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Stories In Focus

The Music Lounge: Creating a Creative Space Downtown

Once a shoe repair shop, then a Mobil gas station and car garage, this enduring building located on Route 19 in downtown Houghton has a new role — it has been repurposed into a into a creative space for local musicians. The Van Name family, from Dalton, NY started the musical venue three years ago, which they are calling “The Music Lounge.”

LukeLauer_MusicLounge2

The Van Names obtained the location, within walking distance, a few doors downs from 3 Bums, from Dawn Van Name’s father several years ago. Wanting to do something with the space, they decided to turn the old garage into a place for musicians to come play and audiences to come listen.

When the Van Names first acquired the garage, the inside was filled with typical garage items, such as a car lift and a giant air compressor. They spent the last three years clearing out and renovating the space to make it useable for concerts, jam sessions, and workshops. They have added a stage, lights, some cozy furniture, and a fridge to serve drinks. They have also incorporated some of the old knickknacks from the garage into decorations for the space, such as a vintage wooden rotary telephone and faded “posted” sign.

“The Music Lounge” has had several open mic nights since opening three years ago, said Johnny, Dawn’s son. Each event attracted about 10 to 15 attendees and some up to 20. They have had Houghton students and other musicians from across western New York come down to perform.

Benjamin and Jonathan Yuly, juniors, went to the venue twice their first year as students. Benjamin Yuly said he went the opening weekend to check it out and they were invited back to play. They went back a weekend later to “jam” with the the Van Name family at “The Music Lounge.” According to Yuly, the space has the typical feel that is common in most music lounges.

The family does music recordings in the lounge for local solo artists and bands. They want to keep a live feel and energy with the music they record. Johnny said, “Everything’s really over-produced nowadays, and I just want to get back to the live recordings. You know, still have it studio quality, but have the live feel.” The Van Names have already done recordings for local artists from the local area, including Cuba and Rochester. He said he is interested in getting more folk and acoustic artists in for live recordings.

Due to feedback from Houghton students expressing interest in jazz and other genres, Dawn would like to have various themed nights. Johnny suggested, “Different music like 80s, jazz and blues, and maybe a funk night would be cool.”

As another aspect of the business, Johnny makes handmade custom basses and guitars. He showed the bass he is working on right now for his friend — a Bigfoot design, with three toes, wood burned and hand-carved into the body. He hopes after finishing the “Bigfoot” bass guitar to move on to an acoustic guitar and even repair drum sets. Dawn wants the venue to be somewhere close for people to go for musical repairs.

Many people that have come to the lounge have stopped by on their way to the KOA campsite or Rushford Lake, Dawn said. She wishes to further network with people from out of state, New Yorkers from other parts coming to Rushford Lake, and the local population. She said, “We don’t want to be just one frame of thinking. We are trying to network out to everybody.”

One struggle, Dawn noted, has been scheduling. Many local musicians work and cannot get out on Friday nights, while others cannot do Saturday because they are busy running errands. Johnny also added that renovations have been another road block in the progress, but they are coming along.

Another problem the the lounge faced is that many students do not even know of the lounge’s existence. Yuly suggests there is a lot of potential in student interest and points out very little is known about the venue on campus. Sarah Slater, senior, said, “I have been here for three and a half years, plus a summer, I didn’t know about this.” Molly Freihoffer, senior, similarly did not know of “The Music Lounge.”

Dawn and Johnny said a specific genre they want to especially support are the local, original music artists. Dawn noted that it is exceedingly hard for them to get local venues and almost impossible to get paid for their time. Johnny said it is unfair to them to play solely for exposure and wants to help support them any way he and his family can.

Yuly believes there is a very active amateur and professional community of musicians in Allegany County because of local school teachers, churches, and the Greatbatch School of Music, as well as Alfred State and Alfred University. He believes all these groups could benefit from this type of venue.

In the future, Dawn and Johnny hope to start a summer community concert series with various musical artists outside, with snacks and drinks to create a fun environment. Johnny also wants to eventually create an online radio station to showcase local musicians from the Western New York area to further the support of original music.

Dawn said there are currently no planned events this semester, but added they are “open to helping students or anybody who has original music.” They want to be a supportive and creative place where students and community members can go to perform, practice, and record. They are open to any suggestions and possibilities for the future of “The Music Lounge.”

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News

National Sacred Honor Choir Prepares for Upcoming Tour

The majority of music majors were out of town for pre-tour concerts in Buffalo and Syracuse this weekend, leaving the music buildings dark and empty. “A musician learns with each performance that which cannot be taught in rehearsal,” says Dr. Brandon Johnson, director of choral activities and recent recipient of the Horne-Blanchard chair here at Houghton. These performances before the “real” tour serve as a check-up for the choir to see what work still needs to be done.

This year the College Choir will be touring from the 27th of February to the 9th of March through the mid-Atlantic states, performing in states along the east coast from NY to Virginia, ending with the concert in Carnegie Hall.

College_Choir“It is part of our mission to share the Good News with people,” said Dr. Johnson. “It is not enough for us to create beautiful music; we also need to share it.”

Most of the performances on tour are in churches with a few concert halls dotting the schedule. Every year the choir receives multiple letters from attendees telling of how the music touched them. “On an educational side,” said Johnson, “we learn the beautiful nuances of the repertoire that can only be achieved through the heightened awareness of performance.” Before each concert, the choir gathers and discusses any new meanings revealed in pieces by the audience’s response or the way certain voices blended to give emphasis to a different word or phrase, lending a new perspective to music the choir has been working on for months.

