Categories
Stories In Focus

Evelyn Simanowski’s Musical Journey

by Jiana Martin '26

Senior Evelyn Simanowski ‘25’s greatest passion since childhood has been music. Pursuing music in her studies and career was always a part of her desired plans and a “series of perfectly crafted ‘God moments’” allowed her to attend Houghton University (HU) to follow those dreams.

“I believe so deeply that the talents God has given us correspond with the life He has written for us and the musical gifts He has given me deserve to be honed and developed to glorify Him and live out the life He has for me to the fullest,” Simanowski expressed. 

Despite her undying love for music, her musical journey has not unfolded without some hardships. One of which has been accepting that perfection is unattainable. As a perfectionist, it has been a hard lesson for Simanowski to learn that a perfect performance will never be achieved despite all the time and effort put into it. 

“When you learn that lesson you can become discouraged and give up,” Simanowski reflected, “or you can rise to the task at hand and pursue excellence anyways for the sake and value of the art.”

During her years at HU, one of her greatest professional accomplishments has been placing as a finalist in the National Association for Teachers of Singing Solo Festival in the Finger Lakes Region. Simanowski also noted that having the opportunity to play Amalia Balash in the Lyric Theatre’s production of “She Loves Me” was “a huge marker of the progress [she] made in these last four years.” However, despite these milestones in her Houghton career, Simanowski’s greatest achievement has been perceiving her musical talents as God-given gifts and interactions as opportunities to give him the glory.

As a culmination of her time at HU, Simanowski will be performing her senior recital titled “Faint Heart Never Won” on Feb. 19 at 8 p.m.

Simanowski shared that the title originates from the English proverb “Faint heart never won fair maiden,” which “serves as a lesson that if one sets out to achieve difficult things, effort will be involved.”   

She has chosen to perform pieces she loves containing female figures and characters who lived through unfavorable circumstances, yet are remembered for their strength and dignity. The performance will include “Try Me, Good King” by Libby Larsen that uses the last words of each of the wives of Henry VIII, a song cycle by Debussy using some French poetry and “Song to the Moon”, an aria by Antonin Dvořák.

“I chose pieces for my recital that would challenge me vocally and intellectually, requiring thought on my part to bring the text and the composer’s vision to life,” Simanowski explained.

Reflecting on his time working with Simanowski as a collaborative pianist, Senior Ryan Nickelsen ‘25 has appreciated her “willingness to be flexible in the way she performs any given song.” Rehearsing and performing with her has been an easy and enjoyable experience because she sees the pianist as a fellow performer rather than a supporting role. Simanowski’s professionalism and enthusiasm in her singing stand out to Nickelsen. 

He commented that as a past observer and a current accompanist, “it has been a delight to see her continue to push herself to become a better singer, even when it seemed as if she had already hit her cap.” 

Nickelsen is excited to share the hard work he and Simanowski have put into the recital and hopes that everyone will enjoy it as much as he has enjoyed putting it together with her. 

For Prof. Kimberly Prins Moeller, Associate Professor of Voice, walking with Simanowski and getting to know her over the past four years has been a privilege and a joy. She admires her dedication, willingness and how she welcomes feedback and critique in a positive manner. 

“They say still waters run deep and I think that is quite appropriate for Evelyn. Her head is always on straight, she is a thoughtful student in every way, and she is not afraid of the effort it will take to achieve her goals,” Moeller shared. “Evelyn is also extremely self-aware and unafraid of questioning and revisiting her dreams and plans,” she added.

Moeller is excited about the many stories told through Simanowski’s selections, and the new colors and qualities of her voice that will be displayed. 

“It’s a compelling recital that you definitely don’t want to miss,” Moeller said and added, “I trust that this recital will be a celebration of all her creativity, work and accomplishments!” ★

Categories
Campus News

Senior Composition Recitals

By Jiana Martin ('26)

Two senior composition recitals are coming up with Citlali Sanchez-Acosta’s (‘24) occurring on Monday Feb. 19 and Kaitlin Kleinau’s (‘24) recital on Wednesday Feb. 21. Both will be in the Center for the Arts Recital Hall at 6:30 p.m., and each hour-long performance will feature the artists’ original works.

