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Birds of the Northeast: A Musically Constructed Work of Art

Last winter, nineteen-year-old Patrick Grace of Saratoga, New York began recording a collection of songs he started writing at the age of fifteen in his father’s basement studio. Originally, the alternative indie project, titled Birds of the Northeast, was a personal endeavor of therapeutic self-expression. Grace found solace in his music as a documentation of negative emotions and a non-confrontational confessional to whom the songs are written. However, his quietly created project quickly became more than he initially intended.
Birds of the Northeast toured this summer in the Upstate area and released a twelve track, self-titled album on September 1st. The entire work, which Grace describes as the musical personification of a mind, was written and recorded solely by him; every intimate vocal track, honest lyric, meandering guitar line, rolling snare part, and whimsical bell jingle can be traced to Grace’s superb musical ability and ingenuity — save two harmony tracks in which his sister, Gigi, lent her vocal talents and a piano line added by engineer, Gary Tash of Pinewood Studios who mastered the album.

Birds of the NortheastGrace described the purpose of Birds of the Northeast, saying, “This project stands for truth and the understanding of who I am – even the darkest and most true parts of me. I wanted it to sound like how I feel, what my head sounds like. I took what was going on emotionally in my head and translated it instrumentally.”

Although Birds of the Northeast is a solo project, Grace performs gigs as a duo, utilizing the guitar and vocal abilities of Houghton freshman, James Johnson. Johnson, a lifelong friend of Grace’s, commented on the new album: “You can tell the amount of time and dedication that was put into this album through the musicianship, multiple harmonies, and immense overlays. In Birds, Patrick conveys an accurate expression of an intricate and striking extension of himself.” He went on to describe Grace as a multitalented person who quickly and easily develops new skills. Grace started playing drums at the age of twelve and three years later picked up guitar. His love and mastery of instruments quickly grew to include bass, mandolin, hand-bells, piano, and xylophone — all of which were used on the album. He cites Arcade Fire, Jack White, Andrew Bird, and Badly Drawn Boy as bands that have heavily influenced his music.

Grace is also involved in two additional, locally known bands. He writes, plays guitar and drums for The Penny Stocks while leading vocally for the band Good Fiction. Johnson concluded, “He’s a monster, he just doesn’t stop. I really admire his adaptability and versatility.”

Patrick GraceDue to Grace’s varied musical skills and knowledge, Birds of the Northeast contains creative instrumentation that experiments with traditional musical boundaries and lyrical conceptions. “One Plus One” and “Best (Parts 1 & 2)” stand out as particularly exceptional on both plains. Lines such as, “Stutter through my sentences / please don’t love me any less” and “I can’t become what I am not / don’t just put me on the spot” represent Grace’s straightforward approach to lyric writing. Musically, the serious tone of guitar and snare in “One Plus One” contrasted with quirky xylophone lines meaningfully inform the theme. Throughout the entire album is an ongoing conversation between routine rock instruments and their folksy counterparts. Grace’s concept of “Best (Parts 1 & 2)” was to describe an interaction and then express thoughts concerning it through building instrumentation and layered harmonies. He explained Part 1 as what happened and Part 2 as the introspection of a now churning mind.

Near the end of the album plays “Yana,” a sweet, but refreshingly honest love ballad written about a particularly dear, long distance relationship. The song is full of rich, melodic guitar riffs until the beginning of the bridge when the music is stripped to confused, sweeping chord changes on mandolin and the muffled audio of an actual phone conversation between Grace and his girlfriend, representing the distance between them.

Grace is by no means the first to write meaningful music, but he is the first to write meaningful, beautiful music out of his specific mindset and personal experience with the human condition. His album is not only an honest representation of the interworking of an emotional mind, but also a musically constructed work of art.

Birds of the Northeast offers a salient, emotionally saturated, vulnerable monologue regarding confusion, ambivalence, anxiety, self-hatred, love, and betrayal to the age-old conversation of human experience that is music.

Birds of the Northeast can be purchased on iTunes or listened to for free on Spotify or Sound Cloud.

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Houghton Welcomes Eight New Professors

Eight professors are joining Houghton faculty this semester. Newly minted profs. Aikens, Bate, Hutchings, Luebke, Murphy, Poythress, Suzano, and Taylor are all excited to be a part of the school.

