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Stories In Focus

The British are Coming (Back)

It’s an afternoon in late January and a Houghton student is standing in the John Ritblat Gallery in the British Library in London, England. The room is dimly lit to preserve the items contained within, and the patrons spread throughout speak in low tones. In the center of the gallery, sealed in a glass case, are documents from the mid sixteenth century to the very earliest years of the seventeenth. The student has been assigned to study these documents, one of which was a letter handwritten by Queen Elizabeth I of England, to her designated successor James VI of Scotland in 1603, over four hundred years ago.

This is what it is like to be a part of the Houghton Honors in London program. London, England is so steeped in history it is nigh impossible to walk five minutes in any direction without running across something of significance. The architecture of the city is a medley of styles from throughout the centuries, from medieval churches that have survived for a thousand years, to the towering Shard (constructed from 2009 to 2012) and everything in between. Scattered throughout are museums, each home to hundreds of painstakingly preserved works of art and artifacts from all eras of human history.

It is for this reason that one of the Houghton Honors programs has chosen this city in which to study the development of Western Society. It is one of the only places on earth that so much history can be viewed in such proximity and ease, and this makes it ideal for the kind of program that is Honors in London.

For those unfamiliar, Honors in London is one of two liberal arts–focused Honors programs here at Houghton, in which a group of a little more than twenty freshman are flown across the ocean to spend their second semester of college in London. At breakneck pace they make their way from the Reformation to the present day over the course of twelve weeks of study (with about one total week of break throughout). Each week covers a specific era and theme that the students engage with directly through art, literary works, and a sampling of music, all of which culminate in a paper that synthesized everything they studied that week into a five-page essay.

Is it as grueling as that sounds? Oh yes. Is it worth it? Most definitely.

To be confronted with history so intimately was an experience unlike anything else. To be able to read William Wordsworth’s “Composed upon Westminster Bridge, September 3, 1802” and then stand on that very same bridge to watch the sunrise (or at the very least attempt to: London is a very cloudy city) is surreal, just like looking down at a page of paper and knowing that it was handwritten by Leonardo da Vinci, Jane Austen, or Queen Elizabeth I of England. The Honors in London program is full of such moments, little encounters with the past that radically reshape the way its students view the world. It is a far more personal study of art, of history, of philosophy, and of science the likes of which cannot be replicated in a traditional classroom—the city is the classroom, and all western history is the teacher. And it is awesome.

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Campus Stories In Focus

Student Leader Profile: Hello, Emma!

“Houghton has been a home for me and a place where I have grown and changed,” stated Emma Steele ’18 as she reflected on the past four years. As a major in business administration with minors in math, art, data science, Bible, and communication, Steele embodies what it looks like to be a passionate student-leader with a host of diverse interests.

Over the past three years Steele has been involved in her class cabinet, serving as vice president her sophomore and junior year, and the senior class president this year. She was also a Highlander leader and an EMT, running with the Houghton ambulance for the past two years.

a photo of Emma Steele
Emma Steele ‘18 is a business administration major with minors in math, art, data science, Bible, and communication. Over the past three years Steele has been involved in her class cabinet, serving as vice president her sophomore and junior year, and the senior class president this year.

One of Steele’s passions is student engagement on Houghton’s campus, since “there is so much more that Houghton has to offer than simply taking classes and getting a degree.” Her leadership roles also reflect her deep-seated desire to “reflect God’s love for me in the way that I interact with and help others.” These motives have manifested themselves in her leadership roles, and have led her to cultivate a deeper love for people. “Serving in these positions has fostered my love for people and desire to help them,” she said. “And, of course, working in these positions has helped me see Houghton’s needs as a campus in a much clearer light.” Her passions have “given me the drive I’ve needed in order to take on these positions and fulfill all that they require. It hasn’t always been easy with classes, friendships and life in general, but I would say that it has definitely been worth it!”

