christmas prism – Houghton STAR

By Isabella Bratton ('26)

Houghton’s Christmas Prism will be held on Friday, Dec. 1, at 7:30 p.m. at the Victory Highway Wesleyan Church, and on Saturday, Dec. 2, at 8 p.m. in the John & Charles Wesley Chapel. After Saturday’s performance, there will be a After Prism Party in Van Dyk Lounge at 9:30 p.m.

The concert showcases several of Houghton’s music ensembles such as the Men’s and Women’s Choir, Symphony Orchestra and soloists.

The ensembles have been preparing for months, and are looking forward to seeing their work come together.

Freshman Zoe Zachery (‘27) expressed excitement for her first choir concert at Houghton. While she’s excited, she explained how it is also nerve-wracking due to Prism’s commendable reputation.

Zachery stated, “The most challenging part of preparing for prism is the memorization of all the songs that we are performing … it’s kind of nerve racking but I know that I’m prepared. It’s just the fact that prism is such a big concert and it’s really important to people.”

Sophomore Anthony Fry (‘26), a member of the Houghton Choir, reiterated Zachery’s statement, specifically noting that the most challenging moment for him was memorizing a song in Haitian Creole.

A member of the Women’s Choir, Sophomore Elizabeth Wertz (‘26), is looking forward to showcasing the hard work all the ensembles have put in.

Wertz said, “The song I’m looking forward to most is called ‘What Strangers Are These?’. This song really builds and it tells an incredible story.”

Senior Kaitlin Kleinau (‘24) appreciated the efforts of her choir director, Dr. Kevin Dibble, to keep their heads in the right place before performance.

Kleinau wrote, “Dr. Dibble always reminds his ensembles, during prayer and devotional time right before the concert, to be present, spiritually and emotionally. The audience before us will never be the same group again, and our peers will be ever-changing. However, God is with us in this moment, and we simply have to make music for Him. If we can reach one soul because of our worship, then all praise be to God.”

Wertz hoped that the audience would not only enjoy the concert but take away something valuable.

“I hope,” Wertz wrote, “that the audience will be able to see God’s glory from our performance and realize that nothing is possible without Him. He is the reason for our successes, and He is the one that should be praised.” ★

The Houghton College website says, “The 2013 Christmas Prism, Savior of the Nations Come!, is an artistic exploration of the joy of Christmas manifest through music, dance, visual art, and poetry.” Although the show itself is a testament to the hard work and dedication of the performers, hundreds of hours of effort go into the production before any performer takes the stage.

Phyllis Gaerte, Director of Community Relations, opened the conversation by joking that she has had so many interviews with the Star this year that she should be well prepared for any questions. As a part of the Department of Community Relations, which organizes all the public and signature events for the college, being a target for interviews is quite understandable.

Although not a part of the onstage performances, Gaerte plays an integral part. She said, “For Prism, this means giving a birds-eye view of the whole Prism event…Outside of the performance itself and what the music department needs to do to make sure that is the quality is what it should be, community relations is responsible for all the other aspects of Prism.”

The Community Relations Department works closely with the Marketing Department on promotion, handling box office issues, providing ushers at events, organizing the upscale dinner for over 200 people–including finding decor and planning a menu in conjunction with Sodexo–that precedes the performance, and developing the budget alongside other administrative offices.

John Buteyn also gives much of his time to making Prism the astounding display it is. He is both the designer and engineer of the lighting at the performances not just in Houghton, but also in Rochester and Buffalo. Additionally, Buteyn will be assisting with the live sound and recording for each performance, and in order to organize everything, he begins his work months in advance.

This year, Buteyn said that the budget was used to purchase lighting gear, instead of merely renting it. Although this is believed to be a better use of the budget, there is now much less lighting gear available than in the past. To create a visual experience on par with previous years will be quite a challenge. Buteyn joked, “I think I’m up for it.”

Buteyn describes other challenges such as older venues in Rochester and Buffalo that sometimes aren’t equipped to handle Prism’s power demand, where he “can’t tell you how many breakers I’ve tripped…Last year, I even stationed a student worker at the breaker box for the entire performance just in case.” Challenges allow an opportunity to improve though. Such as switching to LED lighting to reduce the power required. He said, “There is always something to learn, each year, at each performance, at each venue… I better understand the layout, architecture, and natural beauty of the venues to highlight with the lighting design.”

It is not without a humorous side though. “Let’s just say, when all the techs are working on very little sleep and very few calories, laughter keeps us going. Well, laughter and caffeine,” Buteyn joked.

Gaerte sums up Prism by telling a story from Houghton’s first year in Buffalo. This young woman came out to the ticket table with both her mother and grandmother: three generations of people familiar with the church. “Her words to me were: ‘This church seems to be dying, but it came to life tonight.'”