Assistant Professor of Physics, Dr. Kurt Aikens finished his undergraduate degree at Houghton in 2009. After which, he attended Purdue University where he earned his Ph.D. in Aerospace Engineering. “My research interests are in the area of computer simulations of fluid flows and specifically involve improving predictions of – and ultimately reducing – jet engine noise,” said Aikens, “Teaching at the undergraduate level gives me the opportunity to have a more broad educational background and study a wider range of topics. At the same time, I am also able to continue in my area of research. I get the best of both worlds.”

Dr. Brandon Bate joins the mathematics department after a year of postdoctoral research at Tel Aviv University. Like Aikens, Bate is a Houghton graduate, having completed a B.S. in Mathematics and Computer Science. He received his masters from Boston College in 2007 and his Ph.D. from Rutgers University in 2013, both in mathematics. He is married to Juliet Bate, also a 2004 Houghton graduate, and has an exuberant 4 year old son.

Dr. Sarah Hutchings, Assistant Professor of Music Theory and Composition, takes on a full-time position this year after having served two semesters as an adjunct. Hutchings received her bachelors at Western Carolina University in 2007, masters at Florida State University in 2010, and her doctorate of musical arts at the University of Cincinnati Conservatory of Music in 2013. Asked about her position at Houghton, Hutchings said, “I feel so blessed to be able to work at a place that supports my professional development and gives me the opportunity to instruct the next generation of artists in their craft. But, most importantly, I consider it a calling to show students how God can use them as a witness in their own careers and lives.”

Dr. Adam Luebke has taken on the positions of Associate Professor of Vocal Music and Conducting as well as the Director of Choral Activities. Luebke received a bachelors of music at Olaf College in 2002, masters of music at Westminster Choir College of Rider University in 2004, and Ph.D. at Florida State University in 2010. Luebke has appeared at Carnegie Hall, Lincoln Center, the Kennedy Center, and Smetana Hall.  Said Luebke, “In the first week of school I’ve really enjoyed getting to know my students, particularly those in College Choir, and learning about how music and faith intersect in their lives.  It was also quite exciting for me to get the year off to a start performing for the opening chapel service.”

Prof. Madison Murphy joins the communication department as Assistant Professor of Media Arts and Visual Communication. Murphy received her bachelors at Houghton in 2011 and her masters in fine arts at Savannah College of Art and Design in 2014. “During this first week of classes I’ve been talking with the students in the lab, and I’m impressed to see the kind of work they’re doing and the enthusiasm they have for that work; a drive to push their skills to the next level,” said Murphy.

Assistant Professor of Biology, Dr. Ransom Poythress received his bachelors from the California Institute of Technology in 2006. Following this, he attended Westminster Theological Seminary as a special student in apologetics and philosophy. He earned his Ph.D. in molecular biology from Boston University in 2013. “My goal is to show students that they are Christians who study science, not scientists who happen to be Christians,” said Poythress, “Houghton provides a real opportunity to transmit my exuberance for biology in a way that is thoroughly consistent with the Christian underpinnings of the entire scientific enterprise.”

Dr. Armenio Suzano, Associate Professor of Music History, hails from Brazil. He played clarinet in the Rio de Janeiro House Symphony Orchestra for 9 years. His term there began after winning a competition and joining as their youngest member at age 16. Upon moving to the U.S., Suzano engaged in multicultural ecclesiastical work with Portuguese-speaking communities in Massachusetts and Spanish-speaking communities in Texas. He received his bachelors at Austin State University in 1997, masters of music at Northwestern University in 1998, and his doctorate of musical arts at the University of Michigan School of Music in 2002.

Prof. Alicia Taylor joins the school as an Assistant Professor of Art. She received her bachelors at Roberts Wesleyan College in 2009, her Certificate in Arts Management and masters of fine arts at SUNY Brockport in 2013. “I am energized by the opportunity to be a part of someone else’s process in finding their voice, within their work and in the world,” said Taylor, “This year, I’m excited to engage with students during this process and foster an environment of freedom, productivity and expression in my classroom through which we can all learn and grow.”

The college is very excited to bring so many new professors on board as it experiences new growth in attendance. As the year begins, be sure to take some time and welcome these professors to Houghton.

 

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Cold Creek: Popular Local Band

Two Saturdays ago, on August 30st, the Fillmore Hotel was packed with over a hundred people, the audience of the up and coming local band, Cold Creek. This group is comprised of two Houghton seniors, Holden Potter and Evan Castle. The two began playing music together during their sophomore year, when they both lived on the second floor of Shenawana Hall. As they were the only two guitarists in their hall, they started writing jazz and blues songs together. The next year, they went on to perform at the Homecoming Coffeehouse. Since it was their first time playing live, the performance did not go as well as they had hoped, but the two continued developing their musical style over the next year.

