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Return to the Radio: Alternative Buffalo 107.7 Review

“Your reason to return to radio has arrived” is a phrase commonly quipped on Buffalo’s radio station  Alternative Buffalo FM 107.7. It is a motto they live up to. The station surprisingly reaches all the way out to Houghton with reception extending across campus. It even has a mobile app or you can listen online. It is a relatively new station that has already got a lot going for it. It gives an excellent alternative for those who are tired of your typical pop radio station tunes, such as Iggy Azalea, Taylor Swift, or One Direction. For those who have forsaken radio altogether in favor of their iPod, try returning to this radio station.

Alt Buffalo plays a wide range artists ranging from legends like Nirvana to young new artists such as George Ezra. Popular artists such as Bastille, Lorde, Hozier, and Coldplay are commonly featured on the station, some even before they became international hits. Along with these big names are lesser known, but equally talented and entertaining musical artists. Alt Buffalo plays many up-and-coming or obscure artists, giving music lovers the opportunity to expand their musical library. Some artists you might discover include Panama Wedding, Catfish and the Bottlemen, Sir Sly, and Glass Animals.

Especially focused on the theme of discovery is the “The Underground Collective” session on Sunday nights 6-8pm. During this time they play only “underground” and indie rock artists, ones you mostly likely have not heard of, but that the station believes deserve to be listened to.

Similarly, “Localized” on Sunday nights 8-9pm features artists from Buffalo, Western New York, and surrounding areas. Local musicians can submit their music for the opportunity to gain exposure and listeners can hear local talented musicians. Joywave, a band out of Rochester, NY is now receiving a little more national attention, was featured on Localized.

Compared to similar alternative stations in other regions, Alt Buffalo keeps itself to the more indie and true alternative side of things. Other similar alternative stations sometimes begin to feel like a borderline pop station by playing too many top chart artists like Imagine Dragons or Fall Out Boy. While 107.7 does play some popular artists that fit into the indie or alternative genres, they steers clear of artists who do not belong on their station.

One drawback to Alt Buffalo is sometimes it can get slightly repetitive. If you listen too often you may find yourself hearing to the same songs multiple times in a week, which is perhaps a flaw of music radio stations in general. As more music comes out, however, they are always updating their playlists.

Besides just the radio station, a new and exciting addition to the Buffalo area from Alt Buffalo is their concert series. One of these series, called “You Saw Them First,” features lesser-known artists they expect to become big. Featured last spring was Bear Hands, who have their hit single “Giants.” Bear Hands went on to perform at Alt Buffalo’s big concert, the first Kerfuffle.

The unforgettable Kerfuffle concert happened in July at Canal Side under the skyway in Buffalo. It featured artists Bricks and Mortar, Semi-Precious Weapons, the Kongos, the Bleachers, and Cage the Elephant. Going from 3 to 11 p.m., the show had 10,000 people and was well-worth the price of admission.

With the success of summer concert and the growing popularity of the radio station, Alt Buffalo hosted the Kerfuffle Before Christmas. The concert featured artists Airborne Toxic Event, Jungle, Robert Delong, Neon Trees, and Walk the Moon – who recently came out with a new album, Talking is Hard.

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Opinions

Worshipping Sentimentality

In the beginning of October, Lenny Luchetti spoke in chapel on the virtues of worshipping God with the head as well as the heart. He explained that when he first began attending college, he loved to lose himself in the feeling of worship through praise songs, a semi-charismatic and hands-in-the-air kind of guy. He would observe with slight disdain the behaviors of others who sat quietly through worship services without actively taking part. Eventually, as he grew in his faith while at school, his perceptions changed, and the point he made was that God deeply values the efforts of the mind and the act of praise through academics and critical thought. What he left to be inferred, however, was that both methods of connection to God are equally worthwhile, and that it is merely a matter of personality which form of worship one chooses to employ. I would argue that this is not true, and that worshiping God with the “heart” is not really worship at all.

worshipThe other day while I was driving, Jamie Grace’s “Beautiful Day” came on the radio. The “It’s been ‘like’ a whole day” in the first verse managed to slip by me unnoticed the first time around, but the chorus left me incredulous and indignant. After a few bouncy lines about how happy God makes her, Grace sings, “This feeling can’t be wrong/ I’m about to get my worship on/ Take me away,” implying, or rather, explicitly stating that worship is some kind of altered state of being one enters into with the expectation that they will come away feeling blissful and transcendent, reminiscent of a drug-induced high or the rush of sexual intercourse. In her Grammy-nominated song “Hold Me,” Grace reinforces this interpretation with the lyrics, “I’ve had a long day, I just wanna relax … I know I should be working but I’m thinking of you” in which Jesus is essentially equated with a happy hour cocktail, and put at odds with “work,” which I can only assume Grace is not, in this case, using as a means to honor Him.

