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Celebrating Black History Month

Black Heritage Club is not just for black people. Black Heritage Club is a place for people of all races to gather and engage in honest communication. This is the goal according to President Nailah Pressley, sophomore, “This year I really want to focus on bringing people together, and getting to know one another aside from racial differences.” This ambition is evident through the events Black Heritage Club has planned for campus during Black History Month. Each occasion provides an opportunity for fellowship and conversation, starting with Soul Food Night on Thursday, February 19th.

Club Communications Director Travis Trotman, sophomore, commented on the convenience of this year’s Soul Food Night versus previous years: “Last year we had it in Gillette and you had to get a ticket beforehand…this year, because it’s up in the cafeteria it lets everyone participate. We have some things planned, and we’re going to be playing soul music, and it will be a very interactive night for anyone who wants to come.” The Club will also be screening the new ABC television show Black-ish down in Big Al’s on Wednesday the 11th and the 18th, as well as facilitating a discussion with responses to the show afterward. Pressley said the club picked Black-ish in particular because, “It deals with racial issues in the world today but I also feel like it’s a show that anyone can relate to.”

Other main events include the showing of the critically acclaimed film Selma on March 6th, featuring David Oyelowo’s portrayal of Martin Luther King Jr. and the ongoing fight for civil rights in 1965. The Black History Club has also managed to secure the Reverend Marvin McMickle, Houghton’s CLEW speaker in 2014, for the last chapel of the month.

The Club has changed its focus under the leadership of Pressley, in comparison with previous years. Secretary and Treasurer Lauren Lund, junior, has been a member since she was a first year and said, “It has definitely changed—different cabinets have different goals and that orients the type of activity we do. I know last year [then President] Katrina Sawyer was more focused on education and lectures. And my freshman year, Julian Cook focused most on outreach.” Pressley commented her main focus on the club is, “to encourage people to talk. Even if you disagree with what I think, what I’m saying, then let’s at least have a conversation. Because nothing happens when people don’t talk.”

Pressley speaks about how her goals for the club changed as her perspective changed: “I came into this position wanting mostly to inform people, talk about what black history is, why this is important…but after listening to a lot of the feedback here on topics of race, I just realized that we need to connect on a human level first, and then we can get to the hard-hitting issues. So, I listen and observe a lot more.”

Lund says that her involvement in the club has been invaluable in terms of broadened horizons: “It’s interesting because [while I’ve been involved] different events have happened both outside and within campus that relate to controversial social issues. To listen to different inside perspectives, how people are affected by these events, it really affects the way you think of things…I don’t just see the events, I think how would my friends be affected by this? It’s so important to learn how other people feel about things, not just your own opinion on how they should feel.”

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Talking is Hard

Walk the Moon Releases New Album

On December 2, 2014, Walk the Moon released their album, Talking is Hard to an audience of eager indie pop/rock fans. Walk the Moon’s most recent album resonates with a generation that seeks communication through artful dialogues. The band perfects this art by addressing social issues without fear or apology. The creative use of percussion, guitar riffs, and stylized lyrics creates a kaleidoscope of sound that provokes a reaction in the listener that transcends mere melodic recognition.

_1422773846_coverThe four-man band that formed in Cincinnati, Ohio in 2010 achieved success from their energetic self-entitled album, WALK THE MOON in June 2012. Their listening audience grew as their contagious, youthful spunk infected the hearts of a generation not only eager to ask questions, but also eager to dance off the uncertainty of life by way of creative percussion lines and poetic lyricism.

The new album begins with lead singer, Nicholas Petricca’s distinguishable falsetto voice ushering his modern audience into a discussion on the timeless topic of race in culture. The song, Different Colors, depicts a celebration of differences expressed through a simple, upbeat melody reminiscent of a positive protest saying, “Come on lovers/come on haters/tonight we raise the fire/cause when people get to dancing/they forget about taking sides.” The song explores the healing powers of music and dance on topics that have plagued society for centuries.

