work teaching high school math in nearby Chattanooga, Tennessee. Three years later, he decided to continue his education, but in a different field.

“In my time working with high school students, I felt called to seminary,” said Bintz. “I wanted to receive the same training a pastor receives.”

This new vocation led Bintz to the Gordon-Conwell Theological Seminary in South Hamilton, Massachusetts, where he and his wife resided until his graduation in 2008. From there, Bintz returned to teaching math at the secondary level for one last year before he made the choice to pursue graduate work in applied mathematics at the University of Tennessee. He graduated with his Ph.D. this year.

“At the end of the day, I wanted to be in a college setting,” said Bintz.

During his time at the University of Tennessee, Bintz worked on two main projects in the area of mathematical biology. One attempted to find the best way to allocate resources in order to benefit a specific species, while the other involved building a mathematical model to evaluate the policies implemented by hospitals to reduce Clostridium difficile infections. Bintz remains interested in the broad range of mathematical applications for biology research, and hopes to eventually interest his students in this area.

According to Linda Mills Woolsey, Dean of the College and Vice-President of Academic Affairs, Bintz’s work using math to support biology research, along with his abilities as an interdisciplinary thinker, helped tip the balance in his favor during the hiring process. Kristin Camenga, former chair of Houghton’s department of mathematics and computer science, as well as a member of the search committee that hired Bintz, echoes this sentiment.

“One of the things that impressed me about Jason is his care for people and his deep interest in subjects that cut across disciplinary lines,” she said. “The fact that he has a seminary degree and a Ph.D. in applied math gives him a broad base of knowledge to connect with others, but Jason did research to find out about other faculty at Houghton and their interests to discover commonalities. I really think he will be a great addition to the math faculty and the college at large!” 

Bintz first met with the search committee from Houghton for a short interview in early January at the 2015 Joint Mathematics Meetings in San Antonio, Texas. They met once more during his February campus visit before Bintz was offered the job. While he had applied other places, Houghton was always his preference.

“I had a pretty strict profile in mind of where I wanted to be,” said Bintz. “Houghton was the only school that fit the profile, and the job was exactly what I wanted to do.” He adds that he is also excited for his wife and three children to experience the kind of community Houghton has to offer them as a family.  “We’re really happy to be here.”

This semester, Bintz teaches Calculus I, Multi-Variable Calculus, and Probability and Statistics. His experience in his field, his commitment to his faith and family, and his enthusiasm about the college community all point to his being an excellent fit for Houghton.

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Movie Review: Straight Outta Compton

In an age where we have become so accustomed to celebrity culture it can be easy to forget that there was, in fact, a point in time when aggressively colorful headphones did not bear the name of Dr. Dre or that Ice Cube actually had a career beyond starring in buddy-cop goofball comedies alongside Kevin Hart or Channing Tatum as an ironic parody of his former self. That is the point director F. Gary Gray wishes to make in Straight Outta Compton. Before the two of them were media moguls, Dr. Dre, Ice Cube, and fellow rapper and business partner Eazy-E, had a hand in creating music together that would change the world forever.

straightouttacomptonStraight Outta Compton, to the uninitiated, is about the rise and fall of N.W.A., one of the most controversial musical groups of all time. So infamous were they that their best selling album, “Straight Outta Compton”, was the first to ever include the “Parental Advisory” sticker on the front of it. The film does an excellent job chronicling the earliest exploits of Cube, Dre, and E and how through combining their individual, unique skillsets they were able to secure a record deal with the help of manager, Jerry Heller.

The performances are solid throughout, Jason Mitchell as Eazy-E, O’Shea Jackson Jr. as Ice Cube, Corey Hawkins as Dr. Dre, and one excellent Paul Giamatti as Jerry Heller, the group’s manager. Mitchell, Jackson, and Hawkins even do their own rapping. All four are featured prominently alongside each other without anyone hogging too much of the spotlight and each remaining completely magnetic on their own. There are a couple of dents in the armor when it comes to the screenplay but my overall enjoyment of the movie was hardly affected by the occasional lapse of good writing or awkward method of delivery.

