Tag: philadelphia

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National Sacred Honor Choir Performs at Carnegie Hall

As students returned back from break last weekend, one group of students did not look rested, though perhaps some of them looked rejuvenated.  College Choir spent this past spring break riding in a tour bus and performing in churches from Pennsylvania to Virginia and back.  From gospel music flash-mobs in King of Prussia Mall to Carnegie Hall, the College Choir generally was described as a rewarding experience by participants.

“Overall I felt that this tour was one where the choir connected the most with both each other and the music,” said senior Heather Todd, afterward, this being her third tour with College Choir.  “Our group devotional times became incredibly personal and through sharing of our connections to the text it brought us closer as a group.”  The sense of community by working and sharing together was not limited to music and spiritual growth, however.

Courtesy of media.npr.org
Courtesy of media.npr.org

According to graduate assistant Kelly Van Kirk, “Choir members stepped up, above and way beyond the call of duty all throughout tour.”  One particular situation arose in Philadelphia, PA where the choir was singing at 10th Presbyterian Church.  After some an afternoon of free time in the city, the choir went to the church to unload the trailer with equipment and risers and rest.  “Dr. Johnson had mentioned a mandatory nap time and we were super excited!”  said Todd.  But the van with the trailer broke down a mile from the church, stranded with all of the equipment.  Van Kirk described the experience, “I had to ask people who were short on sleep, had been wandering the city and were expecting a time of rest to skip that rest and carry hundreds of pounds of robes and risers a mile to the church.  I felt terrible, but right away a group jumped up and said, ‘We’ll go.’ I was shocked.”  A member of the group added, “A couple people would trade off every couple of blocks and we managed to get everything back in time for the concert.”  “No one complained for the rest of tour,” said Todd. “We met the worst it could be and we got through it together!”

The climax of the tour was the performance on Sunday afternoon at Carnegie Hall strengthened by the National Sacred Honor Choir.  There were rehearsals for several days before the performance with the group of Christian college students, community members, and students at private Christian schools from the greater New York City area.  Beyond the weekend of preparation and fellowship, the performance itself was agreed to be a memorable experience.  “The hall was amazing!” said graduate student Elizabeth Martindale.  “You could say something, hear it bounce off the wall behind you, go out over the audience and come back from the balconies.”  Despite being a Sunday afternoon, the hall was fairly full, according to Van Kirk.  “I was worried because of the time and day, but there were almost 2,000 people in the audience.”  … “I received really meaningful comments, from the high school students especially,” said Van Kirk who was in charge of most of the New York weekend.  “I think we accomplished our goal of showing the younger singers what a joy it can be to make music for God in this kind of way.”

The College Choir’s home concert is Friday at 7:30 PM in the Wesley Chapel.

 

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Stories In Focus

Worship: A New Vision for Chapel

“I’m very intentional about talking about worship as rooting us in a bigger story,” Dean Michael Jordan said after settling into his office chair. This story is the larger Christian story, but it is also Houghton’s story.”

Jordan_MichaelAlthough the morning was quite chilly, Jordan wore flip-flops with his suit coat, adding to the informal, yet intimate nature of the conversation. “It really occurred to me how lonely people are in general,” Jordan said, going on to talk about the pressure on students at a Christian college and how they feel the need to find God’s will for their lives and to be confident in their spiritual walks when, quite frankly, some are not. Jordan said, “Chapel is about connecting students and helping them see you’re not alone.” Therefore, Jordan hopes that chapel will serve the function of binding people together in a Christian community through worship.

One of the ways the community comes together is through music. After praising the Philadelphia Eagles in one of his recent chapel talks, Jordan mentioned his desire for the college to be fluent in three forms of worship: hymns, contemporary Christian songs, and Gospel music. In doing so, Jordan said his ultimate goal is to help students “love a breadth of Christian music and to be a grateful participant [as]  one.”

His plan seems to be successful judging by the ovation the Gospel choir regularly receives, and the heartfelt singing accompanying hymns such as “Be Thou My Vision.”

“We should ask questions about worship and how each contributes to the service”, he stated. In this way, Jordan believes we can see the value in each form of worship and how all are  used to bring God praise by the various church backgrounds represented by Houghton students.

