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Campus News

Senior Composition Recitals

By Jiana Martin ('26)

Two senior composition recitals are coming up with Citlali Sanchez-Acosta’s (‘24) occurring on Monday Feb. 19 and Kaitlin Kleinau’s (‘24) recital on Wednesday Feb. 21. Both will be in the Center for the Arts Recital Hall at 6:30 p.m., and each hour-long performance will feature the artists’ original works.

Sanchez-Acosta is a music composition major who transferred to Houghton University from her local community college and has enjoyed her time in the Greatbatch School of Music program.

“It’s a really good program. It’s pretty close-knit, which is really nice and everyone supports each other,” Sanchez-Acosta reflected.  

Her recital will include eight to nine pieces, most of which she has written while at Houghton, which will be performed by around 20 performers. It will be a mix and match of solo instruments, smaller ensemble pieces and vocal songs.

Inspiration for her music comes partly from need-based occasions and partly from pure inspiration. 

“Inspiration comes and goes and sometimes I just start messing around. This recital is a little bit of both necessity and inspiration,” Sanchez-Acosta commented. 

Although there is no overarching theme, identifiers for the pieces are developing skills and time passing. The recital is a culmination of everything she has written.

“The pieces themselves are not a series of anything,” Sanchez-Acosta explained, “there are a bunch of different themes and motifs. I’m bringing back a lot of my old works. One thing I know I’m definitely going for in this recital is seeing the progression.”

She likes keeping the original versions of her old works and then later refine them to see how she’s progressed and improved. During her time at Houghton, the community and her professors have greatly influenced her.

“My professors have definitely been a part of [influencing me]. Dr. Magin and Professor Ashbaugh have been super helpful in guiding,” Sanchez-Acosta thoughtfully said, “and community has definitely helped motivate.”

Kleinau is also a transfer student pursuing a music composition major with an additional vocal performance minor. The theme for her recital is “Woman Becoming: Love Letters” which deals with the idea of love in different forms, especially grief and love. Her inspiration for this theme came from an interest in different types of love such as familial and agape love, and wanting to explore more of it. 

“I usually come up with a cool title and see how that works out,” Kleinau explained.   

One of the pieces, “Echo” talks about a lost love and begging him to return while another piece, “Daffodils Never Die” is about her grandmother who passed away.  

Kleinau’s recital will include eight pieces that are both vocal and instrumental ranging from choral pieces to a piano solo to a flute piece, and more. She will be performing in “Daffodils Never Die” and many classmates will help bring her music to life. 

“Most of them have been so gracious and willing,” Kleinau gratefully said. 

Reflecting on her time at Houghton, Kleinau considers it being a sort of rebirth as she has grown so much since she started. Kleinau attributes inspiration for her music to classes, professors and music she has listened to. Helpful advice she received from Dr. Carrie Magin was to listen to a hundred pieces before writing an original. 

“Theory classes and music history are helpful. A lot of times it [composing] comes from listening and from what you want to write and hear. It is creativity paired with prior knowledge,” Kleinau noted. 

For Kleinau, a valuable part of being in the Greatbatch School of Music program is that she is seen as a person first and a musician second. She’s experienced grace and care as a person and has been encouraged to become the best musician she can be. 

“I see music as an expression of one’s soul; therefore, you want to do it in a way that honors God,” Kleinau expressed. “You want God to be a part of that. It’s not for my own glory, but for God’s glory.”

Dr. Magin, Associate Professor of Music Composition and Theory, has enjoyed working with both Sanchez-Acosta and Kleinau, and watching their growth. As a professor, she loves hearing how audiences react to her students’ compositions.

“I look forward to the final product as their work is shared with our community,” Dr. Magin commented. “It’s a unique gift to be able to create something that moves people, and even more special to help bring that ability out in student composers. These students have worked very hard to put on their recitals, and it’s a great joy seeing and hearing it all come together.” ★

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Campus News

Voice Recitals

By Juliana Schmidt ('25)

On Monday Feb. 12 in the Center for the Arts Recital Hall, Sophia Pantea (‘24) will perform her Senior Recital at 6:30 p.m. and Evelyn Simanowski’s (‘25) Junior Recital will begin at 8 p.m., respectively. 