One of the darker aspects of the film is the early theme of police brutality and racism. It is the 1980s, after all. The film’s timeline falls in the middle of the Rodney King era, which is mentioned at several points. By seeing the actions of the LAPD and their unjustified aggression toward our protagonists, it is hard not to sympathize with them and have some sort of muted respect for the brazenness of their retaliation in the form of “F*ck Tha Police”. It is no secret that N.W.A. was widely demonized by the public over the content of their songs upon release, one of Straight Outta Compton’s biggest strengths being how it attempts it humanize its members by providing enough lyrical context to educate as well as entertain.

The second half of the film does more to focus on the careers of Dre, Cube, and E as they begin to drift away toward other projects. Some of the film’s funniest moments are the scenes featuring Dre’s first forays into producing for other rappers who today you and your mother are almost guaranteed to know on a first name basis.

However, things don’t move at nearly as brisk a clip here as the first half. Some scenes drag on a bit longer than they should, others grind past not feeling vital enough to have made it into the final cut. The foremost criticism by many regarding Straight Outta Compton is that certain incriminating details surrounding the morality of N.W.A.’s members are never brought up. This isn’t to say that the movie portrays them as spotless, only able to be properly seen through rose-colored glasses but it is true that some particularly unflattering scenarios managed to stay away from the narrative we see on the screen.

If you enjoy the conventions of good filmmaking, music from the golden era of hip-hop, movies with hard-R subject matter, or have even a passing curiosity for social justice, any one of those reasons is good enough to give Straight Outta Compton a watch. The characters are rough around the edges but wholly endearing, showing multiple generations the merits of overcoming great lengths to express yourself, “Express Yourself” incidentally being a great N.W.A. song that you should definitely go listen to.

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Senior Class Plants Their Legacy

Though the senior class gift is not a consistent tradition in Houghton’s 132-year history, gifts to the college from previous classes are still recognizable and well-loved landmarks on campus today. The Luckey clock and bell system, the bridge between Rothenbuhler Hall and the Randall townhouses, the Rock – all of these were donated by a graduating class. On Wednesday, April 22, the Class of 2015 planted their gift, a Christmas tree, beside the Campus Center, intending that it, too, will enhance the Houghton experience for future students.

ClassGiftTreeRGB_LukeLauerThe history of senior class gifts at Houghton has slowly evolved over the years. Houghton’s first president, Dr. James S. Luckey, began the practice by asking graduating students to pledge a sum to give to the college within their first ten years of graduating. The Class of 1925 used their pledge money for the first class gift on record: the memorial outside Fancher marking the birthplace of Willard J. Houghton. Not every class that followed gave a gift, but several classes continued with practical gifts, such as hymnals (Class of ’37), clocks (Class of ’42), and campus benches (Class of ’48). By the 1990s, the tradition had changed so that class cabinets gave money from their budget surpluses rather than pledges. The system reverted back to pledges and donations in 2009, when Dan Noyes, Executive Director of Alumni Relations, and a group of students decided it was preferable for classes to use their budgets entirely for class activities. Now, cabinets encourage their classes to donate the amount of their class year; for example, the class of 2009 donated $20.09, and so on.

The process classes undertake to choose their gift has also changed. While previous senior class cabinet members made the final decision among themselves and the Alumni Relations Office, their role has shifted. Now, the group solicits ideas from their own class members, and collects practical options from which the entire senior class selects by voting.

“We want the class to feel like this is their gift,” said Noyes. “This process creates a good experience for everybody, and we get things we wouldn’t have even thought of, like this tree.”