Steele considered it “an absolute joy” to serve as a Highlander leader. The role involved “working with another leader to guide a group of incoming students on a wilderness adventure in the Houghton woods and then the Adirondacks. Along the way, a Highlander leader not only needs to have the hard skills required in outdoor living, but also the soft skills required to help mentor the Highlander participants through this change in their lives. Working the ropes course and balancing decisions and viewpoints with my co-leaders were fantastic experiences for me.”

Steele would encourage underclassmen “to pursue any and all interests or passions they have energy for, and intentionally invest in the people around them. Houghton is this unbelievably cool opportunity where you can dive into areas of study that most people would never have the time to explore, and do it with the support of faculty that care deeply about their students holistic growth.” She added, “As a side note, I think all students should take a math class while at Houghton because our math faculty rock. And try to get involved in Highlander. If you missed the chance to do the actual program, take Outdoor Leadership Training from Coach Smalley!”

Following graduation, Steele will be getting married to Luke Duttweiler in May and moving into the Rochester area, where she is currently job hunting. “Even though it will be bittersweet for me to graduate, I feel confident in leaving that I am ready for what God has prepared next.”

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Campus Stories In Focus

An Issue of Discipleship

“How do we have grace with one another in the midst of working toward creating—in the words of Dr. King—that beloved community where people respect one another?” That was the question posed by Rev. Harold Spooner, who, alongside Debbie Blue, has been conducting focus groups with international students and students of color throughout the past year.

Spooner, a Chicago native who graduated from Fuller Theological Seminary after attending Houghton, has served as Director of Diversity at the Stony Brook School on Long Island and as Vice President of Community Impact at Covenant Retirement Communities. He has helped a variety of churches and organizations develop policies and programs that are more ethnically diverse.

“As the college is attracting more students of color,” Spooner said, “the desire is to create an environment where all of the students will feel comfortable and safe, and will be able to benefit as much as possible from the Houghton experience. That being said,” he continued, “the reality is that institutions, across the board in the United States, aren’t always sensitive to the needs of people that don’t necessarily fit into the context of the majority culture.”

These talk-back sessions, according to Spooner, are born out of “the desire to both hear from the students of color, in terms of what their needs are as they relate to the Houghton: where they’ve had great experiences and where they’ve had frustrating experiences.

“What Debbie and I were asked to do was to come in, listen to these students of color (both international and domestic), and make recommendations to the institution in regards to how they can do a better job of creating an open and welcoming environment for all students. In moving both individually and collectively, the goal…is to create an environment where all of the students at Houghton College can get as much as possible out of the Houghton experience.”

“Majority culture, in general, looks at the world through their lens and says the world is supposed to work the way they see it,” he continued. “There’s no sensitivity to the possibility that there may be other views out there that don’t coincide with yours, and that certainly there are systems that do indeed work against people. They might work for you, but they don’t work for everybody else.”

While Spooner acknowledged that “there are issues of insensitivity, from both the institution and fellow students, which play into some frustrations from students of color,” he also seemed confident in the guiding ethos of a Christian liberal arts education. “When you come to a liberal arts campus, the idea is to be open to broader ideas,” he said. “You don’t have to agree with everything. That’s not the point. The point is actively listening, discussing, talking, hearing, empathy. Not discounting someone else’s experience because it’s not yours. Part of education is to hear and see what the world has to offer, engage with it, and then make your decisions based on engagement—not based on opinion without ever engaging. Our hope is that folks will be open to being educated.”

After consulting with students, Spooner and Blue submitted an action report to the Houghton administration. For the last few years, many students of color have asked administration to consider hiring a full-time Diversity Coordinator. Spooner and Blue came to the same conclusion during their conversations with students. “One of the things that we recommended was that the school look to hire a person whose specific function would be to zero in on the needs of international students and students of color,” Spooner said. “They would do that in conjunction with the Dean of Spiritual Life, because as we look at it, this is a fundamental issue of discipleship.

“To be more Biblical than that, to go to Genesis, we need to understand that all human beings are created in God’s image. You’ve got to think of all people as equal, created in God’s image, loved by God, and treated in the same way you would want to be treated,” Spooner continued. “So it is discipleship.”