Sanchez-Acosta is a music composition major who transferred to Houghton University from her local community college and has enjoyed her time in the Greatbatch School of Music program.

“It’s a really good program. It’s pretty close-knit, which is really nice and everyone supports each other,” Sanchez-Acosta reflected.  

Her recital will include eight to nine pieces, most of which she has written while at Houghton, which will be performed by around 20 performers. It will be a mix and match of solo instruments, smaller ensemble pieces and vocal songs.

Inspiration for her music comes partly from need-based occasions and partly from pure inspiration. 

“Inspiration comes and goes and sometimes I just start messing around. This recital is a little bit of both necessity and inspiration,” Sanchez-Acosta commented. 

Although there is no overarching theme, identifiers for the pieces are developing skills and time passing. The recital is a culmination of everything she has written.

“The pieces themselves are not a series of anything,” Sanchez-Acosta explained, “there are a bunch of different themes and motifs. I’m bringing back a lot of my old works. One thing I know I’m definitely going for in this recital is seeing the progression.”

She likes keeping the original versions of her old works and then later refine them to see how she’s progressed and improved. During her time at Houghton, the community and her professors have greatly influenced her.

“My professors have definitely been a part of [influencing me]. Dr. Magin and Professor Ashbaugh have been super helpful in guiding,” Sanchez-Acosta thoughtfully said, “and community has definitely helped motivate.”

Kleinau is also a transfer student pursuing a music composition major with an additional vocal performance minor. The theme for her recital is “Woman Becoming: Love Letters” which deals with the idea of love in different forms, especially grief and love. Her inspiration for this theme came from an interest in different types of love such as familial and agape love, and wanting to explore more of it. 

“I usually come up with a cool title and see how that works out,” Kleinau explained.   

One of the pieces, “Echo” talks about a lost love and begging him to return while another piece, “Daffodils Never Die” is about her grandmother who passed away.  

Kleinau’s recital will include eight pieces that are both vocal and instrumental ranging from choral pieces to a piano solo to a flute piece, and more. She will be performing in “Daffodils Never Die” and many classmates will help bring her music to life. 

“Most of them have been so gracious and willing,” Kleinau gratefully said. 

Reflecting on her time at Houghton, Kleinau considers it being a sort of rebirth as she has grown so much since she started. Kleinau attributes inspiration for her music to classes, professors and music she has listened to. Helpful advice she received from Dr. Carrie Magin was to listen to a hundred pieces before writing an original. 

“Theory classes and music history are helpful. A lot of times it [composing] comes from listening and from what you want to write and hear. It is creativity paired with prior knowledge,” Kleinau noted. 

For Kleinau, a valuable part of being in the Greatbatch School of Music program is that she is seen as a person first and a musician second. She’s experienced grace and care as a person and has been encouraged to become the best musician she can be. 

“I see music as an expression of one’s soul; therefore, you want to do it in a way that honors God,” Kleinau expressed. “You want God to be a part of that. It’s not for my own glory, but for God’s glory.”

Dr. Magin, Associate Professor of Music Composition and Theory, has enjoyed working with both Sanchez-Acosta and Kleinau, and watching their growth. As a professor, she loves hearing how audiences react to her students’ compositions.

“I look forward to the final product as their work is shared with our community,” Dr. Magin commented. “It’s a unique gift to be able to create something that moves people, and even more special to help bring that ability out in student composers. These students have worked very hard to put on their recitals, and it’s a great joy seeing and hearing it all come together.” ★

Categories
Campus News

Voice Recitals

By Juliana Schmidt ('25)

On Monday Feb. 12 in the Center for the Arts Recital Hall, Sophia Pantea (‘24) will perform her Senior Recital at 6:30 p.m. and Evelyn Simanowski’s (‘25) Junior Recital will begin at 8 p.m., respectively. 