Though their Facebook page refers to their music as being in the genre of “Country Rock Awesomeness”, Castle and Potter characterize their sound as “hip-hop, pop, and country”. They model their songwriting after the artist Sam Hunt, the prominent American country singer. They write their songs as “just a chance to tell a story.” Many of their songs are romantic. Their writing reflects the small-town America rural culture in which they both grew up, in the tradition of country, down-home music. Potter states that “the town of Fillmore had a huge influence…lyrically.” Castle plays the six-string banjo – or ganjo – lead guitar, acoustic, and sings harmonies, while Potter sings lead vocals and plays acoustic guitar. Occasionally, they have a percussionist accompany them.

coldcreekThe group considers themselves to be outside the norm of Houghton bands, since they usually play outside the college and are not a worship band. Most of their following is also outside of the college, since there is a large audience for country music in the surrounding area. The band has done very well recently. They claim that this is due to the fact that there are not many local country bands in the area, and so there is a higher demand for their sound. Their Facebook page has over 350 likes and counting, they have played live gigs in Rushford, Olean and many other nearby towns, and they even competed this past summer in the Country Showdown in Olean and won second place.

This past semester, Cold Creek recorded several tracks with the help of fellow senior, Jordan Sloat. These tracks are available on their Facebook and Soundcloud pages, and they expect to put out an EP within the next month. This EP will be a chance for them to showcase their abilities, featuring pop acoustic songs, southern rock styled songs, and piano ballads, maintaining their common acoustic sound. After Potter graduates in December, he is moving down to Nashville to pursue music, where Castle will follow him after walking in May. From there, the group plans on putting out mixtapes to send to record producers. Cold Creek expects that their music will evolve with the Nashville style – more pop and more creative hooks. They hope that this will add more soul to their sound, bringing their many diverse influences together to create songs that are unique, but accessible.

Their next gig is on September 19th, at 9:00pm in Don’s Semi-Friendly Tavern in Olean. They hope to draw a large crowd and add to their supporters as they move on to the professional world of music production.

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Custodian Don Taylor to Retire After Nearly Four Decades of Service

You’ve probably noticed him sweeping the chapel or running a mop across the atrium floor in the music building. If you’re not paying attention, Don Taylor and the work he does for Houghton College might be missed. But, focus in for just a moment, and you get a glimpse of one of the most dedicated staff members that has kept the wheels turning at Houghton for over 39 years.

Born in Butler, Pennsylvania in 1949, Don’s father and mother were camp missionaries in the region. Growing up as middle child on a rural farmhouse near a bible college, he knew his Bible stories from a very young age. They moved north to Little Valley, not far from Houghton, in 1960 when his father became part of an active mission in the area. Don had long hoped to obtain a Bible or religion degree and follow in the footsteps of his father – serving local communities and leading people to the Lord through Sunday schools and camps. In 1973, after completing college work as he’d planned (a degree in Bible and Christian Education from United Wesleyan College), Don moved to southern Ohio to work with a mission project there, but came home because he thought his heart for ministry was in southern New York. “But,” he said, “the Lord seemed to be closing that door and the Houghton door opened up when people didn’t have as many jobs anymore and support for missions couldn’t be raised easily.”  On January 21st, 1975 he came to work on custodial staff at Houghton College. “I was exempted from Vietnam so I came and joined the army here at Houghton,” he said, grinning at the memory of that first day. (President Mullen would graduate a year later in 1976).

Ironically, he recalls, his first placement for cleaning was in the chapel and the old music building. During his first two years or so he was commuting from Little Valley on the weekends and staying in town during the week. “I was a single guy for the first year or two,” he said jokingly, “then some folks on custodial set me up with this girl I’d know in the past who now worked in the library.” He and Darlene, his to-be-wife for over 30 years, were successfully paired by their coworkers and settled in the town for the life. Their two children both graduated from Houghton and he now has six energetic grandsons.

Don“I think over a thousand different students have been my workers over the years,” he recalled thoughtfully.  When asked about his favorite funny or memorable stories, Don grinned cheekily, savoring what is, I’m sure, a mountain of ridiculous memories. “I believe it was a homecoming weekend, I came in early and did some rounds and everything seemed fine. But as the daylight came in, I realized that there were seats missing, just the bottom pieces, in all three sections.”