The idea for the Christmas tree originated at the end of last semester in a conversation between Senior Class Cabinet President, Luke Lauer, and Director of Student Programs, Greg Bish. The idea further developed for Lauer in a conversation with a fellow class member, who mentioned that Christmas decorations were lacking. The class cabinet, currently composed of President Lauer, Social Chair Katie Szwejbka, and Treasurer Nathan Sircy, figured that a Christmas tree would fill this need as a focal point to be decorated for the Christmas season, while also acting as a landmark they could visit during reunions.

In February, the senior class voted for the Christmas tree and its decorations as their official class gift, and the cabinet proceeded to secure a location. With help from Grounds Supervisor Dennis Eerdman and Director of Community Relations Phyllis Gaerte, the cabinet chose a spot outside of the Campus Center, close enough to an electric outlet so that the tree can be lit at Christmas time. The tree, a ten-foot white fir, was planted Wednesday, Earth Day 2015.

The cabinet envisions future students leading a tradition associated with the tree. “What that looks like exactly, we’re not totally sure, but our goal is to make it some sort of class tradition for the seniors, because the seniors don’t really have a formal tradition,” said Lauer.

Szwejbka added, “I think there’s a lot of potential for this to be not just something the college takes care of, but something that the student body interacts with. I’d actually compare it to the Rock. The college could paint the Rock every couple weeks, but students take that initiative and they have fun with it. I’d love to see the tree function in the same way.”

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Recommended Record: Passion Pit’s Kindred

Eclectic indie pop band Passion Pit released their third album Kindred this past Tuesday, full of vibrating, bubbly synth and sparkling vocals. The album is frontrunner Michael Angelakos most cohesive work to date, deftly weaving sonic euphoria with sounds of nostalgia and inward struggle.

passion10While previous Passion Pit hits, like “Make Light” or “Little Secrets” are deceptively upbeat, often masking cynical undertones, the lyrics of Kindred are more attune with their vibrant sound. This is most likely due to Angelakos’s brazen honesty concerning his own personal struggle with bipolar disorder. Despite the stigma attached to mental health diseases, Angelakos halted his 2012 Gossamer tour in order to seek help for the extreme highs and lows he experiences. “Once I started accepting my mental condition, it stung for a little bit, and then everything improved,” he comments.

Arguably the catchiest tune on the track list is “Lifted Up (1985)” a song bursting with Passion Pit’s characteristic frenzied electronica, dedicated to Angelakos’s wife, Kristina Mucci. Glitchy synth and Angelakos’s giddy voice proclaim, “1985 was a good year/The sky broke apart and you appeared.” Contrary to a typical love song, the speaker acknowledges his intrinsic faults, and subsequent failures: “Oh, but yeah I’m so tired/I fight so hard and come back beaten…Oh but yeah, all my life I stay here waiting.” In “Whole Life Story”, also inspired by Mucci, the listener is given insight into their complicated relationship. Amidst peppy handclaps and sugary synth-sounds, a falsetto voice cries: “I’m sorry darling, how could I have turned this/Into such a, darling, difficult position for you”.  Yet this apology is quietly accepted: “And you didn’t make a sound/You were looking out the window at the city/Then you turned and said you loved me.” The most beautiful aspect of Kindred is its persistent optimism despite acknowledged failures. In an interview with TIME, Angelakos speaks in regards to his inspiration: “Growing up. It’s all the things I wish I had been doing instead of dealing with all of the complications from my disorder. It’s also about figuring out my relationships with other people and how to deal with love in a very real way.”

This is evidenced especially in lilting tracks like “Five Foot Ten (I)” and “Until We Can’t (Let’s Go)”, where pounding, out-of-control synth undulates the listener up and down, a visceral parallel for Angelakos’s intense mood shifts. Admirably, the only extraneous track on the album is the autotune experiment gone wrong, “Ten Feet Tall (II)” where Angelakos’s high pitched, overzealous techno-warbling serves more to give the listener a headache than convey any concrete emotion. Taken as whole however, Kindred does well to reflect it’s creator’s liberating ideal: “Being as honest and transparent as you can be…that’s actually really, really empowering. It shows you have guts.”