I do not mean to personally insult the no-doubt well-meaning Jamie Grace. What I do mean, however, is to question the ease with which Christian society accepts this kind of bubblegum Christian pop praise music without any basis in scripture or intentional theology. Worship is intended to be a thoughtful meditation on the grace and the goodness of God, a practice that should no doubt invite feelings of gratitude, joy, and peace, but that should nonetheless find its roots in concentrated study and reflection. The concept of worship as it is found in the majority of contemporary praise and worship songs is that of “chasing the feeling,” craving the joy without the contemplation, the intimacy without the commitment, the sex without the relationship.

People do worship in different ways. I would not try to take away from those who connect most fully with God through music the right to do so freely and with joy. But there cannot be a divide between innervation and cerebration. Those who worship through song must be able to count on the lyrics to be studied and deliberate. Difficult and far-reaching questions that exist within the Christian faith can have devastating effects on those seeped in the superficial, sensationalist theology of pop praise music. They are not taught to ask, and they are unprepared to answer. In the words of Grace, “I’ve got not need to worry, I’ve got no room for doubt,” but what exactly grants her such infallible certainty is unclear, and in a faith as encompassing and exacting as the Christian faith, there can be no room for sentiment without qualification. Impassioned worship without a strong grasp on the basics of Christian theology is meaningless and empty, and Christians brought up in the tradition of vacant worship are not worshipping God, they are worshipping a semblance of the side effects of God’s entity. They are worshipping titillation.

I want to reassure you that I recognize the usefulness and, in fact, necessity of music in worship. The Bible would not contain so many references to praising God with song if it was not an important aspect of our faith. But let us never fail to recognize the dependence of meaningful emotional connection with God on intelligent and critical examination of our beliefs.

 

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News

Science Honors Launches Balloons

After a year of hard work and long coffee-fueled nights, the 14 students that make up Science Honors have launched weather balloons they have constructed to take measurements of the upper atmosphere.

Leading up to the launch, Science Honors student Jonathan Yuly remarked, “It will be really exciting to watch what happens with our year’s project, and how future years will move forward with it.”

Each balloon was outfitted with its own set of sensors and instruments. The sensors were run by onboard processing chips called a BASIC Stamp Boards. These boards act as the brains of the boxes. They tell the sensors how to work and then deliver the information they collect to a radio that sends it back to the students at Houghton.

Four teams were collected from the students to design an experiment that would use the balloons and sensors to analyze data about climate change. Groups did experiments that ranged from measuring CO2 to the refraction of light through clouds and how it affects the sun’s rays hitting Earth.

The balloons were launched on Tuesday, April 23rd at nine in the morning after a short press conference. Unfortunately, as science is wont to do, the live experiment was met with many challenges. On the night before the launch, two of the radios on the boxes were fried after being overcharged with current.

R.D. Marek’s radio was one of the two that was ruined. At 2 am, in the Paine building, he was quoted as saying “I’m looking for a ‘Lazarus moment’.”

Eventually, he got it when his radio resumed normal function. The other radio did not however and that group’s balloon was not able to launch.

The teams prepared to launch 3 balloons from the quad on Tuesday morning when they were met with several unforeseeable misfortunes.

The first group to launch had no issues in launching their balloon. However, once it was up in the sky, they found that although it was transmitting data to the computer on the ground, the computer was not properly recording the data.

The next group was disappointed when their cut-down system, meant to release the box from the balloon in case of an emergency, was activated by a faulty radio transmission and cut the balloon from the box as it was beginning to lift off the quad.

Lastly, the third group found themselves similarly unlucky. When released, the knot that tied their balloon to the box came undone and the team watched as their balloon floated away.

The balloons, costing around $300 each, were not able to be replaced immediately and the two launches that failed were not able to relaunch.

Despite these issues, the crowd watching the launch still enjoyed getting to see the experiment unfold. Said freshman, Myra Mushalla,“I got to see many science honors students work on their balloon projects for a long time and getting to watch the launch off the quad was very satisfying, even for me; so I imagine it was great for them.”

The teams retired to the Science Honors Lab after the launch to watch the one successful launch travel northward on a GPS tracker that was linked to the box. Once the balloon showed that it was in a constant position for several minutes, the teams piled into three Houghton vans and drove to Dansville, NY to retrieve it.

A woman who owns the property where the box landed led the teams up into the woods where they found the box 50 feet up, hanging on a tree limb, unable to be retrieved. With this last disappointment, the teams got back into their vans and went out for ice cream.

Plans to retrieve this box have been set into motion, but at the present time, it is still swinging away from the top branches of a tree in Dansville.

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