Although both administration and students hope to make progress on these initiatives, Spooner expected roadblocks and obstacles in years to come. “This is a process,” he emphasized. “There will not be any point where we say ‘Oh, we’ve nailed it.’ We’ll do some things positively and make some mistakes. Students don’t have to agree on everything, but they respect each other and affirm the dignity we all have as children of God.”

He also explained how students can adopt a more nuanced perspective on complex issues: “You should critically look at the values that you’ve been taught. Don’t accept them as truth just because someone told them to you, or because you were raised like that.”

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Campus Stories In Focus

Reflections from Retirees

This spring, Houghton College will bid farewell to a number of retiring professors. These retirees include Carlton Fisher of the philosophy department, art professor Gary Baxter, Ronald Oakerson from the political science faculty, Linda Mills Woolsey of the English department, Judy Congden of organ and harpsichord and writing and literature professor James Zoller. After teaching generations of students, these professors shared some reflections on their experiences at Houghton College.

Linda Mills Woolsey began teaching at Houghton in 1999 and was already familiar with the institution, since both she and her husband, Dr. Stephen Woolsey, are Houghton alumni. Houghton’s commitment to learning influenced Mills Woolsey’s career as she explained, “Teaching undergraduates challenges you to keep alive intellectually, to keep growing and changing yourself, so what you offer your students is not stale, yesterday’s thinking. And it’s a good challenge because you wouldn’t want to just get stale.”

a photo of Professor Zoller
This spring, Houghton will bid farewell to a number of retiring professors, including James Zoller, professor of writing and literature.

Not planning to grow stale in retirement, Mills Woolsey anticipates “the freedom to pursue some new projects and maybe learn some new things. I hope to pursue some hobbies like drawing and painting and maybe doing some volunteer work.” With all these new possibilities, she remarked with a smile, “I will not miss grading papers.”

However, Mills Woolsey expects that in her transition from Houghton she will miss “the interaction with the students without a doubt.” Mills Woolsey hopes “to be remembered as a challenging teacher but one who cares about students and tries to be fair to people, meeting them where they are.”

Likewise, Gary Baxter plans to be active in retirement. He looks forward to the opportunity “to visit family and explore this planet.” Beginning his Houghton career in 1979, Baxter has watched the evolution of his field of expertise in ceramics. He observed, “Critiques, which I believe are the essence of teaching art, used to be very difficult, yet now they are even harder with so much more information, unlimited processes and their new media, cutting edge art that has dulled in some cases, and the technology revolution.”

Despite these challenges, Baxter has continued to instruct countless students as well as to hone his own skills by annually creating a new work for the faculty art show. Over his years at Houghton, Baxter has especially enjoyed “watching students discovering and using their gifts.” He hopes to be remembered as “someone who gave himself to the students by making a serious art space where serious students could make serious work.”

Since arriving at Houghton in 1984, James Zoller has appreciated “that I can read what and as I want and then that I can shape that reading into courses that require me and students to figure out how to handle it, to determine what matters and how.” Also, Zoller values his interactions with students and faculty at Houghton. As he stated, “I have many friends here.”

In retirement, Zoller expressed that he is “looking forward to the absence of a rigid teaching schedule” which he hopes will enable him to travel and “to write new things and to pull together some of my unpublished stories, poems, articles, et cetera, into book form.” While he enjoys more freedom in his schedule, Zoller would like to be remembered “as a teacher who kept learning and who kept his attention on how his subjects and activities might improve us all as human beings.” He explained, “I think God is honored as much by how we handle our responsibilities and how we treat the people we have contact with as by how much we talk about Him.”

A life-long Wesleyan whose maternal grandparents met at Houghton College, Carlton Fisher joined Houghton in 1985. Contemplating his career, Fisher noted that “as I have become more and more comfortable in the classroom, teaching becomes more and more enjoyable.” His pleasure in teaching at Houghton has come in many forms, including “listening to myself talk,” “those relationships with a few students that happen and are very fulfilling,” and “lunches with Eckley and Oakerson.”