Angelakos’s attempted honesty makes Kindred as a whole chaotically compelling. It’s messy, but underlying its sonic extremes is an overall message of perseverance.

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Supernovas: Joel VanderWeele

Supernovas: Past Editors-In-Chief Reflect On The STAR and Beyond

JoelVanderWeeleAfter graduating from Houghton with a double major in Math & Philosophy in 2010, I went on to graduate school at the University of Notre Dame where I earned Masters degrees in Architecture and Architectural Design and Urbanism.  In the past four years my wife Amy [Buckingham] VanderWeele ’10 (former section editor) and I have lived, worked, and studied in Chicago, South Bend, Washington DC, Rome, and Philadelphia. After four years of living out of suitcases, we have now settled down in Providence, Rhode Island where I work as an architectural designer for Union Studio Architecture & Community Design and Amy works for the Town of Cumberland’s Office of Children, Youth, and Learning.

I had the time of my life working for the Star.  Amy and I still bring it up once in a while, laughing about terrible headlines we came up with at 3 in the morning, or that time a student mumbled about our poor judgment in subject matter and was later spotted discussing the finer points of an article with a friend in the coffee shop, or best of all that time a Financial Aid staffer came up to us with tears of laughter in her eyes thanking us for our April Fools’ story, “Baptist Bus to Visit Houghton.”   It was thrilling to be so dialed-in to the conversations around campus and it was a tremendous honor to lead the dialogue week in and week out.

Joel VanderWeele

Editor 2009-2010

 

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Supernovas: Monica Sandreczki

Supernovas: Past Editors-In-Chief Reflect On The STAR and Beyond

MonicaSandreczkiI’ve reported stories and hosted our news show, Morning Edition, for our National Public Radio (NPR) affiliate in Binghamton, NY since the end of 2013. ​But getting here was no small feat. Recent-Houghton-Grad-Monica – young and naive, yet self-confident – was just crazy enough to apply for the job after an internship at the NPR station in Kansas City. What a time that was! Interviewing NRA members, mixing audio, investigative reporting. But it all started from the first, most beloved, stepping stone that is the Houghton Star. 2010-2011 was a year that turned girls into women (you remember, Kristen?), honing news judgment through whatever means accessible. The most grandest – and often the most depressing – night of the week was Wednesday night when the editorial staff worked magic laying out the paper until 3:00am in the Star office. And of course, took a break to cut the lights, get office chairs in position, and crank Lonely Island’s “I’m on a Boat.” Thank you, Houghton Star. All good things to the future of the newspaper that still means so much.

Monica Sandreczki

Editor 2010-2011

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Supernovas: Sarah Hutchinson

Supernovas: Past Editors-In-Chief Reflect On The Star and Beyond

I was a wet-behind-the-ears, wide-eyed freshman wandering around the campus activities fair when a boisterous voice yelled out, “Well, hello there!–join the Star!” The voice belonged to Monica Sandreczki, then editor-in-chief of the Star. Her influence prompted me to sign up and so began a four-year stint at Houghton’s weekly.

Screen Shot 2015-04-23 at 4.04.21 PMThere were many things that impacted me from working at the Star, but what I will always remember is this: locking up the Star office at 2 AM (and sometimes later) on Thursday mornings after sending the paper to print. The chilly, lonely campus at that hour might as well have been paradise with the elated, full feeling rising from somewhere in my chest. Our paper, a team effort, was going to be published. We had spent a week keeping our ear pricked for stories, pestering writers (“are you going to send that article in? ARE YOU??”), chasing down sources (sometimes literally), drinking umpteen cups of Sodexo Starbucks coffee, and it was all for producing this essential piece of campus dialogue. Work at the Star was lots of fun and deeply satisfying.