The theme of curative dance first appeared when the band released their single, Shut up and Dance on September 9, 2014. The carefree dance anthem satisfied widespread anticipation for the release and provided an effective precursor for the album. The song highlights the popular theme of relationships that many artists attempt to capture. However, the vulnerable, honest approach that the band takes creates a credible framework for listeners to relate to. The untamed pop sound and metaphorical interpretations of relationships emerge clearly in the song, Avalanche, in which drummer Sean Waugaman keeps the listener dancing while Petricca provokes introspection through imagery. The song creatively tells the story of one look causing an avalanche to drop in the heart of a young romantic. Although the song idealizes love at first sight, the catchy chorus prompts the listener to give in to the beat and embrace the clichéd feelings that even the most rational thinker experiences.

Fortunately, the band’s interpretation of romantic expression is not limited to clichés. The song Portugal depicts the complexities of relationships as a part of growing up. Petricca sings, “What you don’t know now one day you’ll learn/’Cause growing up is a heavy leaf to turn.” The honesty of uncertainty manifests itself in the raw emotion that the band conveys through a spoken portion of the song that encourages thanksgiving amidst the unknown outcomes of life, love, and personal circumstance.

The biggest surprise of the album arrives at the fourth track entitled, Up 2 You. The song begins with synthesizer and bass, but it transitions to a heavy rock and roll chorus that catches the listener off guard. The chorus shouts, “It’s up to you” at a young person who has blamed the world for all his problems and neglects the importance of personal change. The tone of the album changes at this point from celebration to instruction. The band feels responsible to educate their peers about lessons they have learned as a band and as individuals. The harsh song effectively makes its point to get the attention of the listener in an effort to guide the listener into the album’s final stage of optimism for the future.

The final song, Aquaman, ends the album with a ballad depicting a nervous man who stands at the edge of a diving board questioning whether he should dive into the water. He decides a minute into to the song, “So here we go, head first with no regrets.” He knows it won’t be easy as he sings, “You gotta risk your neck/but know in your heart it will be worth it.” The image does not sugar-coat relationships, but it accurately portrays the dichotomy of fear and hope that exists in the daily process of taking daily life “one breath, after another.” In this album the band finds new ways to play with their sound by implementing synthesizer, percussion, guitar, and powerful lyrics. This combination creates a provocative, yet fun listening experience for connoisseurs of music who hunger for innovative sound that inspires endless dance moves and meaningful reflection.

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Faculty Art Show Opens

Every year the members of the Art Department get a chance to display their personal work in the Faculty Art Exhibit. It is an opportunity for the professors to see their pieces in a gallery setting and for their students, colleagues, and friends to get a glimpse of how they apply what they teach in the classroom to their work.

There Are Tears For ThingsThis year’s show will feature Professors Dave Huth and Ted Murphy’s sabbatical work, installations by Professors Alicia Taylor and Ryan Cooley, ceramics by Professor Gary Baxter, and watercolors by Professor John Rhett.

Upon returning from a year devoted to his studio practice, Murphy is ready to exhibit the pieces that he has been faithfully working on for eighteen months. His works are mixed media, combining graphite drawings and washes of color that create invented spaces. “Baroque” is the term Murphy uses when describing the pieces. Out of the forty pieces he has made for this specific project, Murphy has chosen twenty-five to appear in the gallery.

Baxter will display what he does best, ceramics. The common theme of his wheel-thrown bowls is trout, which are intricately drawn on to the bottom, sides, and inside of his bowls. The series has taken him about eight months and in order for the pieces to make the cut for the show, they had to “come out of the kiln singing” said Baxter. His pieces are “Spiritual relics that are inspired by the natural realm” and that “celebrate and honor the beauty of nature.”