On the other hand, Fisher expects to find joy in retirement. He is especially eager for a closer “proximity to my grandsons. And just the excitement of newness. We plan to relocate, so there’s a bit of adventure about it which comes with a sort of uncertainty, too, about how much I will enjoy it. It’s kind of like a senior getting ready to graduate.”

As he “graduates” from teaching at Houghton, Fisher explains that for “students who have had me as a professor over the years, what I hope is that I will have said at least one thing that proved to be helpful.” Regardless of how he is remembered, however, Fisher can ultimately conclude that his Houghton career was “fun. It’s a great way to be able to spend your life doing something that you really enjoy doing.”

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Campus Stories In Focus

Student Leader Profile: Hello, Andrew!

Throughout his past four years at Houghton, Andrew Hutton ’18 has learned what it means to be a student leader. Every year, he has learned more about the importance of being involved in the Houghton community, and has discovered what that means for himself.

During his sophomore year, Hutton was involved with Journey’s End Tutoring (JET), an opportunity available to Houghton students who have a desire to teach English to refugees in Buffalo each week. “I was going to Buffalo once a week on Saturday mornings to help teach English to refugees that have maybe been in the states for only three months or so,” Hutton explained. “For a lot of them, they’re still learning English,” Hutton said. “We tried to help them integrate into the culture.”

a photo of Andrew
Andrew Hutton ‘18 is a biology major who currently serves as the vice president of SGA and an active volunteer at the local fire department. Every year, he has learned more about the importance of being involved in the Houghton community, and has discovered what that means for him.

This past year, Hutton stepped into the vice president position at SGA, where his main role is assisting the president, Emma Steele ’18, and communicating within the SGA council and with other departments in the school. Currently, SGA is planning senior week activities, including Senior SPOT. Hutton added, “I can’t say anything about that.”

In his experience with these two positions, Hutton found that he is “so passionate about helping people—especially refugees. It’s so rewarding to be able to teach something to someone and to help them learn.”

Hutton also joined College Choir this past fall. The group visited and performed in various churches and high schools in the northeast over their February break tour.

“I also volunteer at the fire department,” Hutton said. “I joined that last year.” His involvement at the fire department includes reporting for calls and attending weekly meetings. Hutton was inspired to volunteer at the fire department by a few of his cousins who are also firefighters, and also his brother, a Houghton graduate, who was involved in the EMT program. “They’re always looking for student applicants,” he added.

As a biology major, Hutton has been involved in various research projects. “Last spring, I was conducting research with Dr. Wolfe. We were measuring chloride levels in nearby Allegheny lakes,” he said. “In the spring, snowmelt and rain can cause road salt (NaCl) to flush into watersheds and accumulate in nearby lakes and rivers. Chloride levels in these lakes can fluctuate depending on how harsh the winter was. Myself, Alyson DeMerchant ‘18, and Evan Stern ‘18 presented our findings at the Rochester Academy of Science at St. John Fisher College in Rochester.”

This semester, Hutton is conducting research with Dr. Poythress, as well as Esther Udo ’18, Sarah Vande Brake ’18, Zachary Fisher ’18, Keegan Frenya ‘19, and Tess Taggart ‘18. “We are testing a therapeutic method of electrical stimulation to heal wounded smooth muscle tissue,” he said. Hutton and the rest of his group will present their research on April 23.

Hutton wants to attend school to become a physician’s assistant, but not before he takes a gap year after graduation in May to gain experience working in a hospital or a clinic. He plans on moving to Scotland for the year to work and teach piping.

During his freshman year, Hutton admitted that he wished he had gotten involved on campus more. When asked what advice he would give, Hutton said, “Don’t overextend yourself, but definitely once you get settled, don’t be afraid of signing up for stuff like jobs, clubs, anything. And stay in touch with your family.”

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Arts Stories In Focus

Kinesthesia: Designed to Engage

Professor Ryann Cooley’s solo show, Kinesthesia Room (2), opens at the Olean Center Gallery on Friday, April 20 at 6:00 p.m.

