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New Music Industry Major

On November 4, 2014, Houghton College and the Greatbatch School of Music received approval from the New York State Department of Education to offer a Music Industry degree. This degree, launching in the fall of 2015, will prepare students to enter the field of music. Kevin Jackson, the director of technical arts and music industry instructor at Houghton said, “The goal of the new Music Industry major is to open more doors of opportunity for students after graduation while still maintaining high standards of musical excellence and technical facility, creativity, applied knowledge and spiritual growth as part of a student’s experience at Houghton.”

Music IndustryCMYKInstruction will be given in almost every aspect of the industry starting with a solid understanding of music, for which the Greatbatch School of Music is already widely known. From there, students will take courses in music business, music technology, live sound production, studio recording and music production preparing them for jobs such as music technology, production, business, publishing, recording and broadcast engineering, artist booking and tour management, film and video game composition, and performance law.

Students pursuing the new bachelor’s degree will have access to some of the top instructors and equipment currently in the industry. Matt Odmark, acoustic guitar player and founding member of the well known Christian rock band, Jars of Clay, will be joining as an adjunct instructor for an upcoming Music Production Analysis class. It’s scheduled to be offered sometime next year. “We are fortunate to have a person like Matt interested in Houghton, especially with the wealth of experience and connections he brings to the college,” said Jackson, “When Jars of Clay played here a couple of years ago, Matt expressed great interest in partnering with us and caught the vision of what we were attempting to accomplish. He followed up by guest lecturing one of the Pro Tools classes that year.”

The college has also invested about $80,000 in a new music technology lab. This lab is equipped with twenty student stations and a teacher station equipped with the latest Mac computers, M-Audio controller keyboards, PreSonus recording interfaces as well as the latest recording and composing software — Pro Tools 11, Sibelius 7.5 and Ableton Live 9.

“We now have one of the best studios in upstate New York — and one of the most extensive microphone lockers and outboard gear collections. If you visited a top-notch studio in Nashville, Los Angeles or New York City, you would find that we own the same equipment here at Houghton,” said Jackson. “This benefits the students in that it allows the students the ability to practice their craft on the same gear that professionals are using every single day in professional recording and post-production studios worldwide.”

The department is currently waiting for degree approval from the National Association of Schools of Music, an organization Greatbatch has been a part of since 1947.  Nate Floyd, a junior and music major, plans on switching to the new major as soon as possible. “It’s dealing with the industry in a real way. Professor Jackson has real world experience and uses it in the classroom,” he said.  “In that way we are leaning what’s actually happening in the field, not some idealistic version of it.”

The coursework of the major is built to give students an in-depth understanding of the industry as a whole which makes them prime candidate for jobs in the field. Classes such as Introduction to Pro Tools and Pro Tools Production 1 will give the students hands-on experience with Avid Pro Tools, the most widely used recording software in the professional audio world. After completion of the course, students then have the opportunity to become Pro Tools certified. This certification allows future employers to see a student is a skilled Pro Tools user. Other courses like Sound Design and Processing for Film, TV and Video Games, and Introduction to Film Music will focus on broader topics like compiling and creating sound effects and composition for film, TV, and video games. Music industry majors will also complete courses such as Recording and Studio Technique, Music Production Analysis, Advanced Music Production, and Critical Listening and the Art of Mixing.

First year student, Aaron Campbell, first came to Houghton hoping to pursue degrees in both business and vocal performance, but found the classically grounded music program was not exactly what he was looking for. “Ideally I want to compose and produce music and so music industry is a better fit for me. The music industry major offers in-depth training in almost every aspect of musical recording and production as well as many others,” he said. “Also it compliments my business major to create a stronger degree. The training in the music industry program opens up new opportunities and provides viable skill sets for jobs with a realistic chance of employment.”

Jackson has personally been working on the degree for about eight years. He said, “It started with dreaming, praying, asking questions and then vision casting.” The first step was to offer a practicum in sound and recording class, which trains Houghton’s student tech team who run sound and provide other tech support at many of the events around the campus. Around three years later Houghton started offering Pro Tools classes, these classes were the foundation of what would eventually become the music industry degree.

“I believe we have one of the best music industry programs in the country. There are many reasons for that, including our internships with industry professionals in Nashville, New York, and Los Angeles. The recording studio and brand new music technology lab here at the college and our faculty who are world class,” Jackson concluded. “Not just in all things music technology, but in their respective musical fields. When you combine all of the above together, you have a program that is based on musical and technological excellence.”

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Stories In Focus

Her, Questioning Relationships

In his latest film, Her, Spike Jonze invites his viewer into a pastel-colored future that will daze them in reflection for weeks following. Set in the near future, the film opens on Theodore Twombly (Joaquín Phoenix) working at BeautifulHandwrittenLetters.com, a ghostwriting service for the romantic and lazy. As he leaves work, he speaks a voice command to his phone, “Play melancholy song.”

Courtesy of collider.com
Courtesy of collider.com

He walks out onto the streets of a bustling Los Angeles, making his way back to his apartment. He is in a slump – lost in daydreamed memories of his estranged wife who is seeking a divorce from him. The world Theodore travels through is not unlike our own. Those around him tinker with gadgets on the train, exploring their own unique and pixelated realities.

The world painted by Jonze is believable because it reflects the world of today. It does not indulge in science fiction tropes of latex jumpsuits and flying cars. It seems a very accurate prediction of the world we will soon inhabit. The devices that make our lives wonderfully convenient today have become staples in Theodore’s time.

The film ignores the limits of its genre. It does not show the viewer a future for the sake of its own self-indulgence. Rather, it uses the vantage point to weave a human love story. At the same time, it examines issues of human connection without seeming preachy or superior.

After seeing an advertisement for an artificial intelligence, OS1, in a subway terminal, Theodore picks up a copy for himself. Alone in his apartment that night, he activates his purchase. After a few basic questions and a loading screen, it springs to life with a cheerful, “Hello? I’m here.”

“Hi?”, Theodore responds.

Awkward at first, their stilted introduction eases into laughter. The OS identifies itself as female. Theodore asks for her name. She comes up with one on the spot, “Samantha”.

The role of Samantha is played by an unseen Scarlett Johansson. Imbued with programmed personality, she helps Theodore through his trepidations about the world. Together, they grow. As they become fonder and fonder of each other they begin to form a relationship that will change the both of them by the end of the film.

This relationship is beautifully scored by a collaboration between Arcade Fire and Karen O, orchestrated by Owen Pallett. The soundtrack mixes melancholy acoustic instruments with humming electronic sounds. It fits unobtrusively into the story, adding to it in subtle ways. When Samantha composes music to express her deeper feelings, her compositions grow more varied and detailed as she grows in intelligence and complexity.

As a viewer, Jonze’s future will challenge your view of what a relationship truly is. Thematically, the film is a love story. Soft music and bloom seep smoothly into the narrative. These are balanced by a story that shows a deep relationship with flaws and imperfections. It poses a question to the viewer. Why do we indulge ourselves in connecting to others?

Is it so we can lay our burdens on another and take theirs in return?
Is it so we can experience the edges of our human limits in both serenity and frustration?
Is it so that we can learn something new about ourselves?