ArtworkThe dynamics and nuances of the gallery space were crucial for Cooley’s “site specific” photography installation. His piece involves a combination of suspended lights and photography with the intent on focusing on the physicality of the photograph. “I’m thinking less about the content of the photograph and more about the viewer’s relationship to the photograph,” said Cooley. He wants to push the limits of the “viewers sensorial relationship” with an image, hoping to make it involve more than just sight. Cooley’s installation is “experiential,” meaning you need to see it in person rather than on a computer screen to fully understand it.

What Baxter looks forward to most from the exhibit are the reactions that people have to his work. “I enjoy just seeing them smile or have a look of confusion or bewilderment,” said Baxter.

Murphy thinks that the Faculty Art Exhibit is important because it is a chance to share with the students what he is doing. “It doesn’t make sense to encourage students to do work and not do it ourselves,” said Murphy. For him, it is an opportunity for his students to judge whether or not his work has “any relevance to their work.”

Getting to see his work and also his fellow faculty members’ work in a gallery setting is what Cooley is highly anticipating. The exhibit is also a chance to see his work come to life. “Because it is so site specific, it almost always exists just as an idea until I can set it up,” said Cooley.

The Faculty Art Exhibit is now open at the Ortlip Gallery and the reception will be held on tonight, Friday, February 6th at 6pm.

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Murphy’s Recommended Reads The Marriage of Cadmus and Harmony

One of the proposals for my sabbatical was to further read in areas of interest in my interdisciplinary work in film and art.  I would like to share a few thoughts on one particular book that has had a lasting impression.  Roberto Calasso is one of the great polymaths writing today.  He writes on literature, art, culture, and philosophy. His books are difficult to define. The book that made him famous is The Marriage of Cadmus and Harmony.

calasso-marriage-cadmus-harmonyThe book is a rhapsody on the origins of Greek mythology.  But rather than offer another attempt to retell the myths, such as classics like Robert Graves’ The Greek Myths, Edith Hamilton’s Mythology, or Gustav Schwab’s Gods and Heroes of Ancient Greece, Calasso’s book is more of a work of art.  He begins with where the myths begin… with the abduction of a beautiful young woman.  From there his tale weaves together strands of Homer, Hesiod, Herodotus, Plutarch, Pliny, Sophocles, Euripides…etc. He moves through the permutations of the narratives as one might have heard them spoken in the oral tradition.  The endnotes explain the matrix of sources.  Many familiar  – many not available in any English translation.  Calasso’s idea is that the history of myth is as Joseph Campbell once described it – a grand narrative of our social values and truths.

Some of the best moments for me are those parts of the book where he enters in and comments or questions the nature and interpretations of those stories.  For instance, the alternate narrative of Helen who was never even in Troy.  The woman who precipitated the Trojan/Greek war was actually a double… a phantom.  One reference in Herodotus says she was kept in Egypt. Calasso muses about why Homer decided to give us the other story? This raises the ante on what it is exactly we care about most…ideas or realities?

The book is composed of 12 chapters.  It covers the enormous range of what Graves called the “disorganized corpses of Greek mythology.”  The final chapter gets you into the title of the book.  It tells the story of the tragic fate and aftermath of the marriage of Cadmus and Harmony.  It ends with Cadmus’ gift – letters…” those fly’s feet” that became the Phoenician language in written form, essentially the transition of oral to written text.

It is a pleasure to teach art history to Houghton students. I seldom have to pause to explain who Jacob is or why Absolom is hanging by his hair in a tree.  They know the stories of the Hebrew Bible (what we call the Old Testament) and it’s companion, the New.  Sometimes I prod them into interpretation or to ponder the interconnectedness of the stories.  How Adam and Jesus are mirrored ideas in the text as Paul expounds on the significance in a kind of literary criticism of the text.  It is great to teach students who know the stories.  Houghton students read well as “moral readers”…getting what the text is trying to teach… but not always as “experiential readers.”  Some of the stories are there to makes us feel things.