Professor Kimberly Prins Moeller, the Associate Professor of Voice, disclosed that Pantea’s recital will be full of beautiful and romantic music. It will involve a lot of “soaring melodies” and “heartfelt moments.” 

The title Pantea chose for her recital is “Fill My Heart.” She chose this partly because it is from her favorite musical “The Sound of Music”, but also because of the people at Houghton who have inspired her. 

“I am so blessed to be at Houghton and I have grown so much thanks to my loving teachers,” Pantea said. “This recital is a thank you to my friends and professors for helping me through [these] past few years.” 

As this is Pantea’s senior year at Houghton, she has worked very hard to get to this particular recital. While she is nervous, Pantea expressed that she is also super excited. 

Simanowski chose a French title for her recital called, “Scenes de Nuit” (translated as “Night Scenes”). She shared that the overall feelings for her recital are ones of excitement. 

Professor Prins Moeller revealed that there will be some unexpected twists and a few laughs to look forward to in Simanowski’s recital. 

“I’ve been present for many of her countless hours she’s put into practicing her French and it’s been quite a journey to get here,” Hannah Sturdivant (‘25) commented. “Getting to see her vision come to life in her recital hearing, photos, and poster has been uplifting to experience.” 

Simanowski confessed that it was very personal picking her own program, rehearsing and then presenting. She shared that her recital is her “passion project” and that sharing it with an audience will give her a feeling of satisfaction. 

“I’m expecting it to be a pretty vulnerable experience,” Simanowski admitted, “but I’m hoping in that vulnerability I can share the joy and meaning I found and this music with whoever comes.”

Professor Prins Moeller said that recitals are her favorite part of being an applied voice instructor. 

“I get to know these wonderful singers over several years of working together, then walk with them through the recital preparation process and witness their determination and growth, and finally get to see them bring all of the elements together into a cohesive evening that celebrates their talent, skill, and artistry,” Professor Prins Moeller commented. “It’s incredible!”

With both Pantea and Simanowski performing on the same night, it will prove to be an evening full of ups and downs, heartfelt lyrics and perhaps a few laughs. Overall, not a recital to be missed! ★

Categories
Campus News

Senior Recital: Lucas Myers

By Olivia Kleinau ('24)

On Monday Jan. 29 at 8 p.m., Lucas Myers (‘24) will perform his Senior Recital in the Center For the Arts Recital Hall. 

Myers, a pianist, explained that most of his preparation is a mix of practice as well as studying music scores. He will be performing a broad variety of pieces at his recital, including works by Ludwig van Beethoven, Claude Debussy, Johannes Brahms, Robert Schumann, Frédéric Chopin and Philip Glass. Myers’ pieces include aspects of German Romanticism, French Impressionism and Contemporary Minimalism. 

​​Fellow piano major, Katrina Kauffman (‘26) shared, “I’m super excited for his upcoming recital, I have always really admired his playing. He is definitely someone I look up to as also a piano major.”

Myers shared his excitement for this upcoming recital as it is his first real attempt in creating a themed recital. He will be combining piano repertoire with other art forms to create an overarching storyline tying all the pieces together. The theme Myers’ chose for the recital centers around the idea of rebirth. 

The recital itself will center around the theme of rebirth, and will explore the way in which we as people often go through an internal death while going through times of intense hardship only to be reborn again,

“[The recital] will explore the way in which we as people often go through an internal death while going through times of intense hardship only to be reborn again,” Myers explained, “finding a deeper capacity for love and joy as well as a heightened capacity to appreciate the beauty of life when we reemerge into the land of the living.”

Myers also stated that he finished his coursework last semester, giving more time to prepare for this upcoming recital. Last semester he was taking 19 credits on top of commuting from Rochester, NY to Houghton University. He had to find as many pockets available in his schedule to practice as he could manage, and on top of that make sure he was intentional in balancing heavier practice sessions with periods of rest on the weekends. One benefit of the commute was that it gave Myers the opportunity to do a lot of listening and mental practice.

Myers expressed that overall he is, “super pleased with the way it is shaping up.” ★