Professor Kimberly Prins Moeller, the Associate Professor of Voice, disclosed that Pantea’s recital will be full of beautiful and romantic music. It will involve a lot of “soaring melodies” and “heartfelt moments.” 

The title Pantea chose for her recital is “Fill My Heart.” She chose this partly because it is from her favorite musical “The Sound of Music”, but also because of the people at Houghton who have inspired her. 

“I am so blessed to be at Houghton and I have grown so much thanks to my loving teachers,” Pantea said. “This recital is a thank you to my friends and professors for helping me through [these] past few years.” 

As this is Pantea’s senior year at Houghton, she has worked very hard to get to this particular recital. While she is nervous, Pantea expressed that she is also super excited. 

Simanowski chose a French title for her recital called, “Scenes de Nuit” (translated as “Night Scenes”). She shared that the overall feelings for her recital are ones of excitement. 

Professor Prins Moeller revealed that there will be some unexpected twists and a few laughs to look forward to in Simanowski’s recital. 

“I’ve been present for many of her countless hours she’s put into practicing her French and it’s been quite a journey to get here,” Hannah Sturdivant (‘25) commented. “Getting to see her vision come to life in her recital hearing, photos, and poster has been uplifting to experience.” 

Simanowski confessed that it was very personal picking her own program, rehearsing and then presenting. She shared that her recital is her “passion project” and that sharing it with an audience will give her a feeling of satisfaction. 

“I’m expecting it to be a pretty vulnerable experience,” Simanowski admitted, “but I’m hoping in that vulnerability I can share the joy and meaning I found and this music with whoever comes.”

Professor Prins Moeller said that recitals are her favorite part of being an applied voice instructor. 

“I get to know these wonderful singers over several years of working together, then walk with them through the recital preparation process and witness their determination and growth, and finally get to see them bring all of the elements together into a cohesive evening that celebrates their talent, skill, and artistry,” Professor Prins Moeller commented. “It’s incredible!”

With both Pantea and Simanowski performing on the same night, it will prove to be an evening full of ups and downs, heartfelt lyrics and perhaps a few laughs. Overall, not a recital to be missed! ★

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Campus News

Senior Recital: Lucas Myers

By Olivia Kleinau ('24)

On Monday Jan. 29 at 8 p.m., Lucas Myers (‘24) will perform his Senior Recital in the Center For the Arts Recital Hall. 

Myers, a pianist, explained that most of his preparation is a mix of practice as well as studying music scores. He will be performing a broad variety of pieces at his recital, including works by Ludwig van Beethoven, Claude Debussy, Johannes Brahms, Robert Schumann, Frédéric Chopin and Philip Glass. Myers’ pieces include aspects of German Romanticism, French Impressionism and Contemporary Minimalism. 

​​Fellow piano major, Katrina Kauffman (‘26) shared, “I’m super excited for his upcoming recital, I have always really admired his playing. He is definitely someone I look up to as also a piano major.”

Myers shared his excitement for this upcoming recital as it is his first real attempt in creating a themed recital. He will be combining piano repertoire with other art forms to create an overarching storyline tying all the pieces together. The theme Myers’ chose for the recital centers around the idea of rebirth. 

The recital itself will center around the theme of rebirth, and will explore the way in which we as people often go through an internal death while going through times of intense hardship only to be reborn again,

“[The recital] will explore the way in which we as people often go through an internal death while going through times of intense hardship only to be reborn again,” Myers explained, “finding a deeper capacity for love and joy as well as a heightened capacity to appreciate the beauty of life when we reemerge into the land of the living.”

Myers also stated that he finished his coursework last semester, giving more time to prepare for this upcoming recital. Last semester he was taking 19 credits on top of commuting from Rochester, NY to Houghton University. He had to find as many pockets available in his schedule to practice as he could manage, and on top of that make sure he was intentional in balancing heavier practice sessions with periods of rest on the weekends. One benefit of the commute was that it gave Myers the opportunity to do a lot of listening and mental practice.

Myers expressed that overall he is, “super pleased with the way it is shaping up.” ★