Calasso’s book is a remarkable work that will generate new ideas about familiar and not so familiar stories.  I recommend this to anyone looking for a highly crafted rich narrative on these foundational stories to western culture.  Read him after you have read Ovid. The Myths of Greece (and the Roman counterparts) form the other half of what all those magnificent paintings in the Louvre, the Prado and the Met are largely about.  Who was Pelops?  Why is that peninsula call the Peloponnese?  Calasso has a great story to relate on that theme. Learn about the curse upon the house of Atreus or the meaning of the oracles. Read the heart breaking investigation that Plutarch took to discover who Charila in Delphi was. These and so many more are the reason this is such a wise, erudite investigation into these sometimes familiar and often times obscure stories.

Did the Greeks believe in their myths? Yes and no. Most of these stories existed to explain the forces of life and fate. On the one hand they are a way to address the season, the mystery of attraction and the reason why a bronze spear misses the foe at whom it was thrown.  Calasso has a very refined sense of the balance between story and meaning. It is a book not quite like any you are going to encounter on this old subject.

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The Theory of Everything

The life and times of astrophysicist Stephen Hawking and his wife Jane are portrayed in the new British film, The Theory of Everything. Inspired by Jane Hawking’s memoir Travelling to Infinity: My Life With Stephen, the film tells the remarkable story of one of the most successful living physicists.

The film picks up when Stephen Hawking is attending graduate school at the University of Cambridge and meets Jane, a fellow student whom he falls quickly and deeply in love with. The brilliant, active, and somewhat brash Stephen appears to have a bright future, until he receives a life-altering diagnosis at age 21.

TheoryOfEverything30As he is given a life expectancy of two years, Stephen has to now navigate through school, relationships, and life with motor neuron disease. The film follows Jane as she devotedly takes care of Stephen, and Stephen’s determined effort to make new discoveries in science.

Hawking’s scientific research was focused on the nature of time, a theme that the film in turn focuses on. Throughout the film, it is shown how time tests the bonds between two people, and how it is unknown how much of it we really have.

The film comes from the beautiful vision of director James Marsh who creates an emotional and affectionate tribute to Hawking. He takes a true love story and doesn’t portray it in the conventional, sappy way. Marsh wants to be honest about Stephen and Jane’s relationship, and doesn’t hold back from putting the audience through the emotional and tumultuous journey of it.

Eddie Redmayne, who portrays Stephen Hawking, delivers a nuanced performance having to act out Hawking’s disease. Redmayne is a convincing and compelling Hawking, so much so that I almost forgot that I was watching a movie. He isn’t afraid to look pathetic and helpless, and that allows him to give an exceptionally poignant performance. Whether he is dragging himself up a flight of stairs or is unable to pick up a fork to feed himself, Redmayne moves the audience to feel an immense amount of sympathy for not only Hawking, but for his family as well. Redmayne does an exceptional job at making the audience forget that he is not the real Hawking.

Jane Hawking is portrayed by Felicity Jones, and she too delivers a very captivating performance. As the wife to a physically helpless man, Jones captures the indefatigable position of taking care of Stephen. Jones embodies the pain that grows over time in Jane’s heart from not being in a normal relationship.

The Theory of Everything is a celebration of life in all of its beauty and sadness. The film is not so much about physics and Hawking’s monumental scientific discoveries, but rather is a tribute to relationships, love, and life itself. It is a film that goes beyond just being a biopic; it is a story that can resonate with people of all ages. I predict a lot of success and maybe Oscar nominations; everything from the acting to the screenplay is sure to get a lot of attention.

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The Resurrection of the Lanthorn

New Co-editors revitalize a withering publication.

Of the trinity of Houghton student publications that includes The Star, The Drawing Board, and The Lanthorn, it is the latter that is perhaps most foreign to students this year. In part, this is due to the case of the missing editorial staff and the resulting scramble for their replacement about halfway through last semester. Fortunately junior Essie Fenstermacher and sophomore Ava Bergen volunteered to take charge and revive the Lanthorn once again.