He paused, laughed to himself for a moment, and then continued on. “After the event we went through and marked all of the seats (which were all different sizes). When we finished the chart, the seats missing spell out GAO – one letter in each of the three sections. This was the old men’s dorm that the college was going to tear down (it stood where Fancher is now). I think it was some kind of protest.” We both chortled for a few moments and commented on the subtle cleverness of the scheme. “I also lived through many floods, particularly in the chapel and Presser Hall.”

Don Taylor will retire in the coming days after almost 40 years of tireless service to Houghton College. He has worked through the administrations of 4 different presidents (Paine, Dayton, Chamberlain, Mullen) and set up the chairs for the graduation of more than 9,000 Houghton College graduates. He is a tireless worker and the oil that keeps this academic machine turning. Thank Don, thank you for everything.

 

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After Houghton: Seniors Accepted to Graduate Programs

For those of us enveloped in the familiar “Houghton bubble,” the thought of life after college can easily get crushed under more immediate obligations: Assignments, exams, delicious oven-baked cookies in the dining hall.

Inevitably, the reality of life after Houghton must be acknowledged. As graduation rapidly approaches, many students contemplate leaving as they move on to the next step of furthering their education: graduate school.

Senior Ben Murphy is one such student, going to the University of North Carolina Chapel Hill for a PhD in English. His ultimate goal is to become an English professor, though while at school he hopes to focus on 20th century to contemporary American literature. “I want to study post-humanism. It has to do with science studies: how science and technology may change what it means to be human.” When asked about the application process, Murphy commented, “It’s not terribly expensive, but the GRE (Graduate Record Exam) is necessary and that’s like 200 bucks…I spent a lot of time researching graduate programs…to get into the programs, you have to be really specific about the professors you want to work with in your personal statement.”

Outside of the English department, junior Rebekah Kimble is currently applying to schools in order to earn her PhD in history. For Kimble, this process has been extended and strenuous as Kimble admitted  “Right now the history job market is terrible. It’s completely flooded with people who have graduated and have a PhD.  Most of the programs I want to get in are only accepting 6-10 students into their entire history program. There are around 400 applicants per program, so I’m actually applying to 18 schools.”

However, this abysmally low acceptance rate has not deterred Kimble in the least. “I really love the subject, and I see it as an opportunity to be a Christian in a secular university… to be a witness without evangelizing per se, being an example without hitting people over the head with religion. Also, I just love researching. Going to graduate school enables me to research what I love and publish books.” Despite the current job market, Kimble has decided to pursue her passions.

Senior Abigail Bruxvoort will attend Northwestern University to procure her PhD in philosophy. Applying to a total of 11 schools, Bruxvoort described her application process: “I took the GRE last May, and I did some basic research on schools over the summer and created a list of schools to apply to. Then, in October and November I started preparing my writing sample, writing a statement of intent, and asking for letters of recommendation…The main difficulty with applying and visiting schools has been being a full time student in the midst of it all.”

When asked about her decision to go to graduate school, Bruxvoort replied, “Why am I going? Because I would happily spend the rest of my life in philosophy classrooms.”

While a PhD program may be what first comes to mind when it comes to talking about graduate school, some Houghton students have their eyes on different goals. Senior Jim Vitale anticipates working toward his Master of Divinity at Luther Seminary in St. Paul, MN. When asked about his future plans, Vitale responded, “I have been pursuing an interest in ministry on and off for almost eight years now, and my love for theology has only grown in my time at Houghton. I hope to use this degree to be ordained a Lutheran pastor and serve a church somewhere.”

Senior Caleb Johnson plans to attend George Mason University to further his studies in International Relations. “I’m an IR major and I love it. I want to join the Foreign Service. Graduate school will present me with opportunities and internships, and give me the experience I need to pass the Foreign Service test.”

From the science department, senior Esther Schow intends to enter Auburn University to pursue a degree in veterinary medicine.  Speaking about her passion for becoming a veterinarian, Schow commented, “I love caring in a tangible way that conjoins the academic side of science, with the emotional side of animal husbandry… since high school, I have known that I wanted to either become a doctor or veterinarian, so graduate school has always been something I assumed I would do.”

Applying for graduate school can be an arduous process which requires planning, research, time, and a moderate amount of cash, but for those with the desire, the opportunity to further their education and grab their goals is entirely worth the effort.