The flagship performance for this tour is of course the concert in Carnegie Hall. “It’s huge for our visibility as a school,” said 2nd year graduate student Christopher Olsen, choir manager. “Houghton faculty have performed in the small-halls in Carnegie before, but this may be the first time the Houghton name has been in the main hall.”

The College Choir will be joined at Carnegie Hall by members of the Men’s and Women’s Choir, singers from Roberts Wesleyan, a chamber choir from Liberty University, in addition to choirs from several Christian high schools for the performance, together making up the National Sacred Honor Choir. The ensemble, comprising well over 200 people, will rehearse for four days in at Hawthorne Gospel church in northern New Jersey, spending nights at a nearby Salvation Army camp.

Graduate student Kelly Vankirk, coordinator of the National Sacred Honor Choir, spoke with me about her involvement. “It is extremely busy, but it’s a huge honor to be singing such great, spiritually rich music in prestigious hall. We are bringing together Christian choirs from all over the northeast, some from even farther away. One of the goals of our time together is to help the younger singers, and ourselves, to see the context of faith and music together.”

Because of the Carnegie concert, several music professors other than Dr. Johnson will be traveling with the choir and will be giving masters’ classes for groups of advanced high school students before several concerts.This type of teaching serves to advertise for the college’s programs and has been done to a limited extent on past tours, but never to the extent reached this year with Professors Davies, Hijleh, Hutchings, and Newbrough all traveling with the choir.

 

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Stories In Focus

Coming Up: Bluegrass and Folk CAB Coffeehouse

This upcoming Tuesday in Java 101 the CAB Coffeehouse will feature a bluegrass-focused performance by students Abby Talone, Zach Kitchen, Colleen Winton, and Annie Hassen. These four have been playing music together for some time, including a performance last semester at the alumni coffeehouse that took place during Homecoming weekend. Aside from Coffeehouses, several of the group’s members have also played for Koinonia on Sunday nights.

CoffeehouseThe two hours will feature a variety of instruments. Annie Hassen will be playing the violin, a key element of traditional American folk music. Junior Zach Kitchen will be playing the mandolin, while fellow junior Colleen Winton will be performing on both the acoustic guitar, and also egg shaker. In addition to more traditional folk instruments, Winton will be contributing her whistling skills to the performance. Senior Abby Talone, who is a Koinonia leader, will add her strumming talents, playing on her Martin & Co. acoustic guitar. The four are intending to incorporate a variety of harmonies and vocal styles into their performance to emphasize their “folky feel”, as Talone put it.

The group chose songs that would best showcase their intended sound and create the desired casual and rustic ambiance. The selection of songs they will be covering include songs and artists such as “Flowers in Your Hair” by The Lumineers, “Your Love is Strong” by Jon Foreman, and “Like the Dawn” by the Oh Hellos. Additionally they will cover other artists such as the popular English folk rock band, Mumford and Sons, the Christian acoustic folk band, All Sons and Daughters, and similar folk-based musicians.

This American traditional style of music, or folk music, dates back to the early 1930s, from which it developed into our current genre of “hipster” or “indie” music. However, folk music is an intrinsic part of our history as Americans, as it incorporates elements from both the blues, country, bluegrass, gospel, and old-timey – a picture of how the integration of the American people as a nation began with the integration of music.

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Arts

“Diary of Love” Recital

The recent faculty recital, Diary of Love Songs, featured Kelley Hijleh, voice, Sharon Johnson, piano, and Steven Thomas, violin. Martha Thomas, wife of Thomas, the violist, said that the recital was “a musical energy that has been birthed by love,” and according to Professor Kelly Hijleh- she has got it spot on.

Hijleh is the lead vocalist of Diary of Love Songs, and has been part of the Houghton faculty for 21 years. She said her hope for the recital was that to unite the campus through music. Hijleh said that this recital was more personal to her than previous recitals because it is, in effect, a story of her own relationship with her husband of 23 years. The recital featured two pieces written by her husband, Mark Hijleh. One, More Precious than Rubies, was first played at the couple’s wedding, and will be played once more, this time by Hannah Hijleh, the couple’s daughter. “Romantic love is a great gift from God” Hijleh said, “and I have attempted to share my life story.”

A member of the music faculty for 10 years, Johnson explained that this recital encompasses her relationships with dear friend Kelley Hijleh and her students. She said the recital was a special bond she was able to share with Kelley, and said the experience was one that enriched their friendship. Johnson also said that recitals help her to better communicate with her students by helping her to bridge the gap between musician and teacher. “I am not just a teacher but also a learner and that creates a holistic environment for students,” she said, “and that can be seen clearly when I perform on stage.”

“Music is very present in our life and in worship,” Thomas said, “ and when we worship we are closest to God.” Thomas said that the recital was a very exciting event for him and a strong expression of his own spirituality as he said, “I am most intimate with God when I play music.”

The recital was unanimously described to be “all about love.” A theme that is reflected both in the repertoire and the participant’s back stories. To begin, Hijleh and Johnson performed four Italian love songs from the 17th and 18th centuries. The first two selections highlight the beloved, while the third, a decidedly darker melody, “depicts love that is faithful in the face of faithlessness” according to Hijleh’s program note, and finally the fourth piece reflects the “fiery passion” that is “often depicted in love songs. Hijleh brought life to the lyrics with dramatic expression and a passionate delivery of the melody. Following the Italian selections, is another series of four pieces by Johannes Brahms. The themes of passion, fire, and love are present throughout, and Hijleh’s performance mirrored these well. Also on the program was Hijleh’s performance of an aria from the French opera, Louise, entitled “Depuis le jour.” It was an “exuberant” piece that Hijleh said “[captured] for [her] better than anything the feeling of being in love.