Lanthorn OfficeFor Bergen, a sophomore English and communications major, the Lanthorn was an important part of her experience her first year, and the same goes for Fenstermacher. As a literary magazine that includes poetry, selections of prose, short stories, and more, the Lanthorn appeals to avid readers and writers alike. For writers, the Lanthorn is a “good space for writers to put themselves out there,” said Bergen, as well as being a practical and simple way to get feedback from their audience, other writers, and the editors themselves. Students who write more for leisure might enjoy the chance to see their name by something in print out there for all to see, but they also benefit from the ability to be anonymous. Anonymity, according to Bergen, affords writers a certain “freedom [they] don’t have in other areas,” the Lanthorn is a “safe space for somebody who wants to talk about something very uncomfortable or talk about controversial ideas.” Fenstermacher added that it is an outlet that fosters connection and offers people the chance to “put in their own input, or just come to it and find new ideas.”

More than another thing to pick up and read when you’re bored on campus, the Lanthorn’s mission is to engage the student body and to have them then engage each other. According to Bergen, “if the Lanthorn can spark conversations, spark ideas, spark somebody to think in a different way or to think of someone elses’ perspective, that would be really wonderful.”

With an ample budget, Bergen and Fenstermacher hope to publish quite a few issues this semester. The arrival of over 90 submissions over the course of a week and a half in the fall indicated to the editors that “people do want to write things, people are writing, and they already clearly had this material they submitted.” A trend they hope continues this spring.

In a world of where conversation is carried out in online comments, Facebook messages, and texts, Bergen thinks that it is “important for people to engage in actual conversations with each other, which isn’t to deride texts or Facebook, but I think you can’t underestimate the value of reading something on a page and taking the time to absorb that idea, that concept, and the effect that has on a person. If the Lanthorn can encourage that then I think we’ve accomplished our goal.”

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The Promising Final Season of Parks and Recreation

Arguably the funniest show on television right now, Parks and Recreation is back for its seventh and final season. The sitcom premiered this past Tuesday (January 13) on NBC, marking the inevitable end of the viewer’s relationship with the town of Pawnee, Indiana (First in Friendship, Fourth in Obesity), and the quirky characters that live there.

Featuring former Saturday Night Live star and Golden Globe Award winner Amy Poehler as the energetic and capable Leslie Knope, Parks and Recreation follows the lives of an eclectic band of government workers employed by the Pawnee Parks Department. Leslie’s boss Ron Swanson (Nick Offerman), is a profoundly libertarian, whiskey-drinking woodworker who acts as a foil for Leslie’s ceaseless work ethic and optimism; Ron only works for the government with the hope that he can destroy it from the inside.

Parks-and-RecParks and Rec’s brilliance lies not only in absurdist, deadpan humor (think 30 Rock meets The Office), but also in the gripping, sentimental evolution of the characters. I mean “sentimental” in the most complimentary sense, with the viewer becoming emotionally invested in the lives of each individual character, as well as their interactions with one another.

Leslie Knope begins the series as an annoyingly perky, overzealous and ineffectual government employee. Her character development is inspiring; over time her inner zealot gives way to heartfelt passion for Pawnee, working to beautify her hometown and eventually running for city council. Similarly, the viewer is allowed glimpses past Ron Swanson’s brusque exterior to the genuine respect he feels for Leslie and his assistant April Ludgate (Aubrey Plaza). The shoe-shine boy, Andy Dwyer (Chris Pratt), is eventually promoted. Selfish wannabe business mogul Tom Haverford (Aziz Ansari) learns the necessity of organization after his start-up ends in bankruptcy. Over time the characters are redeemed, though admittedly not without numerous mistakes and painfully (yet hilariously) awkward moments. The only character who never surpasses his initial situation is the useless Jerry Gergich, who defaults as the scapegoat for all Parks Department mishaps.