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House of Cards Returns with a Shocking Second Season

The smash hit political drama House of Cards came roaring back this year in its second season, continuing the story of Vice President Francis “Frank” Underwood’s lust for power.

The show takes it cue from Shakespeare’s Macbeth. Francis and his wife Claire do whatever is necessary to take control and gain power in Washington, D.C. The political drama has it all: violence, murder, sex, revenge, drug abuse, and political manipulation. The show is also an exposition of the relationships that occur outside the political realm. Relationships between characters blur from the Capitol Building to a small barbeque stand in the city, of which Frank is a frequent customer. All the characters have their demons and passions, leading their own lives to satisfy their own desires. But the many side-characters that exist in the show are merely pawns to Frank and Claire’s grand scheme to take control. And yet for all this excitement the show takes a very slow pace. Climaxes are slow to build and slow to diffuse.

In a way, House of Cards attempts to mimic real life. Unlike shows like 24, where the president is involved in gunfights and assassination attempts, House of Cards is more political, with gears slowly turning, plans slowly unraveling, paths crossing, and enemies slowly building ammunition. This is a show that takes patience, and pays off only a little at a time. Despite the plot’s sluggish unraveling, there are enough shocking scenes to keep the viewer asking for more. The first episode of Season 2 may be the most shocking thing you have ever seen on television. But you will have to experience that for yourself.

Courtesy of www.netflix.com
Courtesy of www.netflix.com

Season 2 picks up the show’s plot from where it left off at the end of Season 1. The first season follows Underwood’s ascension from Majority Whip in the House of Representatives to United States Vice President. At the end of Season 1, we are left wondering how characters will respond to Frank Underwood’s immoral behavior as well the fate of a number of characters whose lives hang in the balance. In Season 2, Underwood continues to strong-arm President Garret Walker to the chagrin of Raymond Tusk, the President’s billionaire best friend, in an effort to consolidate his influence within the White House. After Underwood wins over the president, Tusk seeks revenge by attacking the reputation of everybody Frank loves. Underwood is forced to control the damage of Tusk’s actions while still maintaining his own influence over President Walker and Congress.

The slow pace of House of Cards, has the advantage in allowing the viewer to see the development of each character. Francis, for example, is calculating, aware of his plan to seize power from the very beginning. He is ruthless, willing to do whatever it takes to further his own career. He plays whatever role he needs and there no limits to what he will do, and indeed, what he actually does. Claire is as calculating as her husband. She is Lady Macbeth, willing to sabotage anyone who stands in the way of her and her husband’s success. She is calm and seductive when she needs to be, but equally biting and harsh when the situation calls for it. Doug, Francis’ right-hand man, evokes a level of compassion that none of the other characters ever quite achieve. Among all of the backstabbing and power struggles, Doug appears to be the only one who is grappling with his own demons: alcoholism and sex. Yet his character is still guilty on some level in participating in his boss’s venomous power struggle and manipulation. Doug understands, however, that he is Frank’s pawn, and often tries to work that to his advantage.

But before you go and decide that all of this amoral power struggling is not for you, it is well worth noting the quality of the acting that Kevin Spacey, Robin Wright, Kate Mara, and the rest of the cast deliver. Spacey’s gentile southern accent will have you convinced that he was born with a southern drawl and raised to southern hospitality. The actors live into their characters so well, it will become hard for you to remember that these are actors, and not cogs in the political machine. If you decide to watch House of Cards for no other reason, do it for Spacey’s superb acting.

The show is not for the faint of heart, however. This is a Netflix original series, which means that it is barely regulated. The language is very strong, there are some instances of graphic violence, and some of the sex-scenes are borderline pornographic. Unlike Game of Thrones, however, there is no important information contained in those scenes of graphic sexuality so it is easy to skip them.

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The Lyric Theatre Presents: Children of Eden

Friday, April 11, marks the opening of the Lyric Theatre’s production of Children of Eden. Written by the critically acclaimed John Caird (Les Miserables) and composed by three-time Grammy and Academy award-winning Steven Schwartz (Godspell, The Prince of Egypt, and Wicked), Children of Eden is the book of Genesis retold through the format of a musical drama.