Kinesthesia Room (2), designed to engage the present viewer, is an immersive environment constructed on site. In a darkened room, projected video footage reflects from 54 strips of metal suspended from the ceiling. These reflective strips, stirred by the motion of viewers, cast light dancing on the bare gallery walls.

a mother and her baby gaze at an exhibit
On Friday, April 20 at 6:00 p.m., Professor Ryan Cooley’s solo show, Kinesthesia Room (2), opens at the Olean Center Gallery. It will remain open through May 25th, 2018.

Installation art such as Kinesthesia Room (2) diverges from traditional two-dimensional media such as photography. Rather than an experience which draws viewers out of themselves and their sense of space, installation art allows them to physically enter the piece, and activates awareness of the space it occupies. In Cooley’s recent piece, the projected video footage is fragmented by multiple moving reflective strips. The dynamism of moving footage and abstracted reflections, as well as a sound component, requires the viewer to center their senses in the present to engage with the piece and make sense of the obfuscated information orbiting and immersing them.

Cooley’s upcoming show is the second iteration of the Kinesthesia Room, which was first shown in a 12’ x 12’ space in the Visual Arts Gallery in NYC. A viewer’s account of Kinesthesia Room (1) had a strong physical and emotional reaction to  the piece.

“Upon entering this darkened environment, solely visible by the movement of an ethereal luminance, my spatial and physical awareness becomes obfuscated. As I slowly move around the space, color, light and sounds modulate,” reads the statement, found on Cooley’s website. “What appears to be an object central to my surroundings becomes inaccessible at moments and then obtainable at others. Everything is in motion.”

Houghton students are invited to make a pilgrimage to the Olean Center Gallery to engage with the experience he has created in Kinesthesia Room (2). The way you experience the piece is up to you – and your body. Some people have been dazzled, some have become meditative, and others have felt vertiginous dizziness amid the dynamic light and sound.

Kinesthesia Room (2) opens on Friday, April 20th from 6:00 p.m. to 8:00 p.m. at the Olean Center Gallery, and runs through May 25, 2018. A Houghton shuttle will be bringing a group of art majors and minors to the opening, and all students are welcome at the show.

Contact Ellen Hatch at Ellen.Hatch@houghton.edu to inquire about shuttle availability.

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Arts Campus Stories In Focus

An Invitation to Marvel

On Saturday, April 14, the Ortlip Gallery will open an annual tradition and its final show of the semester: the 2018 Senior Exhibition. At the end of every spring semester, senior art students have a chance to prepare work and hang it in the gallery as the culmination of their time in the Houghton College Art Department. The reception for the opening of the gallery will be from 6:00 p.m. to 8:00 p.m. on the 14.

Rebecca Firstbrook ‘18 is both an art and intercultural studies major. Speaking about getting her work ready for the show, she said, “This semester has been challenging to balance senior art work along with my other senior capstone. I always wish I could devote more time to the other.”

paintings and sculptures on display at Houghton's art gallery
On Saturday, April 14th, from 6:00 p.m. to 8:00 p.m., the Ortlip Gallery will open its final show of the semester: the 2018 Senior Exhibition.

Firstbrook is showing an installation with papermaking. “It was a really relaxing process and I wanted to explore it more after the class was over,” she said. “I spent several hours just beating and pulling paper, along with a lot of digging through old photos for inspiration. I got to rediscover how relaxing it is to assemble something with my hands.”

Firstbrook had no any prior experience with installations before and felt out of her comfort zone. She commented, “There are so many other factors to consider beyond craft of the actual piece—trying to get the thing to stay up, presentation, and how the view can experience the piece.” However, Firstbrook also acknowledged that being pushed out of her comfort zone seems to positively reflect her time at Houghton. Firstbrook hopes that people enjoy the show, calling it “a privileged glimpse into the hard work and thought all the senior students have gone through this year.” She feels honored to show alongside a very talented class.

Christopher Cilento ‘18 turns his struggle with PTSD into art. “My process involves delving into the darkest regions of my memories, pulling them out and examining them. Then I turn them into works of art. This way, art becomes a catharsis, a meditative experience that helps me cope with my daily struggles in a positive way,” he said.