Initially in the series it seemed that the characters were at risk of becoming caricatures, yet the joy of the show is in vicariously experiencing their maturation from the unrealistically flawed to the believably human. The viewer becomes invested in the Parks Department’s success; Leslie Knope’s triumphs are our triumphs.

Nominated for a Golden Globe for Best Television Series, Parks and Recreation’s accomplishments have served to launch the careers of previously obscure cast members, with real life paralleling the individual achievements most characters attain as the show develops. Actor Chris Pratt (Andy Dwyer) recently starred as Star-Lord Peter Quill in Marvel’s smash hit Guardians of the Galaxy, as well as securing a lead role in Stephen Spielberg’s upcoming film Jurassic World. Nick Offerman, and Audrey Plaza (whose personality apparently mimics April Ludgate’s in real life) have gone on to various movie roles in big names like 22 Jump Street and Life After Beth.

Though Pratt is now a full-blown movie star, he comments on the importance of his experience working on Parks: “I’m realizing the things that really matter about what you’re doing, for me at least, are just the relationships you have while you’re doing it. And for me, this show… I hope that I could possibly have the good fortune of finding another group of people like this, but I don’t expect I ever will.”

With a dynamic cast that loves their characters almost as much as we do, and comedic writing that integrates themes of persistence and hard work, Parks and Recreation is the television equivalent of optimism.

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The “Perfect” Local Coffee Shop

A half hour drive away in Cuba, NY is the recently opened coffee shop, The Perfect Blend Coffeehouse and Eatery. Located downtown along Main Street in the historic opera house building, next to the Cuba Cheese Museum, The Perfect Blend provides a hybrid coffeeshop-cafe feel. It offers a good place to go off campus for breakfast or lunch, to do homework, or simply escape from the typical everyday scenery around Houghton.

Blend1The environment is comfortable — the kind of place you can go for a quick visit or stay and spend an entire afternoon. The staff are friendly, helpful, and excellent baristas. As for music, there is a good mix of pop, alternative, and indie, including Lorde, Imagine Dragons, and Capital Cities. It’s the kind you would probably want to listen to at a coffeeshop.

With booths, tables, and cushy furniture, The Perfect Blend offers a place to eat or sit and just drink coffee, depending on your mood. An electric fireplace surrounded by a leather couch and two armless chairs sits against the wall decorated with an assortment of clocks of varying size and shape. The rich wood coffee bar goes nicely with the beautiful old hardwood floors which throughout the second half of the shop, which is also decorated with burlap and other natural colors. The large front windows let in a lot of natural light, which is complemented by tasteful lighting from lamps and hanging ceiling lights.

With fresh brewed coffee, espressos, lattes, and cappuccinos with an assortment of flavors on their menu, they have all the staples of a good coffeehouse. All their coffee is sourced locally from the Finger Lakes Coffee Roasters. They also have hot teas and cold drink menu which includes iced tea, frozen lattes, chai chillers, and soft drinks. Most of their drinks average around three dollars.

Their colorful chalk board food menu has a variety of breakfast items, salads, and paninis. Many have local names such as the “Western New Yorker,” “Patriot,” or “86er” (named after interstate 86, which runs through Cuba). Continuing with their locally sourced theme, all the sandwiches that  made with cheese use the famous Cuba Cheese Shoppe. Their food items are fairly priced with most ranging from four to seven dollars. You can get a soup, sandwich, and drink for right around ten dollars, maybe a little more with dessert.

Blend4There’s also a variety of sweet baked goods to choose from. These include muffins, cookies, cakes, and their delicious energy-filled Go-Go Balls made from peanut butter, nuts, chocolate, and flax seeds. You’ll definitely want more than one.

With pretty much everything you could want from a coffee shop, there is precious little it is lacking. However, there are a few out of place  “corporate coffee” poster advertisements which take away from the antique, old opera house feel of the place. They are your typical pumpkin spice or other photographic advertisements and they don’t fit with the overall decor.