Now, after graduating last year with a degree in political science, I work for a health organization that serves refugee communities in Buffalo, NY. While my work is rewarding in a different way, I admit that sometimes I start to get wistful for the work at Houghton’s little paper. So thanks Monica, Kristen, all other section editors that I’ve worked with, and most especially last year’s be-sweatered staff. It was a blast.

Sarah Hutchinson ’14

Editor 2013-2014

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A Night of Willards, Films, and Fancy Outfits

9th Annual Film Fest Celebrates Veteran and Amateur Filmmakers Alike

2015 marks the ninth consecutive year that Houghton has hosted Film Fest, its annual celebration of student-made films. Its purpose has been to exhibit and reward the work of these students who are willing to submit their projects and relinquish them to the critical eyes of a panel of judges as well as the hundreds of others who fill Wesley Chapel to congratulate the winners on their films as they are shown.

FilmFest2015-02Film Fest covered a wide array of submissions, ranging from narrative driven films, to more technical ones showcasing an attention to shot composition, to commercials for certain events, as well as many other categories. Hosted entertainingly by JL Miller, townhouse resident director, and Michael Jordan, dean of the chapel, the event chugged on without too many hiccups, as the space in-between viewings of each category’s submissions was filled with their banter and commentary. Overall, the quality of films put on display this year was good, there being some truly impressive stand-outs among the winners and runners-up. The coveted Willard Awards were distributed to the winners, a few student filmmakers picking up more than one.

Ice Nine Studios (a collaboration between Colin Belt ‘15 and Matthew Grim ‘16) snagged four Willards for their animations: one for the best animation award for the eye-catching, ethereal, and especially well done Allice trailer, another for best editing for the bizarre mind-trip that was, The Supple Chunk, the third for best drama with Candle’s Tale, another animated feature. The last film of theirs to take home the Willard for best sound was one of my personal favorites, Rainbow Kitten Fun Time, an energetic, colorful, and nostalgic homage to classic video games and the power of friendship. Ice Nine Studios and their strength in this year’s Film Fest hopefully signifies an increase in the presence of animated features in the coming years.

Hannah Folkerts pulled in two Willards as well. The first for best documentary with Andrea, a well-shot film that tells the story of the titular young woman Andrea who aspires to be a ballet dancer despite the many setbacks she has experienced. The film cuts back and forth between Andrea speaking to the camera and her dancing in the studio, capturing both the expressiveness in her face as she tells her story and the expressiveness in her body as she floats, twirls, and spins across the floor. The second of Folkerts’ Willard’s came for best cinematography for Country and City, a collection of truly excellent camera work, gathering contrasting shots from environments both urban and rural, showing some remarkably beautiful scenery in both settings.

The Willard awarded for best film of the night went to Derek Brooker’s Lucid, an incredibly shot and innovatively edited film that held my breathless attention from the very first scene. Lucid excels in conveying the anxiety and bleakness of the situation faced by the short film’s silent protagonist, played well by Brooker himself. Lucid fully deserved its recognition as the best of the best.

Several submissions were made by first time filmmakers, introduced to the field through various outlets, be that through sheer curiosity or class assignments. Ava Bergen ‘17 won her Willard for best comedy with her film Coffee, a project made initially for her Digital Video class. Her film advocated for the “wonder-drug” that college students have become all too well acquainted with, caffeine. Ava commented in regard to her film, “Though it was satirical, the message was one that I relate to on a personal level. I’m fascinated by the effects of sleep deprivation on the brain, as well as my hopeless dependence on coffee.” Bergen described her decision to submit Coffee as an easy one, “I thought, why not? There is no downside to submitting and seeing what happens.” When asked what the recognition that comes with winning a Willard has done for her motivation as a burgeoning filmmaker, she responded, “It’s definitely an encouragement, especially because filmmaking is so fun. I love doing it, so it was nice to receive the positive feedback.” In addition to some of the more seasoned veterans of the filmmaking trade, students like Bergen are the success stories that will hopefully influence other potential filmmakers out there who will do their best to ensure that Film Fest retains its quality and diversity for years to come.