Cilento also mentioned that being a senior is surreal. He began his journey at Houghton in 1991 as a freshman, but at the time, supressed his artistic side in favor of practicality. After coming back to finish his degree, this time as an art major, Cilento said, “I have experienced more happiness than ever before. Art is my world. It helps keep me alive.”

On the topic of the senior show, Cilento acknowledged the amount of work he put into his exhibition. “Not only in the time spent, but in the emotional trauma each piece causes,” he shared. “This is not a bad thing, and is part of the healing process, but it is incredibly taxing.” Cilento’s work in the senior show centers around his personal battle with PTSD, suicide, and journey toward healing, including a mask sculpture and drop painting. He added that seeing his pieces complete and how far he has come is why he makes art.

Alicia Taylor-Austin, professor of art, shared some details about the process that leads up to the show. “The capstone class for students in the art program at Houghton is a senior seminar course that supports and facilitates the development of a body of work focused around a thesis for exhibition,” she said. “Seniors are also required to complete a thesis paper and include formal documentation through images and artist statements. Typically, students submit proposals for their body of work at the end of the fall semester of their senior year and receive feedback on the work they create leading up to that point from the art faculty in the form of a senior review that takes place in December.” This year, 11 students received approval to display their work in the show. 

Everyone is invited to the opening reception to see all of the featured seniors in the show. Come to support the class of 2018, enjoy light refreshments, and marvel at the works of art in the gallery.

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Campus Stories In Focus

Student Research: Back To Roots

Yesterday, a group of English and writing students embarked on a trip to Butler University’s Undergraduate Research Conference. The group will spend Friday at the conference before visiting the Calvin Festival of Faith and Writing on their way back to Houghton.

“I’m writing a paper centered around environmentalism in fiction,” said Sarah Vande Brake ’19, one of the presenting students. “I chose to focus on the writers Wendell Berry and Barbara Kingsolver, who both address serious environmental issues in their fiction. It’s also worth mentioning that they are both writing about the same geographical area—rural Appalachia—and how this landscape is changing as farming practices change. Berry and Kingsolver come to different conclusions about what it means to practice environmental responsibility, but they agree that radically inclusive communities are the place to start…their characters evaluate their actions differently than someone who only thinks about human communities.”

a photo of the students
Rachel Zimmerman ‘18, Sarah Madden ‘19, Sarah Vande Brake ‘19, and Olivia Richardson ‘19 will present reseach at Butler University today.

Membership does mean slightly different things to these writers because of the way they imagine ideal community structure. To Berry, it’s a rural farming community that uses traditional practices. To Kingsolver, it’s more flexible. Stewardship evolves depending on current scientific understanding and practical/local needs.

Berry defines membership in terms of tradition and experience because this gives his communities security. His characters can know that generations down the line will share the same purpose of promoting health for land and people.

“Berry might be more realistic about human nature, but he’s a lot less accessible in many ways,” Vande Brake continued. “Kingsolver’s membership is flexible and people can change the structure itself for the better. Her novel Prodigal Summer is interesting because of the ways it shows communities experiencing change. It’s a hopeful picture, if a little didactic.”

Rachel Zimmerman ’18 will present a paper on four of novels of Edith Wharton’s novels: The House of Mirth, Summer, Ethan Frome, and The Age of Innocence. “I’m looking at flawed and broken romantic relationships, particularly marriage,” Zimmerman said. “[Wharton] tends to portray them all as pretty hopeless, but with glimpses of stability and hope that are achievable.”

Zimmerman hopes to focus on the “way that novels and [Wharton’s] life interweave to reveal her vision of the potential for stability and hope in relationships.”

Colleagues Sarah Madden and Olivia Richardson will present, respectively, “The Dystopian Novel and Human Nature” and “Characterizing Evil Through Transformation in Milton’s and Lewis’s Fiction.”