Perhaps to be attributed to the old building, a somewhat weird or quirky aspect of the shop is the location of their bathrooms. To get to them you feel as though you are exiting the building as you go through a backdoor, down a hallway and turn left to find them.

For their winter hours The Perfect Blend is open weekdays from 6:30 a.m. to 4 p.m. and Saturday 8 a.m. to 2 p.m, but unfortunately they are closed on Sundays. Starting in March they will be open longer hours. To get directions, their address is 14 West Main St, Cuba, New York. While you’re there you can visit the vintage shop, By the Light of the Moon, which is connected to the coffeehouse.

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Seven Months Since Graduation

Recent Houghton alumni face the world after college.

Recent graduate James Delventhal joked, “Best part of being done….laughing at the rest of you from afar….I AM KIDDING!” In reality, Houghton’s May 2014 graduates described a diverse range of experiences and emotions as they have been navigating their first year out of undergraduate studies and for most, away from the place they had spent the past four years of their lives.

Sylvia MorrowOne of the few common threads described by recent graduates was the challenge of establishing firm financial footing. Danny Kim, now a first year medical student at Saint Louis University School of Medicine noted that even the small things like “breakfast cereals and chocolate milk” add up. Freelance videographer Steve McCord is living with his parents “because it’s cheap and there’s free food.” Amy Coon who is also living at home while employed as an artist in residence at a Clay Arts Center said, “It’s definitely not easy to return home after being away for four years at college, but I’m very thankful for the opportunity to save some money and to spend time making art.”

Similarly, Sarah Hutchinson, now working at Jericho Road Community Health Center in Buffalo said she has struggled with budgeting now that she has to balance daily expenses with “big items like rent and loans.” Sarah Munkittrick, now living in Sydney, Australia also expressed being caught off guard by the cost of “internet, electricity, rent, food… Things that are just available for you at college that in the real world you have to pay for.”

Graduates who have moved into the workforce had mixed reactions to the adjustment of no longer being in school. David Richards, who recently returned to Houghton to start working as an assistant coach for track and field said he has found it challenging to go without “the structure” provided by student life. Similarly Coon said, “I actually miss paper writing and assignments. I felt like I was actively learning. In the real world, you’re learning but in a less intentional way.”

On the other hand, William Strowe, who works as an interim student ministries director, expressed relief and said the best part of being done with college is “not worrying about researching, writing, or receiving grades on papers.” Hutchinson said working a nine to five job has given her considerably more free time compared to her time in college where between homework, work-study, and extracurricular activities she always felt like there was something she ought to be doing. Now, she said, she feels like her “personal growth has skyrocketed.”

Like many other graduates who have found the change socially challenging, Jessica Miller, now a research coordinator at the University of Pennsylvania’s Positive Psychology Center said it’s taken her longer to get to know people than it did at Houghton. However, she also shared that she has already run into other Houghton alumni, “People always say that Houghton follows you everywhere, and I was happy to discover that to be true.”

Moving forward some graduates, said they do not expect much change in what they will be doing at this time next year. Others, such as Hannah Lily who is an Assistant Manager at a Cenex Convenience Store, are still searching for a more permanent situation. Lily said, “in a year I hope to be working as a high level marketing executive…or at least have a marketing job” but since graduation she has learned that “sometimes, having a degree means absolutely nothing! …sometimes I think it’s my work ethic that will actually take me places.”

Inevitably graduation does not quell all doubts. Many recent graduates have no clear vision of where they will be this time next year such as Strowe who said, “I’m just going with the flow!” Hutchinson said, “Ahhhhhhhhh—ask me in a few months!”, and Coon said, “When you graduate, the possibilities are endless, but it’s more scary and overwhelming than exciting.” Munkittrick said, “I have no idea what next year looks like, still trying to figure out next week!”