Children_of_EdenWhen asked what makes this particular production compelling, Director Mitchell Hutchings enthused, “I am excited to work with these students because of their commitment to a well-crafted end product,  many of these singers and actors have won prizes in their given discipline at very high levels.” Children of Eden remains popular with audience members worldwide, not only for the quality of the music, but also for the fun of seeing familiar biblical characters brought to life on stage.  Senior and Student Director, Aaron Young, commented, “It’s really a story about God’s faithfulness. The big question through the whole show is will God follow through? It’s heavy stuff to think about how Adam and Eve must’ve felt, but there’s also a lot of fun.”

In an interesting coincidence, the musical’s opening falls closely behind the release of Noah, a film that has sparked controversy due to its deviation from the Old Testament text. Children of Eden is also a creative interpretation, and certain artistic licenses are taken. However, unlike Noah, those involved are producing the show with reference to their own Christian worldview. The message conveyed is ultimately one of the fidelity of God, or “Father” as he is named in Act One. Sophomore, Tim McGowan, who plays the role of Adam, remarked, “It’s not biblical Genesis,  it doesn’t claim to be either. I just came in with a really open mind.” Though Children of Eden strays from biblical accuracy, to focus on and rage about inconsistencies would be to miss the point.

Young observed, “Reading the script, a lot of the cast raised their eyebrows and were like ‘I don’t think that’s how God would do it.’ I think, if you stop and think about that phrase, that’s the adventure of the Christian life, figuring out who our God is. If we want to be empowered, gospel-bringing believers, we need to stop and understand other people’s worldviews.” The musical humanizes the characters in Genesis providing insight into their probable motivations, hopes, and fears which are not wholly present in the biblical text. The writers explored and read between the lines.

Children of Eden is director Mitchell Hutchings’s first musical production at Houghton College. When asked why he chose this particular show he said,“I saw Children of Eden while I was still a student at Western Carolina University, and I completely fell in love with it. I liked its theme, and I liked that it was willing to talk about some tough issues.”

When asked about the impact the musical has made on his life so far, Young enthused, “I can say this is one of the best musical experiences I’ve ever had. Working with the cast, with the chorus, I’m shocked at how well they’re getting along. I have sort of a ‘proud parent’ moment every rehearsal. Our faith unifies us, our love for music, our energy, so yeah, I would say we are a family.”

Children of Eden is a production that breathes new life into the Old Testament text, humanizing the characters of Genesis and providing insight into stories we’ve been told since Sunday School. It will be performed in Wesley Chapel, Friday and Saturday, April 11 and 12. Tickets are available for purchase in the Campus Center.

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Looking Back at the First Season of Veronica Mars

“Sarah, you have to watch this show.”

Like most fans of Veronica Mars, I heard about the show word-of-mouth.

“Really? What’s it about?”

“It’s about this girl who’s trying to solve the murder of her best friend. It’s really good. You should watch it.”

Courtesy of veronicamars.wikia.com
Courtesy of veronicamars.wikia.com

So began my high school obsession. Veronica Mars soon skyrocketed to become my favorite TV show as I powered through the 11th grade. Strong, relatable, female lead? Check. Clever dialogue? Check. Intriguing mystery arcs? Check. Neo-noir feel? Double check.

Admittedly, I was watching reruns of the series at that point. Though Veronica Mars reached high critical acclaim for its first season, which aired in 2004, its ratings were never quite able to keep up. The show was abruptly cancelled after its third season in 2007, without too much thunder.

But there was still a lingering rumble. For years afterwards, hardcore fans were pressuring Warner Brothers–who owned the Veronica rights–to make a feature-length movie. The film was finally realized last year when a Veronica Mars movie initiative on Kickstarter raised enough cash, in addition to shattering Kickstarter records. In less than 24 hours, the project reached its initial $2 million ask, but fans still kept donating. In the end, over 90,000 fans contributed to a total of $5.7 million to make the movie. Filming began shortly afterwards and the movie premiered on March 14 of this year, ten years after the first season’s premiere and six years after the final season’s cancellation.

I’ll admit it: I was not one of those 90,000+ fans. I never donated to the Kickstarter project, despite my younger self’s proud dedication to the show. Veronica and I used to be friends, a long time ago, but to be honest, I hadn’t thought of her lately at all. In many ways, I wanted to put my high school days behind me.

Nevertheless, the hype has brought me back; this semester I found myself powering through the first season all over again, nostalgically remembering what I liked about the show so much in the first place and what I still love about it now–years later.