Laurie Dashnau, professor of writing, has supervised the Undergraduate Research Conference groups for the past three years. “The greatest challenge for me has been to shift my thinking from that of a subject matter expert to serving as a mentor and professor and overseer, branching out into areas considerably beyond my expertise,” she shared. Dashnau has enjoyed “responding as a near novice reader and listener” to foundational academic texts, which she believes helps students “think about the intersection between graduate level work and audiences that have little to no familiarity with the material.”

Dashnau continued, saying that it was “extremely rewarding to see students devise their own syllabus and see how syllabus is constantly being shaped and reshaped.

Although textual analysis in the humanities is sometimes viewed as subordinate to scientific research, Dashnau lamented the “erosion of primary text research” in universities across the nation. “I’m particularly grateful that we’ve had these three years,” she added, “to think about undergraduate research on an even wider scale with students from across the country. The number of majors in English and writing is rapidly declining, and very few students outside emerging educators are making a commitment to these majors. It’s very easy to think about undergraduate research in the sciences, but research in writing and literature takes us back to the root of the word. As Zora Neale Hurston said, research is ‘poking and praying with purpose.’ It requires having an eye out for details that have been overlooked, or for an argumentative edge that hasn’t been fully explored.”

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Stories In Focus

April Fools: Houghton STAR Moves to Social

Next fall, in a move to attract a more diverse student readership, the Houghton Star will discontinue its print issue and move its News, Features, and Opinions sections online. Under new editorial leadership and direction, the Star will phase out its print issue gradually and replace it with an exciting range of social media campaigns.

The current Editor-and-Chief, Carina Martin, decided to finalize the radical platform switch after a bizarre interaction with a prospective student. While standing outside the chapel with a crisp stack of newspapers, Martin attempted to offer a copy of the latest Houghton scoop to a prospective high school student. “Oh, thanks a lot,” the student said. “But I don’t really read.”*

In light of this brutally honest (and entirely depressing) interaction, the staff of the Houghton Star regretfully elected to move the publication online. Opinions will be published twice a week on the Snapchat platform, along with special filters featuring beloved Houghton mascot Wal-Mart Johanssen and cool messages like “Go Highlanders!” and “Donate Online At www.houghton.edu/make-a-gift!”

a photo of a student being "added" by the newspaper on Snapchat
Starting next fall, in a move to attract a more diverse student readership, the Houghton Star will discontinue its print issue and move its News, Features, and Opinions section online in an exciting range of social media campaigns.

However, the staff determined that the News and Features sections still deserved a sobriety and seriousness that would be impossible on the Snapchat platform. Those articles will now be published through the Instagram Stories feature. “It’s going to be a fantastic way for us to continue interacting with the student body, even those who don’t like to read or have simply forgotten how,” said Martin.

In think tanks examining the switch, many Houghton students explained that they would miss the Star despite “not really ever paying attention” to the news, opinions, or features sections. “I think it’s really great that students are willing to put so much time into making sure we know what’s going on,” one student offered. “Here’s the thing, though. The connections I make at Houghton, the activities I participate in, those are only going to last for a couple years at most. Relationships fade away, but Netflix is forever. I guess what I’m honestly trying to say is that I’m afraid of commitment and allergic to investing my time into things that I won’t directly and immediately benefit from. So to spend time reading about those things just seems like a total waste.”

The staff initially hesitated to pull the print issue because of how important they believed it was for students to discuss important topics around dinner tables and coffee mugs. But with Snapchat, they soon realized, Star readers will be able to draw brightly colored male genitalia over stories they don’t appreciate. In this creative climate, they believe, discourse will thrive as it never has before. You can also caption articles they loved with the “100” emoji.

Fear not, puzzle lovers! A member of the Star staff will be sure to upload a grainy, low-resolution version of the New York Times crossword to Snapchat every Sunday afternoon.

“Another benefit of the switch to social media is the ease with which you’ll be able to send hate mail to writers you disagree with,” an anonymous staff member added. “This year, we got a lot of feedback. Apparently having such a small and tight-knit campus makes it incredibly difficult to harass fellow students for expressing their opinions about gun control and racial reconciliation. That needs to change. No more confronting people in person or sending profanity-laced notes through campus post. We want to encourage open dialogue, after all. And everyone knows that dialogue isn’t truly open unless it’s totally insensitive and completely unrestrained.”