However, Jason Orlando, who is about to go to Airborne school and continue training to be a special forces medic said, “I found I was fairly prepared for life after college.” Similarly, James  Vitale, who is pursuing a Master of Divinity from Luther Seminary, said, “even in the midst of all this change I feel I am a well rounded, well adjusted person in general, and I definitely have Houghton to thank for that.” Tyler Miller who is now a full-time teacher in Olean said, “I enjoy being able to put my education to use out in the real world. You get a little antsy to see if you can make it out here while you are in school, and it is really fun and exciting to put yourself to the test.”

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Brothers, Sisters, Teammates

Many pairs of siblings attend Houghton, but one aspect of their college experience heightens through their relationship at teammates. Brothers Jared and Jesse Toth and Sisters Lindsay and Hattie Burgher have experienced life at Houghton as both fellow students and teammates.

Sophomore Jesse Toth’s decision to attend Houghton last year came almost completely from the fact that his older brother, now a fifth year senior, Jared attended Houghton. Jesse and Jared had the opportunity to play on their high school’s soccer team together for one year, while Jared was a senior and Jesse a first year. Because of an injury during Jared’s sophomore year playing for Houghton, he gained an extra season of eligibility. He was able to play for an additional season and this was “surprisingly a blessing” to Jesse. He said, “Playing with my brother in high school was one of the best experiences I ever had and I wasn’t about to pass up playing two years with him here at Houghton.”

TothsThe brothers shared nothing but positive experiences and benefits of attending the same college and playing on the same team. They said the biggest benefit they bring to their team is their chemistry and understanding of each other on the field. While playing together, Jesse says “we constantly know what the other person is thinking” which is what makes being on the field together fun and exciting. Jared describes their experience as “unexplainable” because there is nothing like being able to “battle everyday on the soccer field with your brother.”

When asked to share a memorable experience they’ve had while being at the same college, both Jesse and Jared described hard-fought soccer victories. Both games were ones they were not expected to win, but they both credited their victories to their brother’s hard work. This year being Jared’s last season, he shares he was glad he got to play his college soccer career with his “own blood” and is proud of what his brother has brought to the team.

Lindsay and Hattie Burgher bring a slightly different relationship to the aspect of sibling teammates because their relationship broadens to one of a player and coach. Junior Hattie Burgher’s decision to attend Houghton came with a bonus, having her sister already on campus. Her sister, now assistant volleyball coach, Lindsay Burgher, was a senior when Hattie started at Houghton so they only played one year on Houghton’s volleyball team together. Hattie said, “I wish I had more than one year of playing with her… but I’m so grateful for that one year.”

Both sisters commented on the reward they’ve received in watching their sister grow and develop as a player, and for Hattie, seeing Lindsay as a coach. Lindsay and Hattie played two years of volleyball together in high school, but Lindsay said “I valued playing with her a lot more than in high school, because I wanted to make the most of (what I thought was) our time playing together for the one season we had.” When thinking of her transition from player to coach, Lindsay shared how “natural” it was to have Hattie at her school and as a teammate, but the struggles it brought transitioning into a leadership role. Lindsay had to learn to balance her relationship as a sister, friend and now a coach.

BurghersCMYKHattie’s most memorable experience with her sister at college was hearing about her recent engagement. Hattie shared her excitement in being able to “revel in that monumental moment with her and to see the ring and give her a hug” which is something she would not have been able to do if Lindsay wasn’t still at Houghton. However, Lindsay’s presence on campus brought some struggles, as Hattie stated “we are sisters.” She said of her sisters coaching position, “she legitimately has the right to boss me around” but said that their relationship would experience some arguments which is natural and expected.

Lindsay’s greatest experience has been watching her younger sister “transform before her eyes” on the court and work to earn her position as a leader on the team. Lindsay is grateful for the opportunities she’s been given while at Houghton with her sister and said, “Whether coaching or playing, I am proud and thankful we can continue to be a part of the Houghton volleyball program together.”