music – Page 2 – Houghton STAR

This upcoming Tuesday in Java 101 the CAB Coffeehouse will feature a bluegrass-focused performance by students Abby Talone, Zach Kitchen, Colleen Winton, and Annie Hassen. These four have been playing music together for some time, including a performance last semester at the alumni coffeehouse that took place during Homecoming weekend. Aside from Coffeehouses, several of the group’s members have also played for Koinonia on Sunday nights.

The two hours will feature a variety of instruments. Annie Hassen will be playing the violin, a key element of traditional American folk music. Junior Zach Kitchen will be playing the mandolin, while fellow junior Colleen Winton will be performing on both the acoustic guitar, and also egg shaker. In addition to more traditional folk instruments, Winton will be contributing her whistling skills to the performance. Senior Abby Talone, who is a Koinonia leader, will add her strumming talents, playing on her Martin & Co. acoustic guitar. The four are intending to incorporate a variety of harmonies and vocal styles into their performance to emphasize their “folky feel”, as Talone put it.

The group chose songs that would best showcase their intended sound and create the desired casual and rustic ambiance. The selection of songs they will be covering include songs and artists such as “Flowers in Your Hair” by The Lumineers, “Your Love is Strong” by Jon Foreman, and “Like the Dawn” by the Oh Hellos. Additionally they will cover other artists such as the popular English folk rock band, Mumford and Sons, the Christian acoustic folk band, All Sons and Daughters, and similar folk-based musicians.

This American traditional style of music, or folk music, dates back to the early 1930s, from which it developed into our current genre of “hipster” or “indie” music. However, folk music is an intrinsic part of our history as Americans, as it incorporates elements from both the blues, country, bluegrass, gospel, and old-timey – a picture of how the integration of the American people as a nation began with the integration of music.

The recent faculty recital, Diary of Love Songs, featured Kelley Hijleh, voice, Sharon Johnson, piano, and Steven Thomas, violin. Martha Thomas, wife of Thomas, the violist, said that the recital was “a musical energy that has been birthed by love,” and according to Professor Kelly Hijleh- she has got it spot on.

Hijleh is the lead vocalist of Diary of Love Songs, and has been part of the Houghton faculty for 21 years. She said her hope for the recital was that to unite the campus through music. Hijleh said that this recital was more personal to her than previous recitals because it is, in effect, a story of her own relationship with her husband of 23 years. The recital featured two pieces written by her husband, Mark Hijleh. One, More Precious than Rubies, was first played at the couple’s wedding, and will be played once more, this time by Hannah Hijleh, the couple’s daughter. “Romantic love is a great gift from God” Hijleh said, “and I have attempted to share my life story.”

A member of the music faculty for 10 years, Johnson explained that this recital encompasses her relationships with dear friend Kelley Hijleh and her students. She said the recital was a special bond she was able to share with Kelley, and said the experience was one that enriched their friendship. Johnson also said that recitals help her to better communicate with her students by helping her to bridge the gap between musician and teacher. “I am not just a teacher but also a learner and that creates a holistic environment for students,” she said, “and that can be seen clearly when I perform on stage.”

“Music is very present in our life and in worship,” Thomas said, “ and when we worship we are closest to God.” Thomas said that the recital was a very exciting event for him and a strong expression of his own spirituality as he said, “I am most intimate with God when I play music.”

The recital was unanimously described to be “all about love.” A theme that is reflected both in the repertoire and the participant’s back stories. To begin, Hijleh and Johnson performed four Italian love songs from the 17th and 18th centuries. The first two selections highlight the beloved, while the third, a decidedly darker melody, “depicts love that is faithful in the face of faithlessness” according to Hijleh’s program note, and finally the fourth piece reflects the “fiery passion” that is “often depicted in love songs. Hijleh brought life to the lyrics with dramatic expression and a passionate delivery of the melody. Following the Italian selections, is another series of four pieces by Johannes Brahms. The themes of passion, fire, and love are present throughout, and Hijleh’s performance mirrored these well. Also on the program was Hijleh’s performance of an aria from the French opera, Louise, entitled “Depuis le jour.” It was an “exuberant” piece that Hijleh said “[captured] for [her] better than anything the feeling of being in love.