The first season opens in the aftermath of a series of traumatic events that happened in the life of the teenage main character, Veronica Mars. It starts with the murder of her best friend Lilly Kane–daughter of billionaire software developer Jake Kane and sister of Veronica’s ex-boyfriend. When Veronica’s father, Sheriff Keith Mars, goes after Jake for Lilly’s murder, the town goes crazy and forces Keith out of office. The Mars family soon become outcasts and Veronica’s mother skips out of town shortly after. Keith gets a private investigator’s license and Veronica learns “the tricks of the trade” under her father’s tutelage. Throughout the season, she applies the skills she learns at her dad’s PI agency to solve Lilly’s murder.

Most of the exposition is told via flashback sequences scattered throughout the season. This helps ground the viewer in some solid character development, particularly on the part of Veronica who, during the flashbacks, is portrayed as a preppy, popular pushover. When the dreamlike flashback ends, however, viewers are thrown sharply back into reality. Instead of a teen fairytale-esque Veronica, we see a spiky-haired outsider with a razor-sharp tongue and a hard-boiled attitude. It’s clear that Lilly’s death changed Veronica deeply–in some bad ways, but also some good.

Despite her tough exterior, however, Veronica is not immune to vulnerabilities. Throughout the season, Veronica solves one minor, standalone case per episode (whether it’s dognapping, school bomb threats, or rigged student council elections) alongside piecing together clues to several other cases that test her confidence and personal strength. The most prominent (and central) of these cases is her best friend’s murder, but throughout the series she also attempts to resolve her rape, her mother’s disappearance, and her true paternity.

Ultimately, the season turns on Veronica’s relationship with her dad–perhaps one of the most positive parent-child relationships ever portrayed on TV. As Veronica narrates in an early episode, “[My friends] gave me a choice. I could stand by my dad or I could stand by [my boyfriend] and my dead best friend’s family. I chose my dad. It’s a decision I live with everyday.” Whether her faith in her dad, and the sacrifices she made in sticking by him, will be rewarded is left unresolved until the final episode when Veronica solves the murder (not without a dangerous confrontation with the killer.)

All told, the first season of Veronica Mars is jam-packed with great character development, strong mystery arcs, and subtle nods to classic noir films. To date, it remains one of the most entertaining shows I’ve ever seen–and something I still love even seven years after I first watched the show. Hello again, Veronica, I’m glad we’re still friends.

 

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Houghton’s Literary Magazine Burns Bright

In an average week students regularly see the campus publications The Houghton Star and The Drawing Board strewn about. To break the monotony about twice a semester a different type of publication hits the stacks, Houghton’s literary magazine, The Lanthorn. With its debut volume hitting campus in May of 1932, The Lanthorn has been an outlet for student writers to showcase creative work outside of the writing classroom. Current Lanthorn editor Ben Murphy, senior, compares the Lanthorn to other non-academic functions around campus; “the student juried art show allows any student to put their work out there [and] Java provides a venue for people to play their own music. We do the same sort of thing, I think.”

academics-headerOften run on a low budget, the Lanthorn publishes a range of creative writing, both poetry and prose, and artwork as well. And while the Lanthorn may have obvious appeal to both English and Writing majors, the Lanthorn accepts and encourages work from all majors, a tradition they’ve strived to maintain.

With that in mind, the Lanthorn has served as a sort of jumping off point for writers to kick-start their careers. Current Academic Dean Linda Mills-Woolsey, vice president for academic affairs, and several of her editorial staff are all prime examples of writers that continue to benefit from their experience and involvement with the Lanthorn. Mills-Woolsey herself has published a range of work, mostly poetry, and a number of her group who first published in the Lanthorn went on to have writing careers.

Writing careers aside, the Lanthorn offers experience for those applying to graduate school and jobs outside of the professional writing sector; 2013 Lanthorn Editor alumna Hannah Hanover, added that “participation and publication in a college’s literary magazine or compilation is highly desirable when applying to graduate school, or even creative positions in the job market.”

While the Lanthorn has the potential to provide valuable professional experience for writers, according to Murphy, it provides an important outlet in offering anonymous publishing, “[it] allows for a safe space for emotions and narratives that may not jive with typical Houghton-friendly issues.” Moreover for students who, like Murphy, “think of words as [their] art,” the Lanthorn plays a major part in “providing a place for wordy-art.”