In addition to music, chapel speakers and their messages are an important topic of discussion on chapel days. As he leaned back in his desk chair, Jordan explained that he chooses chapel speakers in collaboration with the Spiritual Life Committee; they select speakers by looking for people who will share topics they believe are important to the community and ones that will build connections to the outside world. For example, Dr. Lenny Luchetti who spoke in early October came from Wesley Seminary, representing both one of Houghton’s sister schools and a reputable seminary for graduate work. Also vital to picking chapel speakers is finding people Jordan referred to as understanding the difference between teaching and preaching. He elaborated on this distinction as the knowledge of when to present facts and when to realize the urgency of a message, and his or her need to make their intent clear and accessible to the audience, in this case, the Houghton community. One of Jordan’s regrets from his time as a Houghton student is that the speakers sometimes lacked this urgency, so he hopes that now chapel speakers will be able to provide that clarity. On days when Jordan speaks in chapel, the passion he has in presenting God’s word and drawing people together in Christ is palpable, evidenced by post-chapel conversations around campus.

In between his duties as chaplain, SPOT engagements, and family dinners in the cafeteria, Jordan works hard to make chapel the spiritual center of campus life. He hopes that students will stop thinking of chapel as a duty someone has forced them to fulfill; rather, over time chapel will form and shape student if they give themselves to it, he said before taking a sip from his coffee mug. If one does this, Jordan said, one will realize that “taking that time really helped me to look at God differently and understand myself differently and to root me in a community that I wouldn’t have been otherwise.”

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Arts

Homecoming Spot 2013 Review

SPOT hosts Hannah Lily and Will Strowe made their way on stage in sweatshirts and sweatbands, in a tribute to Sylvester Stallone’s “Rocky”, to kick start the 2013 Homecoming SPOT this past Saturday. A new spin on the structure of SPOT featured student acts of talent along with the usual videos, skits, dances, and songs that elicited laughter – for the most part. This year’s addition of crowd questionnaires filled in the awkward gaps between acts and kept the crowd engaged, while the surprise stage visits of Houghton graduate celebrities “Beardo” and “Dreads” kept the audience on their toes. From ‘What Does the Fox Say?” to raps to German accents, SPOT displayed a broad array of talents and wit from faculty and students alike.

SPOTCAB was two for two in their video contributions; their “Valentine’s Day” movie trailer depicted the almost inexhaustible joke of awkward Houghton couples and revealed the identity of stars within our midst. Their “Valentine’s Day” video was followed up by a rendition of “The Hunger Games” in which Sodexo kept a careful eye on the fruit to student ratio. First year students were comforted in their fight against the freshmen 15 by Hanz and Franz’s “Buddy Workout” video. The final contender in the video section, a remake of the recently viral YouTube music video “What Does the Fox Say?,” did not disappoint in its ridiculous hilarity and continuously perplexing question: what does the fox say?

While the SPOT videos were largely accepted as solid contributions to the expected humor of the night, the skits faired a harsher fate. Alumni Derrick Tennant, ‘93, received a mixed reaction to his lengthy stand-up comedy act; half the time the audience was unsure whether to laugh or “aww” at the jokes that more often than not poked fun at his own partial paralysis. Other skits, while possibly written with good intentions of entertainment, made light of serious issues and events that crossed the line into rudeness and insensitivity.

The new inclusion of purely talent acts was most evidently displayed in the dance performances. The audience was impressed by the skills stepped, jigged, lept, and tapped across the stage, such as when a student trio performed a tap from the Broadway musical “Newsies.” And while there was no stepping, jigging, leaping, or tapping done by the goat brought in for Taylor Swift’s song “Trouble”, he was an automatic crowd pleaser.

An historical crowd favorite, Danny Kim came back to his former glory as a “big deal” with a rap performance that, despite slip-ups, was carried off with style by him and Cory Martin. “Matilda Jane” however displayed less style and more confusion – who is Matilda Jane again? And no doubt was left in anyone’s mind what dessert the Hardy twins ask for their birthday. Modified songs from Hercules, Veggie Tales, Pitch Perfect, and Late Night with Jimmy Fallon vocalized the musical talents and creativity of various students; and Dean Jordan apparently originated from Mt. Olympus not Philadelphia, as previously understood.

While some acts fell flat of their intended comedic effect, resulting in boredom or downright offense, homecoming spirits created an atmosphere of camaraderie and geniality that encompassed both the audience and performers.