*Unlike almost every other fact and quote in this special April Fool’s issue of the Houghton Star, this event genuinely happened.

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Arts Stories In Focus

The Brilliance of “Bone Memory”

Houghton alum and abstract painter Stefan Zoller displayed his exhibit “Bone Memory” from January 12 to February 3 this year in Sla307 Art Space, NYC. Zoller works with heavily layered acrylic paint, and bases his pieces on the diagrammatic line drawings of his paternal grandfather, J. Harold Zoller. Intergenerational connection echoes through his recent works, and he drew the title “Bone Memory” from a poem of the same name by his father Dr. James Zoller, who teaches writing and English at Houghton.

a geometric and abstract painting of hay in a field
Houghton alumn and abstract painter Stefan Zoller works with heavily layered acrylic paint and bases his pieces on the diagrammatic line drawings of his paternal grandfather, J. Harold Zoller.

Before he graduated from Houghton College in 2008, Stefan Zoller studied under Ted Murphy, who, he said, was his first example of a practicing painter, and whose “influence on [his] development as an artist cannot be understated.” Zoller was struck by the variance between Murphy’s “vividly colored abstractions” and his older “traditional representational portraits and floral paintings.” Zoller’s mature works are “in a constant state of flux.” He may have between 10-40 paintings in process at any given time, and, he said, Murphy’s “willingness to delve into wildly different styles of painting served as [his] primary model for what it meant to be a painter and artist.“

Stefan spends hours, days, and sometimes years with each painting. He builds thick layers of acrylic paint and other materials to create detailed textures that separate the viewer from J. Harold Zoller’s diagrams, upon which Stefan paints. These barriers obfuscate his grandfather’s precise drawings, and echo the legacy and experience of remembering a man whom Stefan never met.

“They provided an opportunity to discover things about myself that I had been attempting to get at for years,” said Stefan Zoller of the minimalist heirloom drawings his father passed on to him in 2015. “They helped crystallize the conceptual aspects of my work as well as provided a formal framework upon which to paint.”

Were you to see him wrangle copious quantities of acrylic paint as he experiments amid a mess of materials in his home studio, you likely wouldn’t guess that Zoller was once a “prideful oil painter” with a disdain for acrylics. During Zoller’s early career, the long drying time of oil paints stymied him, as they forced him to “hurry up and wait” rather than work rapidly and experimentally as he does now. When he chanced upon an opportunity to acquire a mass quantity of acrylic paints during his second semester of his MFA at Syracuse University, he found a liberty which allowed his artistic development to flourish.

“Acrylic paint enabled me to work through ideas and processes much more efficiently,” said Zoller, who has drawn influence from his father’s writing, Norse mythology, and Scandanavian heavy and extreme metal music. The compass of his influences becomes apparent in his body of work, which features pieces that range between complexity and minimalism. Some are thickly laden with paint encroaching beyond the constraining borders of his canvases, and skeletal and topographic forms manifest themselves through his process.

Looking at where his work has brought him thus far, Zoller believes that “Bone Memory” contains his most mature paintings to date, as well as several threads that will lead to new areas of exploration.

Stefan Zoller currently lives in Rochester and teaches at RIT. He fills his days teaching drawing and design, experimenting with his art, and raising his son. His roots, however, lie in Houghton. “Houghton was where I grew up, made friends, and met my wife, he said, “so I will always have that connection.” Houghton College is also the place where he studied under Ted Baxter, the professor who inspired him and arranged his first professional apprenticeship with painter Thomas S. Buechner.

In fall of 2018, Stefan Zoller will be displaying a solo exhibition in Houghton’s Ortlip Gallery. During that time he hopes to interact with the art faculty and students. “My intention is to continue to work hard,” remarked Zoller, “and my hope is that as many viewers as possible can resonate with these paintings in a way that is meaningful for them.”