Like every longstanding publication, the Lanthorn has consistently undergone changes, and this year is no different. This year’s editors worked to “establish a recognizable symbol [marketing brand],” for the Lanthorn according to Murphy, and senior Abby Buckingham handling the design with the help of Caffeinated Creative Studios, in hopes to “better cement the magazine’s presence and identity in students’ minds,” according to Murphy.

Along with this redesign, the Lanthorn has shifted towards encouraging more prose works. “Some years the Lanthorn has been very poetry heavy,” said Murphy, who sees the turn towards prose reflecting his own work as a fiction writer, and added, “I imagine this sort of thing will shift along with whoever is the current editor.” As far as design goes, Hanover mentioned that she and her staff worked to “[bring] back a larger, fuller format for the bi-annual Lanthorn, complete with vibrant color photos and art.” Additionally, a special trend with the Candle has been publishing a “special feature” edition, last year’s featured staff writing and art, and this spring’s featured only flash fiction and haikus.

An enduring Houghton tradition, the next hurdle the Lanthorn faces is the digital age. As the number of college newspapers publishing online continues to rise, the question of the power of print lingers. Murphy weighed the pros and cons, saying, “I think the benefit to print is that we can leave them lying around campus for people to peruse and then leave behind…Also because the edition is selective (we publish probably around 30% of what we receive) I think the quality of work and satisfaction gained from getting in would certainly go out the window,” and on the other hand, “I think there could be something said for a digital version or counterpart of the publication, though it would take a more tech and design savvy editor than myself.”

With the technology debate unsettled, the Lanthorn will no doubt continue its tradition of publishing student work and serving as a true creative outlet for writers campus-wide.

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Stories In Focus

Solanas’ Upside Down Wows with Cinematography, Ultimately Disappoints

Last week was a medium-to-heavy stressful haze of completing one project only to realize that I had another due. My roommate and I decided it was high time we just give up and find a potentially emotionally taxing movie to watch in order to have an excuse for the release of our tears of desperation. We settled on Upside Down, a 2012 release written and directed by Juan Solanas. We chose Upside Down for a two reasons. First, because of its stars. The movie features Jim Sturgess of Across the Universe and 21 fame, and Kirsten Dunst, who is quite possibly my most favorite actress. Our second reason was the intriguing premise.

Courtesy of impawards.com
Courtesy of impawards.com

Solanas crafted a world in which two planets rotate together mere yards apart, each with their own separate gravity. Matter from one planet maintains its own gravity on the other planet, thus making it impossible for humans to walk on the opposite planet. The planets are connected by a skyscraper housing TransWorld, a company that governs interplanetary contact and commerce. “Up Above” is the affluent planet. “Down Below” is the impoverished planet. As my roommate put it, “This is a very obvious metaphor for the Global North and South.”

As you might expect, Sturgess and Dunst play Adam and Eden, citizens of Down Below and Up Above, respectively, who meet by chance on twin mountaintops and fall in love. And so unfolds a classic forbidden love story, following the struggles of two people separated by class, distance, and in this case, gravity.

For the first half of the movie, all was well. The dual worlds kept the otherwise mundane plotline interesting. The cinematography was beyond stunning. Picture for yourself the possibilities: simultaneous sunsets and sunrises, mirrored horizons, the stark and beautiful contrasts between the gleaming Above and the ashen Below. All of these images and more were fantastically represented in this imaginative landscape. It was truly stunning to watch. The score, too, was amazing. Instrumentals by a variety of composers accompanied the cinematography. It was almost enough to watch the movie just for those two elements. Almost.

Unfortunately, as the movie progressed, several faults became more and more obvious. Dunst’s considerable talents were wasted in a role that reduced her to little more than the damsel in distress. Eden’s scenes were short and all but one or two were merely flirtatious conversations with Adam. Sturgess plays a lovably optimistic Adam, however, who was the main focus: a visionary inventor blindly using his skills to pursue the ever-elusive Eden rather than to improve the standard of living in his police-state planet.

Various plot holes grew and grew until they basically bottomed out during the clearly rushed conclusion. It’s not too much of a spoiler to say that somehow, miraculously, the star-crossed lovers are finally brought together through an unexplained turn of events. The film concludes with glossy pans of an economically balanced future, with children from both Above and Below happily playing together on the same plane. This change is apparently sparked by the romance between Adam and Eden, although the hows and whys of it are never delved into.

Overall, Upside Down would have worked much better as a short story rather than a feature-length film. While I give the actors involved props for making their performances memorable even with limited material, I don’t suggest watching this film unless you are just really, really, really into cinematography.